Gorlenko kateryna (3 risultati)
- Brossura
Da: Mispah books, Redhill, SURRE, Regno UnitoMispah books
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Come nuovo
EUR 121,41
EUR 29,18 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.
- Brossura
- Print on Demand
Da: moluna, Greven, Germaniamoluna
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 39,24
EUR 48,99 spedizioneSpedito da Germania a U.S.A.Quantità: Più di 20 disponibili
Kartoniert / Broschiert. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Gorlenko Katerynawas born in 1984 in the Ukraine. She studied Chinese and English Philology in Kyiv and graduated recently with MA in Global Studies from the Universities of Le…ipzig and Vienna, where she pursued research on global.
- Brossura
- Print on Demand
Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 49,59
EUR 60,68 spedizioneSpedito da Germania a U.S.A.Quantità: 2 disponibili
Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book is an attempt to investigate the processes of globalization and their impact on the contemporary art world. There are several issues which are of the major interest for this research, namely the notion of global art and the co…nnections between contemporary and modern art, the definition of a non-Western artist, as well as the concept of museums of modern and contemporary art. The main aim of this research is to find out whether these museums incorporate non-Western art into their permanent collections and how often they exhibit works of non-Western artists presently. To study this problem four world-renowned art museums have been chosen: Tate Modern in London, MoMA in New York, the Stedelijk Museum in Amsterdam and MUMOK in Vienna. Being art museums with a long Eurocentric art tradition they try to present themselves as remarkable contemporary art institutions. So the core question is: Are these museums really open to the changes happening in the global world and ready to follow the latest art trends in it This book is addressed to both art professionals and the general public interested in the issues of art globalization.
