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Editore: Johns Hopkins University Press (edition Later Printing), 1973
ISBN 10: 0801815525ISBN 13: 9780801815522
Da: BooksRun, Philadelphia, PA, U.S.A.
Libro
Paperback. Condizione: Fair. Later Printing. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.
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Nuovo - A partire da EUR 21,40
Usato - A partire da EUR 5,50
Scopri anche Brossura Prima edizione
Editore: Prentice Hall, 1998
ISBN 10: 0134401999ISBN 13: 9780134401997
Da: Goodwill of Colorado, COLORADO SPRINGS, CO, U.S.A.
Libro
Condizione: Good. This item is in overall good condition. Covers and dust jackets are intact but may have minor wear including slight curls or bends to corners as well as cosmetic blemishes including stickers. Pages are intact but may have minor highlighting/ writing. Binding is intact; however, spine may have slight wear overall. Digital codes may not be included and have not been tested to be redeemable and/or active. Minor shelf wear overall. Please note that all items are donated goods and are in used condition. Orders shipped Monday through Friday! Your purchase helps put people to work and learn life skills to reach their full potential. Orders shipped Monday through Friday. Your purchase helps put people to work and learn life skills to reach their full potential. Thank you!.
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Nuovo - A partire da EUR 99,65
Usato - A partire da EUR 15,35
Scopri anche Brossura
Editore: Johns Hopkins University Press, Baltimore, MD, 1977
ISBN 10: 0801815525ISBN 13: 9780801815522
Libro Prima edizione
Paperback. Condizione: Good. 1st Edition (Unstated); Second Printing. Ex-Library copy with usual identifiers. Creasing to covers. Foxing to the exterior edge of pages. Good overall condition otherwise. No other noteworthy defects. No markings on text pages.; Thalheimer Lectures; 6 X 0.35 X 9 inches; 136 pages.
Editore: The Johns Hopkins University Press, Baltimore, MD, 1972
ISBN 10: 0801813549ISBN 13: 9780801813542
Da: Voyageur Book Shop, Milwaukee, WI, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. First Edition. No additional printings indicated. Z1.
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Usato - A partire da EUR 17,32
Scopri anche Prima edizione
Editore: generic
Da: ThriftBooksVintage, Tukwila, WA, U.S.A.
Paperback. Condizione: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery. 1.01.
Editore: Scottish Arts Council, 1978
ISBN 10: 0902989502ISBN 13: 9780902989504
Da: WeBuyBooks, Rossendale, LANCS, Regno Unito
Libro
Condizione: Good. Most items will be dispatched the same or the next working day.
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Usato - A partire da EUR 16,75
Scopri anche Prima edizione
Editore: Scottish Arts Council, Edinburgh, 1978
Da: Peter Moore Bookseller, (Est. 1970) (PBFA, BCSA), Cambridge, Regno Unito
Membro dell'associazione: PBFA
Libro
Soft cover. Condizione: Good. Condizione sovraccoperta: New. 40pp. 22cm. 18 full page black and white plates. Soft covers. A good clean copy. (To accompany an exhibition. Includes a full list of his archive of 390 photographs from the V & A).
Editore: George Weidenfeld & Nicholson, London, 1985
ISBN 10: 0297784072ISBN 13: 9780297784074
Da: Attic Books, Cheltenham, GLOS, Regno Unito
Libro Prima edizione
Publisher's Cloth. Condizione: Fine. Condizione sovraccoperta: Very Good. First Edition. - 224 mm. Cloth hardcover, gilt titling to spine. Illustrated. B&W photographic plates. Pp. x, 174. Minor edgewear and rubbing to DJ.
Editore: Routledge, 2011
ISBN 10: 0415610214ISBN 13: 9780415610216
Da: Revaluation Books, Exeter, Regno Unito
Libro
Paperback. Condizione: Brand New. 744 pages. 9.17x6.38x2.24 inches. In Stock.
