grands prix (6 risultati)

Couverture souple. Condizione: Bon. 5ème Édition. p3; 5e édition. Petite déchirure en bas du dos, sans manque. Tranches bien jaunies, mais bon état. Envoi rapide et soigné.

Paperback. Condizione: Used: Very Good. Imprimerie nationale. Complet de son étui.

Couverture rigide. Condizione: Très bon. Promenade en marge Les beaux quartiers Un jeune couple La neige en deuil Une histoire française L'empreinte du Dieu un singe en hiver J'étais médecin avec les chars Capitaine Conan La brute L'élève Gilles Le temps de vivre Les morts intérieures Fontagre Les chiens enragés Raboliot Le vrai visage En dérive La vie qui bat Les Amberson La corrida de la victoire Lève-toi et marche Jeanne la mince Le grand cirque Le jet d'eau Le pavillon des cancéreux La mort du figuier Le premier accroc coûte 200 Fr. Mon village à L'heure allemande Un bon Dieu sans confession Les amitiés particulières Ginèvre L'Atlantide Bonheur d'occasion Roi d'un jour La légende du goumier Saïd Les innocents de Paris La douceur de la vie La maison de feu Drôle de jeu Porporino Les honneurs de la guerre L'homme de chasse Le feu de l'Etna Le dîner en ville De sang royale La mort à Venise L'allegretto de la septième La vallée heureuse L'empire céleste Aline La belle romaine Fin La porte étroite Le dernier voyage du port polis Le sud La voix royale La vie secrète Le feu Le cap de la gitane Lot de 60 livres, collection complète, me contacter pour un envoi à l'étranger !!!!!

Hardcover. Condizione: Very Good+. Elephant folio (500 x 340mm). Collation complete: 120 plates of French Architecture and plans, including the Arc de Triomphe, Place de la Concorde, and other famous Academy projects. With woodcut vignette of cornucopia and muse on title-page, table "generale" listing architectural designs, and copper engraved title-page listing academy members. Three-quarter calf-backed over tree-design boards; (scattered marginal foxing). Late 19th-century armorial bookplate of Hoffmann (Josef Franz Maria Hoffmann) on front pastedown. Hoffmann (1870-1956) was an influential Austrian architect who won the Rome Prize in 1895. Known for his contributions to the arts and crafts movement, Hoffmann also designed rooms for the Paris Expositions Universelle in 1900. Second series of this magnificent collection of the 1806 Projets d'Architecture, 120 fine French Academy competition plates by Allais, Detournelle and Vaudoyer, which followed a previous publication of Prieur (c. 1787-1801), originally issued in 20 cahiers. As these Grands Prix engravings show, Academy neoclassicists revived eclectic motifs from antiquity with their prominent use of obelisks, pyramids, and blank walls in their design. "Egpytianizing" forms were becoming part of the landscape of Parisian architecture and were used to achieve a solemn appearance; this style was fascinating to young Academics who still wanted to maintain regal tradition. Notably, the Grands Prix drawings contain the Chapelle Sepulchrale by la Barre which demonstrated many of these Egyptian design elements including, Pantheon-domes, pyramids, sphinxes, and sarcophagi. This fine production of accomplished watercolors was primarily meant for the education of young Academics in this successful architectural style. Many plates include the scale, given in French toises or metres. It continued the Collection des Prix (1787-1801) and was continued as the Grands Prix d'Architecture in 1818. Second series of this magnificent collection of the 1806 Projets d'Architecture, 120 fine French Academy competition plates by Allais, Detournelle and Vaudoyer, which followed a previous publication of Prieur (c. 1787-1801), originally issued in 20 cahiers. As these Grands Prix engravings show, Academy neoclassicists revived eclectic motifs from antiquity with their prominent use of obelisks, pyramids, and blank walls in their design. "Egpytianizing" forms were becoming part of the landscape of Parisian architecture and were used to achieve a solemn appearance; this style was fascinating to young Academics who still wanted to maintain regal tradition. Notably, the Grands Prix drawings contain the Chapelle Sepulchrale by la Barre which demonstrated many of these Egyptian design elements including, Pantheon-domes, pyramids, sphinxes, and sarcophagi. This fine production of accomplished watercolors was primarily meant for the education of young Academics in this successful architectural style. Many plates include the scale, given in French toises or metres. It continued the Collection des Prix (1787-1801) and was continued as the Grands Prix d'Architecture in 1818.

2. Anvers, Typographie J.E.Buschmann, 1877, in-8°, 47 pp, plaquette brochée, couverture imprimée d'origine. On joint deux copies manuscrits de l'arrêté du ministre. Organisation ministérielle du Prix de Rome - Concours de Rome.

Albumblatt (Mittelfalte) mit eigenhändiger Unterschrift signiert - mit Repro-Farbportraitfoto unter hellblaues Passepartout (4 to) gerahmt.