Gookin kirby (46 risultati)

Condizione: Very Good. Very well kept copy, tight and unmarked, minimal wear. Fast Shipping - Safe and Secure Bubble Mailer.

Softcover. Condizione: Very Good Plus. [ART]. Melanie Crean, Anne J. Barlow, Sofia Hernandez Chong Guy, Kirby Gookin, Michael Connor, et al. "Melanie Crean: The Luminists (Art in General New Commissions Program XI)." New York: Art in General, 2007. English language. Softcover with glossy pictorial wrappers. Nonfiction art catalog with full-color video stills, critical texts, and artist bio. 8 x 5 1/4 inches. 4 oz. 80 pp. Shelf-wear. Top of spine rubbed. Text clean. Very Good Plus. ISBN: 9781934890110. "One in a series of books about contemporary art projects by emerging artists commissioned by Art in General, a leading non-profit arts organization in New York. With text contributions from Melanie Crean, Kirby Gookin, Michael Connor, Sofia Hernandez Chong Cuy, and a foreword by Art in General Executive Director Anne J. Barlow. The Luminist sound and video projects explore the nature of vision, based on recorded phone calls with three artists who lost their sight but continue making art. Topics of discussion included the meaning of vision and the effect of a changing sensory palette on consciousness. Often the discussions were very descriptive, detailing imagery that the artists perceived but could not biologically see. In this way, both parties communicated on the same playing field, reconstructing vision and the described art works through sound.".…

Softcover staple bound, 16 pages, good condition; light rubbing to cover; prices written in pen next to the illustrations.

Hardcover. Condizione: Very Good +. 1st Edition. Recent Work and Notes on Six Series is the catalogue for a 1994 exhibition of work by painter Peter Nadin. Spiral bound, numerous black and white and color reproductions, several fold outs, paper with board cover, edition of 750. Very good condition .

168 pp.; 25.7 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Bice Curiger. Essays "Trickster Eva Hesse," by Ursula Panhans-Bühler; "Clockwork (Jon Kessler)," by Douglas Blau; "Stephan Balkenhol: The Figure as Witness," by Neal Benezra; "As Time goes by," by Vik Muniz; "Autonomous People," by Max Katz; "57 Pinguine," by Jean-Christophe Ammann; "Sophie Calle's Uncertainty Principle," by Luc Sante; "Postcards to Sophie Calle," by Joseph Grigely; "The Hyperfiction of Life and Death," by Patrick Frey; "Sophie Calle's and Gregory Shepard's Double Blind," by Robert Beck; "Dimensions variable: Liz Larner," by Kirby Gookin; "Rudolf Schwarzkogler," by László F. Földenyi; "Cumulus Aus Europa," by Christoph Tannert; "Cumulus From America," by David Rimanelli "Balkon," by Alexander Popper. Insert by Richmond Burton. Text in German and English. Very Good. Light wear to covers. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders. Illlustrated (illustratore). …

Hardcover. Condizione: As New. Very Good Condition - Cover and pages are intact and not marred by notes or highlighting. Published on the occasion of the exhibition "Markus Lüpertz", Michael Werner Gallery, New York, 22 February-30 March 1991.

Softcover, staple-bound, 24 pages; very good condition; light rubbing to covers; no internal marks.

Softcover staple bound exhibition catalog, 16 pages, good condition: scattered stains and scuffs to cover; inscription and signed by Kirby Gookin on inside front cover; small pen mark in text.

Soft cover. Condizione: Near Fine. Joseloff Gallery, University of Hartford (Hartford Art School), Connecticut, 1991. Softcover, unpaginated (approx 16 pp). Exhibition catalog. A show by the Canadian-born contemporary artist Christian Eckart. The exhibition took place January 31 through February 28, 1991. Illustrated in color. Near fine, some discoloration at spine of the metallic gold wraps. Otherwise unmarked. …

185 pp.; 26.5 x 26.7 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wallace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman "Ambitious: A project for Artforum," by Janet Zweig. Reviews by Bill Berkson, Charles Hagen, Donald Kuspit, John Yau, Patricia C. Phillips, David Rimanelli, Matthew A. Weinstein, Catherine Liu, Kirby Gookin, Dennis Cooper, Ronny Cohen, Jude Schwendenwien, Lois E. Nesbitt, Richard C. Ledes, John Howell, Francine A. Koslow, Eileen Neff, Howard Risatti, Glenn Harper, Linda Frye Burnham, Donald Kuspit, James Yood, Joan Seeman Robinson, Bill Berkson, David Levi Strauss, Colin Gardner, Amy Gerstler, Benjamin Weissman, Susan Freudenheim, Catherine Cafapoulos, Alessandra Mammi, Anthony Iannacci, Gloria Moure, Alexandre Melo, Daniel Soutif, Max Weschsler, Helmut Draxler, Noemi Smolik, Justin Hoffman, Norbert Messler, Martin Hentschel, Doris von Drateln, Michael Tarantino, Michael Archer. Cover: Komar & Melamid. Fair / Good. Yellowing and dusting of covers with curl and rippling to left side edge of publication and light creasing. Rubbing of covers. 2 cm. tear to verso carrying through to last 20 pages. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Cloth. Condizione: Very Good. Condizione sovraccoperta: No Jacket, As Issued. 187 pages. Hardcover. Texts in German and English. 60 illustrations 22 in color. There is some light wear, soiling, and scuffing to the covers. There is a bit of waviness to the first dozen pages or so. But the binding is tight, the interior clean and free of markings. Some of the artists included in the exhibition: Richard Artschwager, Joseph Beuys, Alighiero e Boetti, Saint Clair Cemin, John Chamberlain, Dan Flavin, Eva Hesse, Roni Horn, Jasper Johns, Donald Judd, Anish Kapoor, Yves Klein, Piero Manzoni, Duane Michals, Robert Ryman, Philip Taaffe, Rosemarie Trockel and more. Book.…

Softcover, 102 pages, very good condition; except tear to top of spine; no internal marks. Foreign shipping may be extra.

