Griffin randall c (104 risultati)

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Acceptable. With torn spine This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Oversized.

Condizione: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. …

paperback. Condizione: Very Good. First Edition. Unread. No markings in book. Binding is fine. 143pp.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. 1st. vi, 143 pages, illustrations (some colour); 27 cm. Published in conjunction with the exhibition The Art of Thomas Anshutz, September 3 to November 20, 1994. Firm binding, clean inside copy. Corner creasing/back cover. *** Thomas Anshutz (1851-1912) succeeded Eakins as an instructor at the Pennsylvania Academy of Fine Arts in Philadelphia after his mentor and colleague was dismissed for disrobing a male model in the so-called "loincloth incident". *** CONTENTS: Preface, by William Innes Homer; Ch. 1. Anshutz's Art and Life through 1891; Ch. 2. 1892-1912: A Period of Continual Change; Ch. 3. Anshutz as Instructor. Size: 4to.…

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Softcover,143 pages, illustrated throughout in color and b&w. Binding is cracked on page 62. Minor wear to wrappers. Neat, clean copy. This book was published in conjunction with the exhibition The Art of Thomas Anshultz, organized by Randall C. Griffith, Guest Curator; Heckscher Museum, Huntington, New York. The exhibition was on view from September 3rd through November 20, 1994. The book contains the monograph Thomas Anshultz Artist and Teacher, 28 color plates, and numerous black and white reproductions of art from throughout Anshultz's career. Record # 459666.…

Paperback. Condizione: Fine. 1st Edition. Seattle: Heckscher Museum w/ University of Washington Press, 1994. 144 pages; 30 color plates; b&w text illustrations. Published in conjunction with an exhibition, The Art of Thomas Anshutz. Endnotes; Bibliography; Checklist; Index. Pictorial Wrapper (softcover). Fine. 4to. Language: ENG.…

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softbound. Condizione: New Copy. Yellow wraps. vi, 146 pp. 32 color, 42 bw plates. Preface by William Innes Homer, book written by Randall C. Griffin with 14 pages of detailed notes and an extensive 6-page bibliography. Also includes a chronology, list of illustrations, a checklist of the exhibition of 45 works (mostly oils and some watercolors, drawings and photographs), and an index. Published to accompany an exhibition held Sept. 3 to Nov. 20, 1994. Contents as follows: Preface / William Innes Homer -- Ch. 1. Anshutz's Art and Life through 1891 -- Ch. 2. 1892-1912: A Period of Continual Change -- Ch. 3. Anshutz as Instructor.…

Paperback. Condizione: Near Fine with no dust jacket. First Edition. Forward by John Coraor and Anna Noll; preface by William Innes Homer. Thirty color plates. A couple small spots and very faint 1" crease in front cover. Slight spots on spine edges. 143 pages.; 8" x 10 1/2 ".

hardcover. Condizione: Very Good. Ex-library hardcover. No dust jacket. Library stickers, labels and stamps on cover and inside. Cover is in good condition. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: very good. Unmarked. 192p. 8 color/6 black and white illustrations. Bibliography. Index. Argues that nationalistic concerns in art led to a perceptible shift in subject matter in painting. Winner of the 2005 Vasari Award presented by the Dallas Museum of Art for the finest art history book authored by a scholar in Texas. Examines the ways in which artists and critics sought to construct a new identity for America during the era dubbed the Gilded Age because of its leaders.…

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hard Cover. Condizione: Near Fine Plus. Near Fine Plus. First Edition. cloth, hard cover in dust jacket., no flaws or wear, clean, no writing or markings, strong binding. appears unused.; xxviii-178pp., 8 color plates, 65 b/w illustrations. american painting approaching the turn of the century, with close looks at winslow homer, thomas eakins and thomas anshutz. Size: 8vo - over 7¾" - 9¾" tall.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Book appears almost like new. Very fresh text and tight spine. Dust jacket in very good condition. Most likely never/hardly read.

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

143, (3)pp. 30 color plates, 40 figs. 4to. Wraps. Published in conjunction with an exhibition at the Heckscher Museum, Huntington, New York, Sept.-Nov. 1994.

Paperback. Condizione: Like New. First Edition. First Edition, First Printing. Published by Phaidon Press, 2017. Folio. Paperback. Book is like new.

Hardcover. Condizione: Very Good. First. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: VG+/VG+. Taupe cloth/boards; gilt lettering. Color-pictorial dj with white lettering on spine. xxviii, 178 pp. with 8 color plates and 65 bw figures. "Randall Griffin's book examines the ways in which artists and critics sought to construct a new identity for America during the era dubbed the Gilded Age because of its leaders' taste for opulence. Artists such as Winslow Homer, Thomas Eakins, and Thomas Anshutz explored alternative "American" themes and styles, but widespread belief in the superiority of European art led them and their audiences to look to the Old World for legitimacy. This rich, never-resolved contradiction between the native and autonomous, on the one hand, and, on the other, the European and borrowed serves as the armature of Griffin's innovative look at how and why the world of art became a key site in the American struggle for identity." "Homer, Eakins, and Anshutz will be of importance to all those interested in American culture as well as to specialists in art history and art criticism."--Jacket.…