Editore: Royal Society, 1975
Da: Cambridge Rare Books, Cambridge, GLOUC, Regno Unito
Paperback. Condizione: VERY GOOD. 1975. Royal Society. Softback. Book- VG. 11.5x8. 31pp. 11 b/w plates, some b/w illus. Verbal descriptions, photographs and maps are reviewed for the kind of selective information they impart, establishing the need for a critical analysis of the assumption that we can not only map the invariant features of the physical world but also represent the optical world, the changing appearance of objects as it is conveyed to the camera and to the eye by reflected light.
Editore: Pentagram Design London, 1997
Da: Suibhne's Rare and Collectible Books, Newbury, OH, U.S.A.
Prima edizione
Soft cover. Condizione: As New. 1st Edition. Pentagram Design London 1997, 1997. 22pp, colour illustration on frontispiece by Ron Kitaj. 21x15, black card wraps, black dw.grey endpapers. as new; Published by this well known practice, originally directed by Theo Crosby, the aim of the Papers was to "publish examples of curious, entertaining, stimulating, provocative and occasionally controversial points of view that have come to the attention of.Pentagram." The text of Gombrich's 1992 lecture to the Arts and Architecture group. clean and unmarked.
Editore: London, Pentagram 1997, 1997
Da: Inch's Books, Oxford, Regno Unito
22pp, colour illustration on frontispiece. 21x15, black card wraps, black dw. Very good; dedication by Gombrich on frontispiece, with a few small marks on the same page. Published by this well known practice, originally directed by Theo Crosby, the aim of the Papers was to "publish examples of curious, entertaining, stimulating, provocative and occasionally controversial points of view that have come to the attention of.Pentagram." The text of Gombrich's 1992 lecture to the Arts and Architecture group.
Editore: Verlag Galerie Welz, Salzburg, 1990
ISBN 10: 3853491480ISBN 13: 9783853491485
Da: Literary Cat Books, Machynlleth, Powys, WALES, Regno Unito
Membro dell'associazione: IOBA
Libro Prima edizione
Original Wrappers. Condizione: Fine. Condizione sovraccoperta: No Dust Jacket. First Edition; First Edition. A fine , well illustrated 111 Page Catalogue with Introductory texts by Sir Enst H. Gombrich and Hans Tietze + Personal Recollections of Gerhart Frankl by Julian Sofaer. 150 works are illustrated including 86 in Colour. A fine copy of this elusive and important item. Light shelfwear. ; Paperback; Quarto Oblong.
Editore: NY: Pantheon, 1960
Da: Salmon of Knowledge Books -- Thomas I. Finnigan, Purveyor, Hyde Park, NY, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Very Good. No Jacket. 1st Edition. Very Good condition. Spine and hinges strong. Mild foxing to early endpapers. Mild scuffing to back upper left corner of cover. Pagination and illustrations clean and bright. More photos upon request.**This item will definitely require extra shipping charges.**.
Editore: [New York]: [Arts Magazine], 1965
Da: James Fergusson Books & Manuscripts, London, Regno Unito
Libro Copia autografata
Soft cover. Condizione: Very Good. 4to. Wrappers. Spine worn, covers faded and faintly creased. Inscribed by the author [to Denys Lasdun], "with very many thanks, & regards EH Gombrich". Inscribed by Author(s).
Editore: Scottish Arts Council, 1978
Da: Morning Mist Books and Maps, Cirencester, Regno Unito
Libro
Soft cover. Condizione: Good. Covers rather marked and discoloured. Sunning to page margins. Extensive hand-written notes to inside rear cover. Essay by Gombrich. Eighteen B&W plates by Cartier-Bresson. Slim catalogue of only 38pp, it relates to the archive of photographs selected by the photographer for the V&A. (Ua5).
