Goldstein claire (37 risultati)

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 242 pp. Book/dust jacket condition: Fine light spotting to textblock's top, side; else Fine)/Fine. 1st/First Edition, 1st/First Printing. Beautifully illustrated in b/w throughout. All orders are processed and shipped from MI or WI, USA.…

Hardcover. Condizione: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover.

Softcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2024. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2024. Ammareal gives back up to 15% of this item's net price to charity organizations. …

hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Condizione: New. 4to, hardcover. NEW in dust jacket. Bright, crisp & clean, unread; dj glossy. viii, 242 p., illus., maps. Papers from a symposium held at the University of Pennsylvania.

Hardcover. First edition. Very good quarto-sized hardcover in very good dust jacket. Light wear to edges of boards. Dj has some wear along edges and minor scuffing to covers. 242 pages with tables, illustrations, notes after each essay, and index. A collection of essays on French garden art. Very Good in Very Good dust jacket.…

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780812240580. …

Hardcover. Condizione: As New. 256 pages. In the absence of any modern history of French garden art, this volume offers twelve chapters that review some of the most interesting and innovative moments of French garden history. This series of studies traces a progression from what is taken as the golden age of French garden art, in the late seventeenth centur y, up to the present, when a renaissance of French design theory and practice is clearly visible.By exploring the contributions of such important designe rs as Jean-Marie Morel and Claude-Henri Watelet, these essays argue for a tradit ion that includes, but is by no means exclusively influenced by, Andre Le Notre, long considered the dominant figure in French garden history. Even a glance at the wealth of garden theory and practice during the late eighteenth and early ni neteenth centuries must call into question the conventional neglect of post-Le N otrean work. Each author reads a significant moment of garden art in relation to a whole cluster of cultural concerns, which change with the time and place of t he garden discussed; overall, this has meant invoking town planning, engineering , optics, scientific and philosophic movements, bourgeois ethics, foreign import s, vernacular workings of the land, the rise of professional landscape practice, even the modernist refusal to recognize the garden itself as the prime site of intervention in the landscape.…

Condizione: New.

Hardback. Condizione: New. Versailles has long been the consummate symbol of Louis XIV's distinct political and aesthetic influence, the epicenter of French national identity and classical style. From furniture and fashions to gardens and typefaces, the objects that define style underwent dramatic innovation during the very decade of Versailles's creation. In all this, the creation of Versailles has been represented as providing a foundational moment for both modern political subjectivity and French cultural hegemony. Before Louis started work on Versailles, however, there was another center of innovation: his finance minister, Nicolas Fouquet's chÂteau Vaux-le-Vicomte. Vaux was, for a few short years, the country's artistic capital, It was at Vaux, that, after years of civil war and division, Fouquet modeled a unified France by assembling the country's most important thinkers, writers, and artists at an artistic court that privileged liberal rule, the autonomy of the individual, and harmonious collaboration among formerly divided factions. Yet within a few months of Vaux's completion, the king had Fouquet jailed and recruited the minister's stable of writers, artists, weavers, and gardeners to Versailles. Claire Goldstein shows how the connection between Vaux and Versailles is at the heart of classical style, a connection made by political repression, theft, and erasure. Goldstein retraces the unacknowledged roots of Versailles in Fouquet's short-lived experiment, and destabilizes any easy understanding of the court of the Sun King as the origin of French national style. Recounting how trees and tapestries, gardeners and writers were sometimes forcibly removed from one palace to the other-and how their meanings were transformed in the process-she discovers in the apogee of classicism the remnants of a repressed cultural vision.…

Condizione: As New. Unread book in perfect condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. 2007. Hardcover. . . . . .

Condizione: New. In English.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2007. Hardcover. . . . . . Books ship from the US and Ireland.

Condizione: New.

Condizione: New.

Gebunden. Condizione: New. Versailles has long been the consummate symbol of Louis XIV s distinct political and aesthetic influence, the epicenter of French national identity and classical style. Before Versailles, however, Vaux was, the country s artistic capital. This work shows ho.

Hardcover. Condizione: Brand New. illustrated edition. 288 pages. 9.50x6.50x1.25 inches. In Stock.

Hardback. Condizione: New. Versailles has long been the consummate symbol of Louis XIV's distinct political and aesthetic influence, the epicenter of French national identity and classical style. From furniture and fashions to gardens and typefaces, the objects that define style underwent dramatic innovation during the very decade of Versailles's creation. In all this, the creation of Versailles has been represented as providing a foundational moment for both modern political subjectivity and French cultural hegemony. Before Louis started work on Versailles, however, there was another center of innovation: his finance minister, Nicolas Fouquet's chÂteau Vaux-le-Vicomte. Vaux was, for a few short years, the country's artistic capital, It was at Vaux, that, after years of civil war and division, Fouquet modeled a unified France by assembling the country's most important thinkers, writers, and artists at an artistic court that privileged liberal rule, the autonomy of the individual, and harmonious collaboration among formerly divided factions. Yet within a few months of Vaux's completion, the king had Fouquet jailed and recruited the minister's stable of writers, artists, weavers, and gardeners to Versailles. Claire Goldstein shows how the connection between Vaux and Versailles is at the heart of classical style, a connection made by political repression, theft, and erasure. Goldstein retraces the unacknowledged roots of Versailles in Fouquet's short-lived experiment, and destabilizes any easy understanding of the court of the Sun King as the origin of French national style. Recounting how trees and tapestries, gardeners and writers were sometimes forcibly removed from one palace to the other-and how their meanings were transformed in the process-she discovers in the apogee of classicism the remnants of a repressed cultural vision.…

Condizione: As New. Unread book in perfect condition.

Gebunden. Condizione: New. The body of French garden literature . is here carried to a new height and breadth in one seminal volume. -Choice&Uumlber den AutorJohn Dixon Hunt is Professor of Landscape Architecture, University of Pennsylvania. His books incl.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condizione: Brand New. 242 pages. 11.00x8.50x1.00 inches. In Stock.