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Aggiungi al carrelloPAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Lingua: Inglese
Editore: Amazon Digital Services LLC - Kdp, 2022
ISBN 10: 195358943X ISBN 13: 9781953589439
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Davis, Rob (illustratore). Neuware.
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Aggiungi al carrelloPaperback. Condizione: Brand New. 352 pages. 9.33x6.89x0.67 inches. In Stock.
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Aggiungi al carrelloPAP. Condizione: New. Davis, Rob (illustratore). New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Aggiungi al carrelloCondizione: New. Num Pages: 316 pages, 10 black & white halftones. BIC Classification: AN. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156. . . 2017. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. World Theories of Theatre | Glenn A. Odom | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2017 | Routledge | EAN 9781138822566 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
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Da: Rarewaves.com USA, London, LONDO, Regno Unito
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Aggiungi al carrelloHardback. Condizione: New. This volume documents the current scholarly and artistic practices surrounding comparison and globalisation in theatre in five geographic locations that imagine themselves as global centers of knowledge exchange. Explores the notion of a heteroglobal approach to understand global circulation of performance. This approach starts with the local theoretical and philosophical frameworks from five imagined centres and then considers the knowledges about art and globalisation that emerge from a combination of these concepts. These "imagined centers", each containing a rich array of discourses, are South Africa, the U.S. and U.K., China, Japan, and Nigeria. By considering "comparison" and "intercultural theatre (to use culturally specific names for a range of pursuits) as practiced in each of these local contexts as they theorize the global, this volume advances a more globally-inflected approach to studying globalization through a theoretically pluralistic matrix of different modes of comparison and interculturalism.
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. A bold new framework for global theatre rooted in local philosophies and connected through a heteroglobal vision. Theatre, Globalization and the Heteroglobal Method offers a groundbreaking framework for rethinking global theatre studies. Drawing on philosophy and scholarship from major theatre traditionsSouth Africa, the United States, the United Kingdom, China, Japan, and Nigeriathe volume reimagines how performance circulates and transforms in a global context. Challenging the dominance of Eurocentric models in postcolonial studies, comparative literature, and world theatre, the book introduces the "heteroglobal" method: an adaptable, equitable approach that begins with local theoretical and philosophical frameworks before bringing them into dialogue. These imagined centers, each with its own rich discursive heritage, become sites of knowledge exchange where fresh understandings of art and globalization emerge. Through a theoretically pluralistic matrix of comparison and interculturalism, Theatre, Globalization and the Heteroglobal Method documents contemporary scholarly and artistic practices across diverse cultural landscapes, offering a new model for teaching, research, and performance in an interconnected world. This volume explores the notion of a heteroglobal approach to understand global circulation of performance. This approach starts with the local theoretical and philosophical frameworks from five imagined centres and then considers the knowledges about art and globalisation that emerge from a combination of these concepts. 1 b&w illus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Hardback. Condizione: New. This volume documents the current scholarly and artistic practices surrounding comparison and globalisation in theatre in five geographic locations that imagine themselves as global centers of knowledge exchange. Explores the notion of a heteroglobal approach to understand global circulation of performance. This approach starts with the local theoretical and philosophical frameworks from five imagined centres and then considers the knowledges about art and globalisation that emerge from a combination of these concepts. These "imagined centers", each containing a rich array of discourses, are South Africa, the U.S. and U.K., China, Japan, and Nigeria. By considering "comparison" and "intercultural theatre (to use culturally specific names for a range of pursuits) as practiced in each of these local contexts as they theorize the global, this volume advances a more globally-inflected approach to studying globalization through a theoretically pluralistic matrix of different modes of comparison and interculturalism.