Editore: Ashmolean Museum, Oxford, UK, 1992
ISBN 10: 1854440357ISBN 13: 9781854440358
Da: SAVERY BOOKS, Brighton, East Sussex, Regno Unito
Manoscritto / Collezionismo cartaceo
Soft cover. Condizione: Very Good Plus. SOFTCOVER 1992. 80 pages. 20.5x20.5cm. Spine is not creased. Clean & tight. No inscriptions. Flat pages. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref DCdLF.
Editore: Phaidon Press, 2008
ISBN 10: 0714898708ISBN 13: 9780714898704
Da: Agapea Libros, Malaga, Spagna
Libro
Condizione: New. Idioma/Language: Español. Presenta la historia del arte en forma de discurso narrativo, 'una cadena viva que a n hoy comunica la Úpoca contemporßnea con la Úpoca de las pirßmides'. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.
Editore: Edinburgh: Scottish Arts Council, 1978, 1978
Da: °ART...on paper - 20th Century Art Books, Lugano, Svizzera
Membro dell'associazione: ILAB
Libro Prima edizione
Soft cover. Condizione: Good. 1st Edition. Sm.8° - 40pp - 18 B/w photo-reproductions. Exhibition Catalog: Henri Cartier-Bresson (1908-2004) French humanist photographer considered a master of candid photography, and an early user of 35 mm film. With an essay by Sir E. Gombrich. Original boards. Front cover slightly stained otherwise in Good condition.
Da: liu xing, Nanjing JiangSu, JS, Cina
paperback. Condizione: Good. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Story of Art (16) coated paper is printed in full color. 16Four Satisfaction guaranteed,or money back.
Editore: Phaidon Press, London, 1960
Prima edizione
Hardcover. Condizione: Fine-. Condizione sovraccoperta: Near Fine+. First Edition. First Printing of this path-breaking work in the psychology of perception that influenced thinkers as diverse as Carlo Ginzburg, Nelson Goodman, and Umberto Eco. Thick royal 8vo (254 x 187mm): xxxi,[1],466pp, with 319 illustrations, some folding and in color. Publisher's original scarlet linen, spine lettered in gold within black title black, beige dust jacket printed in red and black and priced 70s. Printed on heavy coated stock. About Fine, tightly bound, clean and bright throughout; Near Fine or better jacket with faint spotting to upper cover panel, closed tear along bottom spine panel fold with degree or two of lightening to red lettering. No. 35 in the Bollingen series. Arntzen R1. Originally given as the A. W. Mellon lectures in the fine arts, at the National Gallery of Art, in Washington, D. C., in 1956. "Considered a classic by all who seek for a meeting ground between science and the humanities, Art and Illusion examines the history and psychology of pictorial representation in light of present-day theories of visual perception information and learning. Searching for a rational explanation of the changing styles of art, Gombrich reexamines many ideas on the imitation of nature and the function of tradition. In testing his arguments he ranges over the history of art, noticing particularly the accomplishments of the ancient Greeks and the visual discoveries of such masters as Leonardo da Vinci and Rembrandt, as well as the impressionists and the cubists. Gombrich's triumph in Art and Illusion arises from the fact that his main concern is less with the artists than with ourselves, the beholders." (from the dust jacket) N. B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable mylar sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. (Fine Editions Ltd is a member of the Independent Online Booksellers Association, and we subscribe to its codes of ethics.).