Condizione: Very good. - Small quarto [10-1/2 inches high by 8-3/4 inches wide], softcover bound in vermilion printed wrappers. The spine is slightly faded & there is an area of fading to the upper half of the front wrap. 102 pages, including colophon. Profusely illustrated in color and black & white. Near fine. Catalog for an exhibition shown at Hirsch & Adler Modern from November 8 to December 1, 1990. …

Hardcover without dustjacket as issued, 288 pages; good condition; spine slightly slanted; gallery sticker taped around bottom of spine; gallery sticker on inside front cover; no other internal marks. Foreign shipping may be extra.

Hardcover without dustjacket as issues, small book, 40 pages, very good condition, no internal marks, clean and crisp.

Softcover, 102 pages, very good condition; spine faded; no internal marks. Foreign shipping may be extra.

Softcover, 32 pages, in English and German; very good condition, clean and crisp; no internal marks.

Softcover staple bound, 16 pages; very good condition, light rubbing and edgewear to covers; no internal marks.

Softcover staple bound, 20 pages, in English and French; very good condition, light rubbing to covers; no internal marks.

Hardbound. Bright yellow paper-covered boards with darkest green cloth spine; color-illustrated paste-down on front cover and white lettering on spine; unpaginated approx. 40 pp.; with 1 bw and 11 color images. Catalogue of an exhibition from February 22 to March 30, 1991. VG- light interior foxing. second copy is VG. …

Stiff Wrappers. Condizione: Good. 102 pages 46 illustrations. Fading along all the edges and paper spine, consistent with this publication. Some rubbing and wear to the cover and edges. Published on the occasion of the exhibition from Hirschl & Adler Modern, New York NY November 8-December 1, 1990. Exhibition List. Select Biography. Book. …

paperback. Condizione: Good.

Paperback. Condizione: ACCEPTABLE. PLEASE NOTE: This item comes from a smoker's apartment. Pages are clean, unmarked, and tight; sturdy folded cover has shelf and corner wear, soiling and a large oil-type stain on back; book is slightly bowed from storage.

[10] pp.; 21.5 x 9.5 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Accordion fold exhibition brochure published in conjunction with show organized by Susan Inglett held at Christopher Middendorf, Washing, DC, October 24 - Noember 14, 1992. Traveled to Thea Westraich, New York, December 1 - December 19, 1992; Van Straaten Gallery, Chicago, January 8 - 30, 1993; Center for Contemporary Art, St. Louis, February 12 - March 6, 1993; Davis / McClain, Houston, March 19 - April 10, 1993; Richard Green, Santa Monica, April 23 - May 15, 1993 and Ellen Miller / Katie Block, Boston, June 4 - 26, 1993. Essay by Kirby Gookin. Artists included Ashley Bickerton, Barbara Ess, Victoria Gil, Felix Gonzalez-Torres, Federico Guzman, Ronald Jones, Robin Kahn, Liz Larner, Annette Lemieux, Richard Prince, Meg Webster and Christopher Wool. Fine. As issued, clean and unmarked. …

27x20. 32 pags. Muy ilustrado, color. Texto castellano, inglés. Cubierta tipográfica.

Exhibition flier on blueprint paper, 8 x 11 inches; very good condition; folded 2 times into 3 sections; an unmailed copy.

Soft Cover. Condizione: Fine. First Edition. This is a fine softcover copy with almost no wear. Completely clean. This catalog was prepared to accompany the exhibition at Sperone Westwater in New York from October 28 to November 2, 1991. Essays by Kirby Gookin, Rainer Crone and David Moos. Limited edition of 1000 copies finely printed in Italy on heavy paper. 2 black & white + 16 color illustrations, and a black & white photo portrait of the artist. Exhibition history. 11" high X 9" wide, unpaginated. This book will be securely wrapped and shipped with tracking.…

First Edition. First edition. Softcover. Exhibition catalog for a show that ran October 28 through November 2, 1991. Features text contributions by Kirby Gookin, Rainer Crone and David Moos. Includes 2 black and white and 16 color illustrations, a black and white photograph of the artist and a list of previous exhibitions. A near fine copy in French style wrappers that are very slightly soiled. An attractive catalog printed in an edition of 1000 copies.…

Softcover, 20 pages; in English and German very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: New. When Phelps put out a call for critics and scholars to write about a subject found in her work--not about her work itself, but one of its themes--and then to trade their piece for a drawing of their choosing, it set off her third barter-based project. The first enmeshed her in a system of mutual indebtedness with other Brooklyn artists, the second with her compatriots in representation by Chelsea's LFL Gallery, and this last puts critics from Adrian Dannatt (the Art Newspaper) to Frances Richard (Artforum) in her pocket. Each participant gets a new object and the goodwill generated by the unusual transaction, but Phelps remains in some sense the owner of the deal itself, which she sells in new work documenting it, including this book.…