Editore: Chicken Rancho Delux Press: np (Detroit?), 1984
Da: John K King Used & Rare Books, Detroit, MI, U.S.A.
Copia autografata
Oblong, 5.5 x 8.5, pict wraps, minor soil and wear, else vg. Detroit author. SIGNED BY THE AUTHOR.
Editore: East Lansing Arts Workshop, East Lansing Mi, 1973
Da: Vashon Island Books, Vashon, WA, U.S.A.
Prima edizione
Paperback. Condizione: Good. First Edition. In tan wraps, large coffee spill stain to upper cover. sold as-is. Size: 8vo - over 7¾" - 9¾". Book.
Editore: East Lansing Arts Workshop Press, East Lansing, 1973
Da: Time Tested Books, Sacramento, CA, U.S.A.
Prima edizione
Saddle-stitched. Condizione: Very Good. First Edition. A collection of poems by Michigan poets. Minor shelf wear. Some staining of cover, including sticker stain. Time Tested Books has been in business for over 20 years and we have a great rep. We also have an open shop, so, when in Sacramento, stop by. Chap Book.
Paperback. Condizione: Very Good. 1974; signed by Grafe; yellow paper covers; staple binding; mild corner wear; 8vo, 7 3/4" to 9 3/4" tall; interior is clean and unmarked; 14 pages.
Softcover. Condizione: Near Fine. Yellow printed wraps. Poetry by Michigan residents Mark Grafe and Larry Gabriel. Original yellow printed wrappers. Designed and printed at The Old Marble Press. A clean, tight and unmarked book. ; 8vo 8" - 9" tall; 14 pages.
Paperback. First edition. SIGNED. Slim twenty-fourmo [11 cm] Stapled yellow and black printed wraps. Very good condition. The wraps are just a little soiled and creased. Inscribed by Mark Grafe on the verso of the front cover.
Editore: Old Marble Press nd (1975), 1975
Da: John K King Used & Rare Books, Detroit, MI, U.S.A.
Prima edizione Copia autografata
Oblong 4.25 x 5.5, wraps, unpag, end pages tanned else ok. FIRST ED, ONE OF ONLY 50 NUMBERED COPIES. SIGNED BY AUTHOR THREE TIMES, INCLUDING SIGNED INSCRIPTION.
Editore: Old Marble Press N.D.
Da: Rare Book Cellar, Pomona, NY, U.S.A.
Prima edizione Copia autografata
Softcover. First Edition; First Printing. Very Good in wrappers. SIgned and inscribed by the author. ; Signed.; 24mo 5" - 6" tall; Signed by Author.
Da: Antiquariaat Digitalis, Amsterdam, Paesi Bassi
Prima edizione
EUR 95,00
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Good. 1st Edition. Original stiff wrappers (softcover), 143 pages : illustrations, plans ; 24 cm. Good, stain on front wrapper, annotation previous owner on front wrapper (see images), light user marks. Still a good and solid copy, free of internal marks of this scarce OASE-issue. Text in English and Dutch.
Lingua: Inglese
Editore: Bard College Annandale-on-Hudson, NY, 2007
ISBN 10: 1931493553 ISBN 13: 9781931493550
Da: Specific Object / David Platzker, New York, NY, U.S.A.
336 pp.; 26 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed "This radical new study aims to change the way that some of the most influential artists of the past 40 years are seen--all of them women. Emphasizing questions of autonomy, critical intelligence and artistic intention, Witness to Her Art presents works by Adrian Piper, Mona Hatoum, Cady Noland, Jenny Holzer, Kara Walker, Daniela Rossell and Eau de Cologne, a magazine published by gallerist Monika Sprüth. The artworks are accompanied by original writings by the artists, contemporaneous criticism and newly commissioned essays by Pamela Franks, Aruna D'Souza, Johanna Burton, David Levi Strauss, Hamza Walker and Cuauhtémoc Medina. The ambitious works presented and interpreted herein invite us to consider the impact of the feminist revolution across generations while rendering obsolete any stigma associated with shows or catalogues limited to women artists. Taking its lead from Conceptualism, feminism, and from its included artists, Witness to Her Art reaches for art history's capacity as a medium of world-making." -- publisher's statement. Very Good / Fine. Light bumping of cover corners. Contents clean and unmarked.
