Gino severini (311 risultati)

Hardback. Condizione: Good. This autobiography of Gino Severini, translated for the first time into English, tells the story of the Parisian art world he knew so well, and offers an account of the individuals and ideas that created Modernism.

Hardback. Condizione: Very Good. This autobiography of Gino Severini, translated for the first time into English, tells the story of the Parisian art world he knew so well, and offers an account of the individuals and ideas that created Modernism.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardback. Condizione: Very Good. This autobiography of Gino Severini, translated for the first time into English, tells the story of the Parisian art world he knew so well, and offers an account of the individuals and ideas that created Modernism.

Condizione: Very Good. First Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Hardcover in dust jacket (creasing to inner flaps). Spotting to top page edge and boards. No names, underlining, notes or highlighting. n6m.

Hardcover. Condizione: Fair. Condizione sovraccoperta: Very Good. Acceptable: covers lightly sprung, foxing to edges, otherwise text clean and solid; 8vo 8" - 9" tall; 356 pages.

Small softcover, 40 pages of text in Italian followed by 82 illustrations; poor condition: book is split at midpoint with several pages loose; no internal marks. As is; reference copy.

Paperback. Condizione: Used: Good. Good, no marks, binding good; 17 oz.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 2nd Edition. 76 pp. Solidly bound copy and dust jacket with moderate external wear, crisp pages and clean text. Dust jacket shows extensive wear and rips along the front and back. Relevant material included from previous owner. Gino Severini (Illustrations & Drawing by) (illustratore).…

Reliure dos en cuir. Condizione: Bon+. Exemplaire de bibliothèque de la Collège Marguerite Bourgeoys / Congrégation de Notre-Dame à Montréal. Dessins De Gino Severini, Mela Muter; Tableaux de André Beaudin, F. Borés (illustratore).

Soft cover. Condizione: Fine. 1st Edition. 31 pp. Square Octavo. 30 drawings in chronological order. White wrappers with Title lettering in black letters at center front cover. Drawings: (1) EDOUARD VUILLARD ("Deux Personnages de Theatre, dont un Pierrot Agenouille; (2) EMIL NOLDE (Menschenpaar"); (3) WASSILY KANDINSKY ("Untitled [Study for Paradise]"; (4) MAN RAY ("Teapot"); (5) GINO SEVERINI ("Femme Assise"); (6) ROGER DE LA FRESNAYE ("Le Fumere de Pipe"); (7) GEORGE GROSZ ("Strandleben"); (8) HANS HOFMANN ("St. Tropez, vue sur les Montagnes de St. Raphael"); (9) KURT SELIGMANN ("La Peur et son Lance-Pierre"; (10) PAUL CADMUS ("Study for ' The Herrin Massacre ' "; (11) MARK ROTHKO ("Untitled [a double-sided drawing]"; (12) Henri Matisse ("Untitled [Tete de femme]"; (13) ALBERTO GIACOMETTI ("View of the Artist's Studio"); (14) WILLEM DE KOONING ("Untitled [Two Women]"); (16) LYONEL FEININGER ("Untitled [Cityscape]"); (17) MARK TOBEY ("Symbols Over the West"); (18) DAVID SMITH ("Untitled"); (19) ADOLPH GOTTLIEB ("Untitled"); (19) SAUL STEINBERG ("Definite Opinion"); (20) PABLO PICASSO ("L'Homme a l'agneau et flutiste"); (21) PHILIPE GUSTON ("Palette"); (22) DAVID HOCKNEY ("Kasmin Reading the Udaipur Guide"); (23) AVIGDOR ARIKHA ("View on Central Park"); (24) ELLSWORTH KELLY ("Six Leaved Tropical Plant"); (25) BRICE MARDEN ("Card Drawings (Counting), #2 [one of a series of four drawings]"); (26) In Color: JASPER JOHNS ("Untitled"); (27) ROBERT MOTHERWELL ("Elegy Study"); (28) EDWARD HENDRSON ("Untitled"); (29) JAKE BERTHOT ("Untitled"); (30) FRANK AUERBACH ("Study for Tree on Primrose Hill"). Two light spots on lower front cover edge (smudges) along with only a few incipient, or very faint, foxing-like specks: describes worse than it is, but there you have it in all fidelity. Virtually, As New: Tight binding; sharp corners; NO remainder marks; NO previous owner names. Clean text. Gift-giving condition or you may need new friends. Edouard Vuillard, Emil Nolde, Wassily Kandinsky, Man Ray, Gino Severini, Roger de la Fresnaye, George Grosz, Hans Hofmann, Kurt Seligmann, (illustratore). …

No Binding. Condizione: Very Good. Postcard in Very Good condition, unmailed, with minor marks on reverse. Cards are sent in stiff mailers. Photo.

No Binding. Condizione: Near Fine. Postcard in near-fine condition, a little age-toned. Unmailed. Cards are sent in stiff mailers. Photo.

Hardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: COMO NUEVO-Muy Bien. DEL CUBISMO AL CLASICISMO.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft Cover. Condizione: Good. Worn. Covers soiled and sunned. Short closed tear at rear cover. 40 pages. Short loose "addendum' present.

paperback. Condizione: Very Good. New Haven, 1997; illustrated paper covers; French flaps; mild corner wear; 4to,9 3/4" to 12" tall; Interior is clean and unmarked; 190 pages.

