guen brigitte (23 risultati)

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

256 S. Guter Zustand. Sprache: Französisch Gewicht in Gramm: 400 8°. Orig.-Karton (Kanten etwas berieben).

Couverture souple. Condizione: Neuf. NA89982165E1, 9782842923921.

Condizione: AS NEW. Etat de NEUF / AS NEW condition 9782842923921 9782842923921 1027A 1.

Couverture souple. Condizione: Neuf. NA5167, 1179B2, 9782842922566.

Toulouse, Presses universitaires du Mirail, 1991. In-8 br., 256 pp., index. /113D Un peu insolé, bon ex.

Paperback. Condizione: Brand New. 256 pages. French language. 9.37x6.69x0.47 inches. In Stock.

Couverture souple. Condizione: Neuf. 5ème Édition.

Hardcover. Condizione: Fair. 2014 De Gruyter large format hardcover edition. Ex library copy with stamps and labels else good condition. The collection includes: Introduction: Old and New Perspectives on Fourth-Century Theatre, The Theatre of Dionysus Eleuthereus in Athens, The Archaeology of the 'Rural' Dionysia in Attica, The Evolution of Theatre Architecture Outside Athens, How Pots and Papyri Might Prompt a Re-Evaluation of Fourth-Century Tragedy, Performing Classics: The Tragic Canon, Literary Evidence for New Tragic Production, The Evolution of Comedy in the Fourth Century, Macedonian Kings and Greek Theatre, Theatre, Religion and Politics at Alexander's Court, Cooking Up Rhesus: Literary Imitation, Rethinking Choregic Iconography in Apulia, Greek Theatre in Non-Greek Apulia, Regional Theatre in the Fourth Century, Theatre in the Fourth-Century Black Sea Region, Finance and Organisation of the Athenian Theatre, and Inscribed Public Records of the Dramatic Contests.

Couverture souple. Condizione: Bon. la CAPPADOCE Méridionale jusqu'à la fin de l'époque romaine état des recherches - actes du Colloque d'Istambul - institut Français d'Études Anatoliennes avril 1987 édités par Brigitte Le GUEN-POLLET et Olivier PELON Ouvrage broché (21 cm x 29.5 cm) couverture cartonnée souple, blanche, illustrée, 90 pages, texte sur deux colonnes, illustrées de figures noir et blanc, dans le texte, ainsi que de planches noir et blanc, hors-texte, édition recherche sur les civilisations, Paris, 1991 bon état d'usage.

Hardback. Condizione: New. Why did ancient autocrats patronise theatre? How could ancient theatre - rightly supposed to be an artform that developed and flourished under democracy - serve their needs? Plato claimed that poets of tragic drama "drag states into tyranny and democracy". The word order is very deliberate: he goes on to say that tragic poets are honoured "especially by the tyrants, and secondly by the democracies" (Republic 568c). For more than forty years scholars have explored the political, ideological, structural and economic links between democracy and theatre in ancient Greece. By contrast, the links between autocracy and theatre are virtually ignored, despite the fact that for the first 200 years of theatre's existence more than a third of all theatre-states were autocratic. For the next 600 years, theatre flourished almost exclusively under autocratic regimes. The volume brings together experts in ancient theatre to undertake the first systematic study of the patterns of use made of the theatre by tyrants, regents, kings and emperors. Theatre and Autocracy in the Ancient World is the first comprehensive study of the historical circumstances and means by which autocrats turned a medium of mass communication into an instrument of mass control.

Hardcover. Condizione: Very Good+. Words and number in pen on front free endpaper, otherwise text clean and tight; no dust jacket; 8vo 8" - 9" tall; 290 pages.

Hardcover. Condizione: New.

Condizione: Neuf.

Hardback. Condizione: New. Why did ancient autocrats patronise theatre? How could ancient theatre - rightly supposed to be an artform that developed and flourished under democracy - serve their needs? Plato claimed that poets of tragic drama "drag states into tyranny and democracy". The word order is very deliberate: he goes on to say that tragic poets are honoured "especially by the tyrants, and secondly by the democracies" (Republic 568c). For more than forty years scholars have explored the political, ideological, structural and economic links between democracy and theatre in ancient Greece. By contrast, the links between autocracy and theatre are virtually ignored, despite the fact that for the first 200 years of theatre's existence more than a third of all theatre-states were autocratic. For the next 600 years, theatre flourished almost exclusively under autocratic regimes. The volume brings together experts in ancient theatre to undertake the first systematic study of the patterns of use made of the theatre by tyrants, regents, kings and emperors. Theatre and Autocracy in the Ancient World is the first comprehensive study of the historical circumstances and means by which autocrats turned a medium of mass communication into an instrument of mass control.

Condizione: fine. Photo non contractuelle. Envoi rapide et soigné.

Buch. Condizione: Neu. Neuware - Why did ancient autocrats patronise theatre How could ancient theatre - rightly supposed to be an artform that developed and flourished under democracy - serve their needs Plato claimed that poets of tragic drama 'drag states into tyranny and democracy'. The word order is very deliberate: he goes on to say that tragic poets are honoured 'especially by the tyrants, and secondly by the democracies' (Republic 568c). For more than forty years scholars have explored the political, ideological, structural and economic links between democracy and theatre in ancient Greece. By contrast, the links between autocracy and theatre are virtually ignored, despite the fact that for the first 200 years of theatre's existence more than a third of all theatre-states were autocratic. For the next 600 years, theatre flourished almost exclusively under autocratic regimes. The volume brings together experts in ancient theatre to undertake the first systematic study of the patterns of use made of the theatre by tyrants, regents, kings and emperors. Theatre and Autocracy in the Ancient World is the first comprehensive study of the historical circumstances and means by which autocrats turned a medium of mass communication into an instrument of mass control.

Condizione: Sehr gut. Zustand: Sehr gut | Seiten: 280 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condizione: Hervorragend. Zustand: Hervorragend | Seiten: 280 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

broché. 240x170mm, 686pages, photos couleurs et n/b, Couverture illustrée à rabats. Exemplaire à l'état de neuf. En cas de problème de commande, veuillez nous contacter via notre page d'accueil / If there is a problem with the order, please contact us via our homepage.

Editions Recherche sur les Civilisations, Paris, 1991. Original-Karton, 90 Seiten, [9 Blatt (Tafeln)], 4° (30 x 21,5 cm). Text in FRANZÖSISCHER Sprache. eng und andeutungsweise berieben, Papier ohne Bräunungsspuren, Buchblock sauber (also ohne Unterstreichungen & Randglossen). Sehr schönes Exemplar. Zustand: sehr gut. [STANDORT Archäologie-Alphabet 'Gu'].

I: Corpus documentaire; II: Synthèse. Nancy, A.D.R.A. 2001. 355, 224 S., OKart. 4to. Umschläge am Rücken verblasst und lichtrandig, sonst sehr gut.