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Inventing the Business of Opera: The Impresario and His World in Seventeenth Century Venice (AMS Studies in Music)
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Inventing the Business of Opera : The Impresario and His World in Seventeenth Century Venice
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Inventing the Business of Opera : The Impresario and His World in Seventeenth Century Venice
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Inventing the Business of Opera
Lingua: Inglese
Editore: Oxford University Press Inc, US, 2007
ISBN 10: 0195342976 ISBN 13: 9780195342970
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Aggiungi al carrelloPaperback. Condizione: New. In mid seventeenth-century Venice, opera first emerged from courts and private drawing rooms to become a form of public entertainment. Early commercial operas were elaborate spectacles, featuring ornate costumes and set design along with dancing and music. As ambitious works of theater, these productions required not only significant financial backing, but also strong managers to oversee several months of rehearsals and performances. These impresarios were responsible for every facet of production from contracting the cast to balancing the books at season's end. The systems they created still survive, in part, today. Inventing the Business of Opera explores public opera in its infancy, from 1637 to 1677, when theater owners and impresarios established Venice as the operatic capital of Europe. Drawing on extensive new documentation, the book studies all of the components necessary to opera production, from the financial backing of various populations of Venice, to the commissioning and creation of the libretto and the score; the recruitment and employment of singers, dancers, and instrumentalists; the production of the scenery and the costumes, and, the nature of the audience; and, finally, the issue of patronage. Throughout the book, the problems faced by impresarios come into new focus. The authors chronicle the progress of Marco Faustini, the impresario most well known today, who made his way from one of Venice's smallest theaters to one of the largest. His companies provide the most personal view of an impresario and his partners, who ranged from Venetian nobles to artisans. Throughout the book, Venice emerges as a city that prized novelty over economy, with new repertory, scenery, costumes, and expensive singers the rule rather than the exception. The authors examine the challenges faced by four separate Venetian theaters during the seventeenth century: San Cassiano, the first opera theater, the Novissimo, the small Sant'Aponal, and San Luca, established in 1660. Only two of them would survive past the 1650s. Through close examination of an extraordinary cache of documents--including personal papers, account books, and correspondence -- Beth and Jonathan Glixon provide a comprehensive view of opera production in mid-seventeenth century Venice. For the first time in a study of opera, an emphasis is placed on the physical production -- the scenery, costumes, and stage machinery -- that tied these opera productions to the social and economic life of the city. This original and meticulously researched study will be of strong interest to all students of opera and its history.
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Studies in Seventeenth-century Opera
Libro 1 di 6: The Ashgate Library of Essays in Opera StudiesDa: GreatBookPrices, Columbia, MD, U.S.A.
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Inventing the Business of Opera: The Impresario and His World in Seventeenth Century Venice (AMS Studies in Music)
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Inventing the Business of Opera: The Impresario and His World in Seventeenth Century Venice
Lingua: Inglese
Editore: Oxford University Press 2007-12, 2007
ISBN 10: 0195342976 ISBN 13: 9780195342970
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Inventing the Business of Opera : The Impresario and His World in Seventeenth Century Venice
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Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice (AMS Studies in Music)
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Aggiungi al carrelloCondizione: New. Series: AMS Studies in Music. Num Pages: 416 pages, 16 black and white halftones, 7 line illustrations. BIC Classification: AVGC9. Category: (P) Professional & Vocational. Dimension: 236 x 157 x 23. Weight in Grams: 638. . 2007. Paperback. . . . .
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Studies in Seventeenth-century Opera
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Studies in Seventeenth-Century Opera (The Ashgate Library of Essays in Opera Studies)
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Studies in Seventeenth-century Opera
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Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice (AMS Studies in Music)
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Aggiungi al carrelloCondizione: New. Series: AMS Studies in Music. Num Pages: 416 pages, 16 black and white halftones, 7 line illustrations. BIC Classification: AVGC9. Category: (P) Professional & Vocational. Dimension: 236 x 157 x 23. Weight in Grams: 638. . 2007. Paperback. . . . . Books ship from the US and Ireland.
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Word, Image, and Song, Vol. 2: Essays on Musical Voices (Eastman Studies in Music)
Lingua: Inglese
Editore: University of Rochester Press, 2013
ISBN 10: 1580464300 ISBN 13: 9781580464307
Da: Books From California, Simi Valley, CA, U.S.A.