Encuadernación de tapa blanda. Condizione: Muy bueno. Excelente conservación pero tiene algún subrayado flojo a lápiz, se borra fácil. 160 páginas.

Trade Paperback. Condizione: Used - Good. Gino Severini's first solo exhibition took place in London's Marlborough Gallery in 1913. Its reception ranged from adulation among the cognoscenti to bewildered reactions from the popular press. Though his paintings were shown in the context of Futurist group exhibitions or thematic shows of twentieth-century Italian art, there was never a museum exhibition in Britain devoted solely to his work. 'Gino Severini: From Futurism to Classicism,' part of the National Touring Exhibitions program of the Hayward Gallery, aims to redress this situation. The exhibition and the lavishly illustrated book that accompanies it bring into focus the essence of Gino Severini's highly distinctive talent, and the contribution he has made to modern art. 'Gino Severini' concentrates on the most significant decade of the artist's career: the years from 1910 until 1920. It follows the development of his art from his Futurist works of the early 1910s, with their rejection of the past and their emphasis on dynamism and the modern world, to his adoption of a Synthetic Cubist style during the war years and finally to the timeless and mathematically composed still lifes and figures he painted from 1919 onwards.Reflected in a broad range of contemporary themes from war to dancers, Severini's stance during a decade of political and artistic upheaval--made especially distinctive by the move from his native Italy to Paris--is exceptional. His development is a fascinating parallel to the directions taken by his Paris contemporaries including Picasso, Gris and Metzinger. This fully-illustrated book includes insightful essays by Simonetta Fraquelli, curator, and Christopher Green, History of Art Professor at the Courtauld Institute of Art. An exciting and provocative collection of works by Gino Severini from the most significant decade (1910-20) of his career, Gino Severini: From Futurism to Classicism traces the evolution of his art from his pre-war Futurist period to his adoption of a vigorous geometric ordering based on classical principles. Book has minor shelf wear.…

Trade Paperback. Condizione: Used - Good. Gino Severini's first solo exhibition took place in London's Marlborough Gallery in 1913. Its reception ranged from adulation among the cognoscenti to bewildered reactions from the popular press. Though his paintings were shown in the context of Futurist group exhibitions or thematic shows of twentieth-century Italian art, there was never a museum exhibition in Britain devoted solely to his work. 'Gino Severini: From Futurism to Classicism,' part of the National Touring Exhibitions program of the Hayward Gallery, aims to redress this situation. The exhibition and the lavishly illustrated book that accompanies it bring into focus the essence of Gino Severini's highly distinctive talent, and the contribution he has made to modern art. 'Gino Severini' concentrates on the most significant decade of the artist's career: the years from 1910 until 1920. It follows the development of his art from his Futurist works of the early 1910s, with their rejection of the past and their emphasis on dynamism and the modern world, to his adoption of a Synthetic Cubist style during the war years and finally to the timeless and mathematically composed still lifes and figures he painted from 1919 onwards.Reflected in a broad range of contemporary themes from war to dancers, Severini's stance during a decade of political and artistic upheaval--made especially distinctive by the move from his native Italy to Paris--is exceptional. His development is a fascinating parallel to the directions taken by his Paris contemporaries including Picasso, Gris and Metzinger. This fully-illustrated book includes insightful essays by Simonetta Fraquelli, curator, and Christopher Green, History of Art Professor at the Courtauld Institute of Art. An exciting and provocative collection of works by Gino Severini from the most significant decade (1910-20) of his career, Gino Severini: From Futurism to Classicism traces the evolution of his art from his pre-war Futurist period to his adoption of a vigorous geometric ordering based on classical principles. Book has minor shelf wear.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condizione: Very Good. 1st Edition. Exhibition catalogue of Hayward Gallery retrospective of the Italian modernist painter. With 38 full colour plates. Superficial scratching on back cover. Gino Severini (illustratore).

Paperback. Condizione: Used: Good. Good, no marks, binding good; (32 x 24 cm.)., 1967. Exposition juillet-octobre 1967. 34 reproductions en noir et blanc et 1 en couleurs. Préface de Bernard Dorival. Biographie; 10 oz; 12.5 x 9 inches.

Condizione: Good. 4to. 40 works described and reproduced in color. Biography, chronological biography. Fine in wraps. Gino Severini (illustratore).

Softcover. Condizione: Fine. Original Edition. San Fransico: Pasquale Iannetti Art Galleries, n.d. [2006].Original Edition. 11" x 8.5". Color-pictorial stiff wrappers, fine condition. Retrospective catalog of 40 work shown in full color. Price list laid in, with prices of those for sale (several are not). ; 11 X 8.5 inches.…

Soft cover. Condizione: Good. 1st Edition. Softcover: 11 x 8.5 x .5 in., Front and back cover: signs of rubbing on front, top right corner worn on front cover, 1 in. indent on left side of back cover, edgewear, scratches on back cover; Pages: highlighting of text on some pages, otherwise in very good condition; Overall good condition.…