Giulio j pertile (50 risultati)

Condizione: very_good. This is a well-cared-for used book with light signs of previous use. There may be minor cover wear, a faint crease, or slight spine wear, but overall it's in great shape and fully readable. Please note: -May contain library or rental stickers. -Supplemental materials e.g., CDs, access codes, inserts are not guaranteed. -Box sets may not include original exterior box. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading. …

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Soft cover. Condizione: As New. Rethinking the Early Modern. xi, 175 pp. Paperback. Unread, as new. New list price: $34.95.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. Feeling Faint is a book about human consciousness in its most basic sense: the awareness, at any given moment, that we live and feel. Such awareness, it argues, is distinct from the categories of selfhood  to which it is often assimilated, and can only be uncovered at the margins of first-person experience. What would it mean to be conscious without being a first person-to be conscious in the absence of a self? Such a phenomenon, subsequently obscured by the Enlightenment identification of consciousness and personal identity, is what we discover in scenes of swooning from the Renaissance: consciousness without self, consciousness reconceived as what Frederic Jameson calls "a registering apparatus for transformed states of being." Where the early modern period has often been seen in terms of the rise of self-aware subjectivity, Feeling Faint argues that swoons, faints, and trances allow us to conceive of Renaissance subjectivity in a different guise: as the capacity of the senses and passions to experience, regulate, and respond to their own activity without the intervention of first-person awareness. In readings of Renaissance authors ranging from Montaigne to Shakespeare, Pertile shows how self-loss affords embodied consciousness an experience of itself in a moment of intimate vitality which precedes awareness of specific objects or thoughts-an experience with which we are all familiar, and yet which is tantalizingly difficult to pin down.…

Condizione: New.

Condizione: new.

Paperback. Condizione: Brand New. 175 pages. 9.00x6.00x0.25 inches. In Stock.

Condizione: New. pp. 192.

Condizione: New. 2019. Paperback. . . . . .

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. In English.

Condizione: New.

Condizione: New. pp. 192.

Condizione: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

hardcover. Condizione: Very Good. Cover and edges may have some wear.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Very Good. 2022 OUP hardcover edition. Unread copy in very good condition. Augustine, Pertile and Zwicker celebrate the work of Andrew Marvell (1621-1678) in the quatercentenary year of his birth, combining the best historical scholarship with a varied and ambitious programme of cognitive, affective, and aesthetic inquiry. The essays have been specially commissioned for the quatercentenary and include the work of a range of scholars from Britain and North America. Acknowledged masterpieces such as the 'Horatian Ode', 'The Garden', and 'Upon Appleton House' are here read in light of historical and material evidence that has emerged in recent decades. At the same time, the volume offers many fresh points of entry into Marvell's work, with particular attention to the poet's lyric economies, Marvell's engagement with popular print, and, not least, the polyglot and transnational dimensions of his writing. The quatercentenary also represents an important anniversary for Marvell studies, marking one hundred years since T. S. Eliot's appreciation of the poet inaugurated modern Marvell criticism. As Imagining Andrew Marvell at 400 reassesses Marvell's writings it also reflects on the profession of English literature, taking stock of the discipline itself, where it has been and where it might be going as scholars continue to map the pleasures and challenges of reading and re-reading Andrew Marvell. Contents List of Illustrations List of Abbreviations Notes on Contributors Acknowledgements 1 Introduction by Matthew C. Augustine, Giulio J. Pertile, Steven N. Zwicker Part I: Andrew Marvell's Occasions 2 The Conversion of Andrew Marvell: Religion, Poetics, Sexuality by Nicholas McDowell 3 Hollowing after Cromwell in 'The First Anniversary' by James Loxley 4 'Let Us Now Praise Famous Men': Andrew Marvell and the Problem of Panegyric by Steven N. Zwicker 5 'Business Either of Truth or Eternity': Marvell's View from 1672 by Kathleen Lynch 6 'A Fleet of Worlds': Marvell, Globalisation, and Slavery by David Norbrook Part II: Polyglot and Transnational Perspectives 7 Marvell and Bilingual Verse Culture by Victoria Moul 8 Marvell and the Abrupt Style by Nicholas von Maltzahn 9 Maritime Mirrors: Marvell's Dutch Satires by Esther van Raamsdonk 10 Marvell and the Poetics of Creation by Giulio J. Pertile Part III: Affect and Cognition 11 'The World Excluding Round': Suspended Passions and Alienated Affects in Marvell's Lyric Poetry by N. K. Sugimura 12 Knowingness and Eros: Andrew Marvell's 'Last Instructions to a Painter' by David Carroll Simon 13 'Contained' and 'Unconstrained': Andrew Marvell and the Signs of Sound by Tessie Prakas 14 The River Overflows: Consciousness in 'Upon Appleton House' by Gordon Teskey Part IV: Media, Mediation, Materialities 15 Marvell's Poetry in Motion by Martin Dzelzainis 16 Touching Words: Marvell's Satires in Hand by Diane Purkiss 17 Practising Flow in Marvell and Ashbery by Joanna Picciotto 18 Learning to Read with Marvell by Matthew C. Augustine Part V: Conclusions 19 Hold or Break: Andrew Marvell, Poetry, and Necessity by Nigel Smith Index.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Kartoniert / Broschiert. Condizione: New. Explores human consciousness in its most basic sense: the awareness, at any given moment, that we live and feel. Such awareness, it argues, is distinct from the categories of selfhood to which it is often assimilated, and can only be uncovered at the margi.

Taschenbuch. Condizione: Neu. Neuware - Explores human consciousness in its most basic sense: the awareness, at any given moment, that we live and feel. Such awareness, it argues, is distinct from the categories of selfhood to which it is often assimilated, and can only be uncovered at the margins of first-person experience. What would it mean to be conscious without being a first person - to be conscious in the absence of a self.…

Condizione: New. Brand New.

Paperback. Condizione: New. Feeling Faint is a book about human consciousness in its most basic sense: the awareness, at any given moment, that we live and feel. Such awareness, it argues, is distinct from the categories of selfhood  to which it is often assimilated, and can only be uncovered at the margins of first-person experience. What would it mean to be conscious without being a first person-to be conscious in the absence of a self? Such a phenomenon, subsequently obscured by the Enlightenment identification of consciousness and personal identity, is what we discover in scenes of swooning from the Renaissance: consciousness without self, consciousness reconceived as what Frederic Jameson calls "a registering apparatus for transformed states of being." Where the early modern period has often been seen in terms of the rise of self-aware subjectivity, Feeling Faint argues that swoons, faints, and trances allow us to conceive of Renaissance subjectivity in a different guise: as the capacity of the senses and passions to experience, regulate, and respond to their own activity without the intervention of first-person awareness. In readings of Renaissance authors ranging from Montaigne to Shakespeare, Pertile shows how self-loss affords embodied consciousness an experience of itself in a moment of intimate vitality which precedes awareness of specific objects or thoughts-an experience with which we are all familiar, and yet which is tantalizingly difficult to pin down.…

Hardcover. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.