EUR 38,00
Quantità: 1 disponibili
Aggiungi al carrelloCouverture souple. Condizione: Très bon. Grand in-8° broché. C est certainement une des plus grandes revues de cinema de la fin du XXeme siecle. La revue Trafic s'est éteinte, après 30 ans d'existence et 120 numéros. Fondée en 1991 par Serge Daney, quelques mois avant sa mort, et Jean-Claude Biette, elle était reconnaissable grâce à sa couverture en papier Kraft et son absence totale d'illustrations. L'omniprésence du texte et la qualité de son comité de rédaction - parmi lesquels Raymond Bellour, Sylvie Pierre, Patrice Rollet ou encore Marcos Uzal qui a rejoint la revue en 2016 - en ont fait une référence en matière de réflexion critique et de pensée sur le cinéma.En plus du comité fixe, la revue est assortie d'un conseil de rédaction, comprenant en 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer et Marcos Uzal. - - - - Large in-8° paperback. It is certainly one of the greatest film reviews of the end of the 20th century. The magazine Trafic has died out, after 30 years of existence and 120 issues. Founded in 1991 by Serge Daney, a few months before his death, and Jean-Claude Biette, it was recognizable thanks to its Kraft paper cover and its total absence of illustrations. The omnipresence of the text and the quality of its editorial board - including Raymond Bellour, Sylvie Pierre, Patrice Rollet and Marcos Uzal who joined the journal in 2016 - have made it a reference in terms of critical reflection and thought on the cinema. In addition to the fixed committee, the review is accompanied by an editorial board, including in 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer and Marcos Uzal. - - - - - Rústica grande en 8°. Sin duda es una de las mejores críticas cinematográficas de finales del siglo XX. La revista Trafic se ha extinguido, después de 30 años de existencia y 120 números. Fundado en 1991 por Serge Daney, unos meses antes de su muerte, y Jean-Claude Biette, era reconocible gracias a su cubierta de papel Kraft y su ausencia total de ilustraciones. La omnipresencia del texto y la calidad de su consejo editorial -incluidos Raymond Bellour, Sylvie Pierre, Patrice Rollet y Marcos Uzal que se incorporaron a la revista en 2016- la han convertido en un referente en términos de reflexión crítica y pensamiento sobre el cine. al comité fijo, la revista está acompañada por un consejo editorial, que incluye en 2020 a Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer y Marcos Uzal. SOMMAIRE : - No mother's land ! par Alain Bergala - Dans les griffes du présent par Pierre Léon - Les tournesols de Dovjenko par Marc-Edouard Nabe - Voyages en Russie par Yervant Gianikian et Angela Ricci Lucchi - Si tant de choses sont là pour être vues. par Elias Sanbar - La chambre d'affect par Loig Le Bihan - Le noir vidéo - mortalité de l'image par Bill Viola - Le corps négatif par François Noudelmann - Dario Argento : une débauche de détails par Jean-Baptiste Thoret - Autour de Schatten, trois figures d'ombre par Enno Patalas - Comment Tonide Renoir se fit avec l'aide de Carl Einstein par Frieda Grafe - Réhabilitation de I Can Get It for You Wholesale d'Abraham Polonsky par Mark Rappaport - Rossellini : emploi du temps par Adriano Aprà - Cinéma, théâtre par Roberto Rossellini - Walk the Walk par Robert Kramer.
