guest matthew (39 risultati)

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. Original Edition. Volume 48, No. 4, July 1964 issue containing 27 articles on diseases of the respiratory tract. Illustrated. Book.

Paperback. First Printing. Tight sound copy in Very Good Condition with some spine creasing.

Softcover/Paperback. Condizione: Fair. This book presents the first comprehensive introduction to congregational studies in the UK. Through a series of innovative essays, it explores the difference that the increasingly post-Christian nature of British society is making to life in Christian congregations, and compares this to the very different scenario which exists in the USA. Contributions from leading scholars in the field include rich case studies of local communities and theoretical analyses which reflect on issues of method and develop broader understandings. Congregational studies is revealed as a rich and growing field of interest to scholars across many disciplines and to those involved in congregational life.

Paperback. Condizione: Very Good. Penguin 1960 first edition. Pages clean and bright, binding firm, minor shelf wear to cover. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Condizione: Good. 1970. First Edition. Paperback. . Not a first edition copy. . . . Books ship from the US and Ireland.

Condizione: Good. 1970. First Edition. Paperback. . Not a first edition copy. . . .

Original Wraps. Condizione: Very Good. Condizione sovraccoperta: No Jacket, as Issued. Cover design by Alan Spain (illustratore). First Edition. First printing of the true first edition. A paperback original. Cover design by Alan Spain. ***Very good in colour-illustrated card covers. The covers have some light wear commensurate with age and handling, but are very clean. There is a long vertical crease across the middle of the front cover. The edges of the covers are slightly rubbed and creased, mainly at the corners. No reading creases to the spine, but there is a small tear at the top where the paper covering is lifting slightly. No fading. Internally also very good with no inscriptions or annotations. No creases or tears. Paper stock lightly tanned as usual. Pages clean. Spine tight. ***144 pages. 180 mm x 110 mm. ***'Penguin Modern Poets is a series designed to introduce contemporary poetry to the general reader by publishing representative work by three modern poets in a single volume. In each case the selection has been made to illustrated the poet's characteristics in style and form.' (Quote taken from the back cover) The series eventually ran to 27 volumes, published between 1962 and 1979. ***First printing of the true first edition, in its original card covers. Despite the cover creasing, this is a good reading copy. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.

Paperback. Condizione: Very Good. Book condition: VG with light wear to edges + corners; light browning to pages. U.K. First Edition. A bright copy.

Softcover. Condizione: Very Good. First Edition; First Printing. Very Good green paperback with some cover staining. 180 pages, unmarked ; D4D; 8vo 8" - 9" tall; 180 pages.

Paperback. Size: 9x12 inches, 207pp., illus. Near new condition, covers bright, text clean and binding tight.

Pictorial Wraps. Condizione: Good. First Thus. Penguin Modern Poets 16. Contains works by Jack Beeching, Harry Guest, & Matthew Mead. Mass market paperback. Printed in Great Britain. Ex-library copy with usual library markings, mild handling wear, otherwise a tight solid softcover copy. 144pp. SB-92.

Paperback. Condizione: Good. No Jacket. First. Front cover marked, edges slightly brown. Poets from Sussex, Glamorgan & Buckinghamshire.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. first thus, paperback, 144 pages, pages tanned otherwise very good. We are a real bookshop with real books situated in and shipping from the United Kingdom. Shelf B129.

Paperback. Condizione: Brand New. 196 pages. 9.00x6.00x0.49 inches. In Stock.

Soft cover. Condizione: Very Good. Large format stiff pictorial card covers clean tight unmarked, 307 pages; see photos for contents.

Soft cover. Condizione: Near Fine. 1st Edition. A clean unmarked copy.

Paperback. Condizione: Fair. 144 pages. Cover worn. Text tanned.

Softcover. Condizione: Very Good. First edition. Mass market paperback. 144pp. Wrappers lightly rubbed, a bit of edgewear, pages toned, very good or better.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: VG-. 1st Edition. (3 copies).

Paperback. Condizione: VG. 1st Edition. (3 copies).

Condizione: New. pp. 256 Index 1st Edition.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Very Good. Landscape 225 x 290mm. Spiral wire bound. 25pp colour and b/w charts laminated in thick plastic. No date or place of publication. Very clean.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. Galt, Jean; Guest, Mary (illustratore). 1st. (CAD) Presumed 1st edition. No markings, Fine in Near Fine clear acetate dust jacket with a 1/2" tear to edge near the spine head in Good only slipcase with edges rubbed. Red cloth, xxiv, 927pp, [8] blank pages for Reader's Notes. Small line drawings. "That part of Canadian English which is neiher British nor American is best illustrated by the vocabulary, for there are hundreds of words which are native to Canada or which have meanings peculiar to Canada". Pink tea: a social gathering attended chiefly by women. Mudpup: a young Englishman sent out to Western Canada to learn farming. Mukluk: a warm knee-high boot worn by the Inuit and Aboriginals of the Northest Territries and the Yukon. Muskeg: an organic bog which is brown or black mixture of water and living and dead vegetation often covered with sphagnum or other mosses and often of considerable depth. Stook: a structure of grain sheaves, sometimes set up end to end in five or six pairs, (a long stook) sometimes in a circle (a round stook). (4.2 JM HQ 103/5 Size: 8vo - over 7¾" - 9¾".

Paperback. Condizione: Brand New. 256 pages. 9.21x6.14x0.50 inches. In Stock.

Soft cover. Condizione: Good. No Jacket. 1st Edition. English text.; Paperback.; 23 x 30.5 cm.; 1.1 Kg.; 208 pages with colour illustrations throughout.; Used with signs of wear on the exterior and interior. Good condition overall.; Catalogue from the exhibtion Traditions Unbound : Groundbreaking Painters of Eighteenth-Century Kyoto organized by the Asian Art Museum, The Agency for Cultural Affairs of Japan and the Kyoto National Museum, and presented at the Asian Art Museum-Chong-Moon Lee Center for Asian Art and Culture, December 3, 2005-February 26, 2006.; "Traditions Unbound focuses on a singular era in the history of Japanese painting: the half-century between around 1750 to 1800 that witness an unprecedented diversity in individual artistic expression. At no time prior to the eighteenth century did such a remarkable group of artists emerge in Japan; that the painters included in this exhibition were wither born in or pursued careers in Kyoto attests to that city's enduring cultural and economic force even a century after its political role was transferred to the new city of Edo. With sixty-one paintings on a variety of formats as a guide, this exhibition explores the distinctive personalities, biographical circumstances, and creative output of eight artists, and ultimately poses the question of why it was Kyoto in the eighteenth century that cultivate such an efflorescence of painting. The eight painters included in Traditions Unbound - Watanabe Shiko, Ike Taiga, Yosa Buson, Maruyama Okyo, Goshun, Nagasawa Rosetsu, Soga Shohaku, and Ito Jakuchu - were selected for the expressive strength and originality of their works, and for their pivotal roles as the progenitors of prevailing movements in late Edo-period painting. " excerpt from the foreword by Matthew P. McKelway.