Gins john (17 risultati)

paperback. Condizione: Fair. Patton, Nicholas; Dizzy, Gizzy (illustratore).

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Patton, Nicholas (illustratore).

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Patton, Nicholas (illustratore).

Condizione: New. Patton, Nicholas; Dizzy, Gizzy (illustratore).

Paperback or Softback. Condizione: New. Stress: Two Minute Exercises to Break Up The Day, A Deskbook Guide. Patton, Nicholas; Dizzy, Gizzy (illustratore). Book.

Condizione: As New. Unread book in perfect condition. Patton, Nicholas; Dizzy, Gizzy (illustratore).

Condizione: New. Patton, Nicholas; Dizzy, Gizzy (illustratore).

Condizione: New. Patton, Nicholas; Dizzy, Gizzy (illustratore).

Condizione: As New. Unread book in perfect condition. Patton, Nicholas; Dizzy, Gizzy (illustratore).

Taschenbuch. Condizione: Neu. Neuware. Patton, Nicholas; Dizzy, Gizzy (illustratore).

Condizione: New. Patton, Nicholas; Dizzy, Gizzy (illustratore).

Condizione: like_new.

Soft cover. Condizione: Very Good. 1st Edition. Some rubbing and bumping to wrappers. A copy in very good condition, free of internal markings.

Stiff Wrapper. Condizione: Good +. Only Edition. 96 pp #1: Dan Graham (from END MOMENTS), Hannah Weiner (from CODE POEMS), Vito Acconci, Andre Du Bouchet, George Schneeman & Ron Padgett, Carter Ratcliff, Joachim Neugroschel, Suzanne Zavrian et al.

282 pp.; 30.7 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "Power without authority in art and design education," by R.H. Litherland; "British Sculptors '72;" "Brian Kneale;" "Enemies of Art," by Jeremy Moon; "Correspondence;" "News and Notes;" "Newton Harrison: big fish in small pool," by Jonathan Benthall; "Atget and the City," by John Fraser; "Irish commentary," by Tim Hilton; "Section 10 from 'Mechanism of Meaning' (work in progress 1963-71)," Arakawa in collaboration with Madeline Gins; "Tantra Revealed," by Robert Fraser; "Anthony Caro at David Mirvish," by W. Neil Marshall; "Paris Biennale," by Virginia Whiles-Serreau; "Projection: the new trend at 'Prospect 71,' by Georg Jappe; "Prints supplement," articles by Charlotte Townsend and Chris Fox; "Directory of publishers and presses;" "Directory of galleries dealing in graphics;" "Inn70" "APG." Cover by Arakawa. Very Good. Light rubbing and bumping of cover edges and corners. 11.5 cm., 1.3 cm., and 4 cm. of soiling to verso edges with additional light scratching and rubbing. Contents clean and unmarked.…

Soft cover. Condizione: Good. 1st Edition. A set six of the avant-garde periodical Assembling. Instead of selecting from submissions presented to it, Richard Kostelanetz (and, at various times, Henry James Korn, Mike Metz, Scott Helmes, and David Cole) invited potential contributors to submit a thousand copies of whatever they wanted to include, which were then alphabetically assembled into 8.5 by 11 inch books. Published by Ghilbmessa Inc. (First number) and then by Assembling Press, New York between 1970-1981. Edition of 1000. Overall excellent, well-preserved copies with minor edge-wear and age-toning, some mildly bumped corners, oversized pages in some issues creased at fore-edges. Very Good or better with no major flaws, no internal markings - all in custom protective mylar. Notably - front panel of Issue 1, which is printed on lighter paper than subsequent issues, has small closed tears at the staples - loosely attached thus. Issue 4 has a closed, diagonal tear with creasing at the spine near bottom edge - not affecting binding. Please inquire for further, thorough descriptions of condition of individual issues. Issue 1 (1970) features mixed-media contributions from Edward Ruscha (Chocolate smear by the artist), Dan Graham, Bernadette Mayer, Vito Acconci, Madeline Gins, Arakawa, Hannah Weiner, Robert Lax et al. Second Assembling (1971) features the work of Jochen Gerz, Davi Det Hompson, Clemente Padin, Alan Sondheim and Nicholas Zurbrugg et al. Third Assembling (1972), which was collated and bound by an anonymous fireman and his family, includes contributions from artists such as John Baldessari, John Furnival, Roni Hoffman, Elizabet Ginsberg, Ruth Krauss and Joseph Phillips. Fourth Assembling (1973) contains work by: Jean-Jacques Cory, Wally Depew, Dick Higgins, Nancy Henderson, Mad Dog et al. Fifth Assembling (1975) features artistic contributions by Eric Anderson, Bruce Andrews, Scott Hyde, Shoichi Kiyokawa, Thomas Macauley, Jonathan Price and Karl Young among many others. Sixth Assembling features works by Bob Aab, Anna Banana, A.F. Caldiero, Robin Crozier, Veronica Drew, Bill Gaglione & Tim Mancusi, Joe Johnson etc. Seventh Assembling features contributions by, among others, Rene Aeberhard, Bruce Andrews and Eduardo Ballerini. Eighth Assembling (1978) was split into two (A-J) and (K-Z) and includes avant-garde contributions from artists such as Charlton Burgh, Charles Ewert, Michael Gibbs and Richard Grayson in the first, and Valery Oisteanu, Douglas Turnbaugh and Nancy Wolf in the second. Ninth Assembly (1979) constitutes a 'critical' anthology. Tenth Assembling features contributions by Allan Coleman, Bonnie Donohue, Rimma & Valery Gerlovin and Tom Persons. Eleventh Assembling (1981), subtitled "Pilot Proposals" includes contributions by Agnes Denes, Bern Porter and Richard Meltzer, among others. Signed by Author(s).…

[1] pp.; 28 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Flyer / announcement published to promote events held between 13th and 14th Streets and 6th and 5th Avenues, New York City, on April 18, 1969. Participating artists included Vito Hannibal Acconci, Terence Anderson, Arakawa, Gregory Battcock, Matthew Benedict, Michael Brownstein, Scott Burton, James Lee Byars, Rosemarie Castoro, Eduardo Costa, Bill Creston, Larry Fagin, Madeline Gins, John Giorno, Bobbi Gormley, Tom Gormley, Dan Graham, Katherine Greef, Stephen Kaltenbach, Joseph Kosuth, Leandro Katz, Alcides Lanzy, Lucy Lippard, Rosemary Mayer, Ben Patterson, John Perreault, Lil Picard, Adrian Piper, H Alexander Roberts, Marjorie Strider, Mr. T., Bernar Venet, Frank Lincoln Viner, Anne Waldman, Lewis Warsh, Luis Wells, Hannah Weiner and Lawrence Weiner. These organized street works can be understood as extensions of both the Pop art Happenings of the earlier 1960s and the street protests taking place in New York City and throughout the country during the 1968 elections, the Civil Rights Movement, and the Vietnam War. Whereas the Pop happenings usually took place in galleries and performance spaces, the street works were unconfined by physically walled-in spaces. Enacted in open environments, comingled with the natural flow of pedestrians, these performances created unlimited possibilities for happenstance with the sidewalk as the stage and the city as backdrop, the inhabitants of New York became active participants with the artists, willingly or not. Fair / Good. Folded in three and two tape stains. Name of recipient on verso in ink. …