Editore: The Athlone Press, London, 1970
ISBN 10: 0485141191ISBN 13: 9780485141191
Da: RareNonFiction, IOBA, Ladysmith, BC, Canada
Membro dell'associazione: IOBA
Libro Prima edizione
Paperback. Condizione: Good. First Edition. "From the age of thirty to the age of thirty-six I was concerned with the body of documents I propose to bring to your attention today. Working at the Listening Post of the B.B.C. I must have heard, recorded, translated, or read a considerable proportion of all German broadcasts for the German people from December 1939 to December 1945. As a historian I witnessed the war not only through the British news media and the realities of life 'somewhere in the country', as the formula was, but also through the distorting mirror in which Goebbels wanted the German people to perceive it." - pages 1-2. When Gombrich [1909-2001] "heard an upcoming announcement prefaced by Bruckner's seventh symphony, written for Richard Wagner's death, he guessed correctly that Adolf Hitler was dead and promptly broke the news to Churchill. He was elected a Fellow of the British Academy in 1960, made CBE in 1966, knighted in 1972, and appointed a member of the Order of Merit in 1988. Gombrich was close to a number of Austrian émigrés who fled to the West prior to the Anschluss, among them Karl Popper, Friedrich Hayek and Max Perutz. He was instrumental in bringing to publication Popper's magnum opus The Open Society and Its Enemies." - Wikipedia. 28 page stapled booklet in pink wraps. Unmarked with moderate wear. Binding intact. A sound vintage copy of this important lecture. The Secret Wars, Vol I, 211.; 8vo.
Editore: London February 1961, 1961
Da: G. Heywood Hill Ltd ABA, London, Regno Unito
Libro
Art historian Professor Ernst Gombrich's essay on Churchill as a painter, published in The Atlantic Monthly in March 1965, shortly after Churchill's death. Lightly corrected by the author on almost all pages and with typesetters' marks throughout. Together with a galley proof with several authorial corrections, including an inserted sentence on a slip: "Maybe he [Churchill] wanted us to reverse the equation: If painting is like generalship then generalship is like painting, and a certain great war leader might claim to be a great artist after all. But what matter?". "A dazzlingly insightful art historian, E. H. Gombrich monitored German radio broadcasts during the Second World War for the BBC World Service. In 1945, when a Nazi broadcast was prefaced by Anton Bruckner's Symphony No. 7, written to commemorate the death of Richard Wagner, Gombrich deduced that Hitler had died and broke the news to Churchill. Sympathetic but never in thrall, unlike other former Churchill associates, Gombrich identifies the great man as an amateur or dilettante from a generation of realistic painters. They all expressed the 'joy of painting boldly in strong colours What mattered increasingly was spontaneity, boldness and a certain freshness of vision that was summed up in the catchword of the innocent eye.' Boldness Churchill certainly had, making up for a lack of expertise that might be expected from a full-time professional artist. As he put it, for those who 'go on a joyride in a paintbox audacity is the only ticket'. And for this genre of art, this attribute went a long way, making his canvases more palatable than they otherwise might have been. Gombrich further admires Churchill's mental preparation and self-analysis as an artist. The psychological challenges of perception and reproduction of nature in art were bravely embraced by Churchill. As he was to some extent self-medicating with the hobby of painting, part of his therapy was understanding the effects of the leisure-time activity upon his body and mind. To this end, Churchill described his start in painting as a scene of violation committed upon an 'absolutely cowering canvas. Any one could see that it could not hit back The sickly inhibitions rolled away. I seized the largest brush and fell upon my victim with Berserk fury'. Gombrich cautioned anyone who sought to read too deeply into Churchill's art for evidence of his inner feelings: 'It may be argued that these correspondences between a personality and its expression are both trivial and deceptive. Hitler, the screaming demagogue, painted tame water-colours. No doubt these too reflected one side of his character. He would not have painted them otherwise. But nobody could learn much worth knowing about either of the protagonists of World War II from a contemplation of their works.' Even if Churchill's paintings themselves are not a direct expression of himself to the extent that a professional artist's necessarily would be, he went about creating them in a quintessentially Churchillian way. Gombrich adds: 'He took up the new hobby with that zest that was all his own and grasped the whole situation with a clarity and an insight that mark the great statesman and historian.' For this reason, art looks likely to continue as an indispensable part of his legend, with the brandy, cigars, soul-inspiring speeches, oratorical skills, and the rest." (Churchill v Hitler Who was the better artist? An article published in The New European 15 January 2019) Typical browning to galley paper (and to first page of typescript.) but all in very good condition. Typescript 14 pages, galley proof 4 pages (folded).