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Studies in Seventeenth-century Opera
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Studies in Seventeenth-Century Opera
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Inventing The Business Of Opera : The Impresario And His World In Seventeenth Century Venice
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Studies in Seventeenth-Century Opera (The Ashgate Library of Essays in Opera Studies)
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Studies in Seventeenth-Century Opera (The Ashgate Library of Essays in Opera Studies)
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Inventing The Business Of Opera : The Impresario And His World In Seventeenth Century Venice
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Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice (A.M.S. Studies in Music)
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Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice (AMS Studies in Music)
Lingua: Inglese
Editore: Oxford University Press, UK, 2005
ISBN 10: 0195154169 ISBN 13: 9780195154160
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Inventing The Business Of Opera : The Impresario And His World In Seventeenth Century Venice
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Inventing the Business of Opera: The Impresario and His World in Seventeenth Century Venice (Paperback)
Lingua: Inglese
Editore: Oxford University Press, USA, New York, 2008
ISBN 10: 0195342976 ISBN 13: 9780195342970
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. In mid seventeenth-century Venice, opera first emerged from courts and private drawing rooms to become a form of public entertainment. Early commercial operas were elaborate spectacles, featuring ornate costumes and set design along with dancing and music. As ambitious works of theater, these productions required not only significant financial backing, but also strong managers to oversee several months of rehearsals and performances. These impresarios were responsible for every facet of production from contracting the cast to balancing the books at season's end. The systems they created still survive, in part, today. Inventing the Business of Opera explores public opera in its infancy, from 1637 to 1677, when theater owners and impresarios established Venice as the operatic capital of Europe. Drawing on extensive new documentation, the book studies all of the components necessary to opera production, from the financial backing of various populations of Venice, to the commissioning and creation of the libretto and the score; the recruitment and employment of singers, dancers, and instrumentalists; the production of the scenery and the costumes, and, the nature of the audience; and, finally, the issue of patronage. Throughout the book, the problems faced by impresarios come into new focus. The authors chronicle the progress of Marco Faustini, the impresario most well known today, who made his way from one of Venice's smallest theaters to one of the largest. His companies provide the most personal view of an impresario and his partners, who ranged from Venetian nobles to artisans. Throughout the book, Venice emerges as a city that prized novelty over economy, with new repertory, scenery, costumes, and expensive singers the rule rather than the exception. The authors examine the challenges faced by four separate Venetian theaters during the seventeenth century: San Cassiano, the first opera theater, the Novissimo, the small Sant'Aponal, and San Luca, established in 1660. Only two of them would survive past the 1650s. Through close examination of an extraordinary cache of documents--including personal papers, account books, and correspondence -- Beth and Jonathan Glixon provide a comprehensive view of opera production in mid-seventeenth century Venice. For the first time in a study of opera, an emphasis is placed on the physical production -- the scenery, costumes, and stage machinery -- that tied these opera productions to the social and economic life of the city. This original and meticulously researched study will be of strong interest to all students of opera and its history. In mid seventeenth-century Venice, opera first emerged from courts and private drawing rooms to become a form of public entertainment. Early commercial operas were elaborate spectacles, featuring ornate costumes and set design along with dancing and music. As ambitious works of theater, these productions required not only significant financial backing, but also strong managers to oversee several months of rehearsals and performances. These impresarios were responsible for every facet of production from contracting the cast to balancing the books at season's end. The systems they created still survive, in part, today. Inventing the Business of Opera explores public opera in its infancy, from 1637 to 1677, when theater owners and impresarios established Venice as the operatic capital of Europe. Drawing on extensive new documentation, the book studies all of the components necessary to opera production, from the financial backing of various populations of Venice, to the commissioning and creation of the libretto and the score; the recruitment and employment of singers, dancers, and instrumentalists; the production of the scenery and the costumes, and, the nature of the audience; and, finally, the issue of patronage. Throughout the boo Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Word, Image, and Song, Vol. 1: Essays on Early Modern Italy (Eastman Studies in Music, 101)
Lingua: Inglese
Editore: University of Rochester Press, 2013
ISBN 10: 1580464297 ISBN 13: 9781580464291
Da: Books From California, Simi Valley, CA, U.S.A.
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Inventing The Business Of Opera : The Impresario And His World In Seventeenth Century Venice
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Aggiungi al carrelloCondizione: New. Beth L. Glixon, Dr, University of Kentucky, USAThe past four decades have seen an explosion in research regarding seventeenth-century opera. In addition to investigations of extant scores and librettos, scholars have dealt with the associated areas of d.
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Inventing the Business of Opera : The Impresario and His World in Seventeenth Century Venice
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Studies in Seventeenth-Century Opera | Beth L. Glixon | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2024 | Routledge | EAN 9781032919157 | Verantwortliche Person für die EU: Taylor & Francis Verlag GmbH, Kaufingerstr. 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu.