EUR 38,00
Quantità: 2 disponibili
Aggiungi al carrelloCouverture souple. Condizione: Très bon. Grand in-8° broché. C est certainement une des plus grandes revues de cinema de la fin du XXeme siecle. La revue Trafic s'est éteinte, après 30 ans d'existence et 120 numéros. Fondée en 1991 par Serge Daney, quelques mois avant sa mort, et Jean-Claude Biette, elle était reconnaissable grâce à sa couverture en papier Kraft et son absence totale d'illustrations. L'omniprésence du texte et la qualité de son comité de rédaction - parmi lesquels Raymond Bellour, Sylvie Pierre, Patrice Rollet ou encore Marcos Uzal qui a rejoint la revue en 2016 - en ont fait une référence en matière de réflexion critique et de pensée sur le cinéma.En plus du comité fixe, la revue est assortie d'un conseil de rédaction, comprenant en 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer et Marcos Uzal. - - - - Large in-8° paperback. It is certainly one of the greatest film reviews of the end of the 20th century. The magazine Trafic has died out, after 30 years of existence and 120 issues. Founded in 1991 by Serge Daney, a few months before his death, and Jean-Claude Biette, it was recognizable thanks to its Kraft paper cover and its total absence of illustrations. The omnipresence of the text and the quality of its editorial board - including Raymond Bellour, Sylvie Pierre, Patrice Rollet and Marcos Uzal who joined the journal in 2016 - have made it a reference in terms of critical reflection and thought on the cinema. In addition to the fixed committee, the review is accompanied by an editorial board, including in 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer and Marcos Uzal. - - - - - Rústica grande en 8°. Sin duda es una de las mejores críticas cinematográficas de finales del siglo XX. La revista Trafic se ha extinguido, después de 30 años de existencia y 120 números. Fundado en 1991 por Serge Daney, unos meses antes de su muerte, y Jean-Claude Biette, era reconocible gracias a su cubierta de papel Kraft y su ausencia total de ilustraciones. La omnipresencia del texto y la calidad de su consejo editorial -incluidos Raymond Bellour, Sylvie Pierre, Patrice Rollet y Marcos Uzal que se incorporaron a la revista en 2016- la han convertido en un referente en términos de reflexión crítica y pensamiento sobre el cine. al comité fijo, la revista está acompañada por un consejo editorial, que incluye en 2020 a Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer y Marcos Uzal. SOMMAIRE : - No mother's land ! par Alain Bergala - Dans les griffes du présent par Pierre Léon - Les tournesols de Dovjenko par Marc-Edouard Nabe - Voyages en Russie par Yervant Gianikian et Angela Ricci Lucchi - Si tant de choses sont là pour être vues. par Elias Sanbar - La chambre d'affect par Loig Le Bihan - Le noir vidéo - mortalité de l'image par Bill Viola - Le corps négatif par François Noudelmann - Dario Argento : une débauche de détails par Jean-Baptiste Thoret - Autour de Schatten, trois figures d'ombre par Enno Patalas - Comment Tonide Renoir se fit avec l'aide de Carl Einstein par Frieda Grafe - Réhabilitation de I Can Get It for You Wholesale d'Abraham Polonsky par Mark Rappaport - Rossellini : emploi du temps par Adriano Aprà - Cinéma, théâtre par Roberto Rossellini - Walk the Walk par Robert Kramer.
Editore: Old Marble Press, 1974
Da: Rare Book Cellar, Pomona, NY, U.S.A.
Prima edizione Copia autografata
Softcover. First Edition; First Printing. Very Good in wrappers. ; Signed by author. ; 8vo 8" - 9" tall; Signed by Author.
Editore: Chicken Rancho Delux Press, New York, 1984
Da: Rare Book Cellar, Pomona, NY, U.S.A.
Prima edizione Copia autografata
Softcover. First Edition; First Printing. Very Good in Wrappers. ; Signed and inscribed by author. ; Oblong 24mo 5" - 6" tall ; Signed by Author.