gurbo robert andre kertesz (21 risultati)

Softcover, 36 pages, very good condition, clean and crisp, no internal marks.

Soft cover. Condizione: Fine. 1st Edition. Scarce. Fine illustrated wrappers with french flaps. Andre Kertesz: New York State of Mind Chicago: Stephen Daiter Gallery, 2001. 36 pp. Photos; plates. Exhibition Catalog. Ships fast with tracking.

Condizione sovraccoperta: dj. First Edition. First edition. Softcover. 36 pages. Features an essay by Robert Gurbo. Includes 26 duotone images. A fine copy in stapled wrappers in a fine dust jacket. A nicely printed and designed catalog.

stapled wrappers. Condizione: Good. First Edition. Quarto, 14 pages, glossy paper, soft, vertical, semi-fold The Stephen Daiter Gallery in Chicago was selected by the Estate of Andre Kertesz to represent the estate of Kertesz. This is the first of several exhibitions of the photographs of Kertesz at the Daiter Gallery. The introductory essay is by Robert Gurbo, the Curator for the Kertesz estate. This selection of images from the exhibition explores his use of mirrors - especially distortion mirrors, particularly a small distortion mirror which he found in a second-hand antique shop.

Condizione sovraccoperta: dj. First Edition. First edition and first printing. Small hardcover. 158 pages. Published in conjunction an exhibition that ran October through November 2005 at Bruce Silverstein Gallery. Features an introduction by Bruce Silverstein and an essay by Robert Gurbo. Includes 90 duotone images. A fine copy in blue cloth boards with black and white image affixed to the front cover and in a very near fine translucent printed dust jacket.

Soft cover. Condizione: Near Fine. 1st Edition. A very clean near fine copy.

Soft cover. Condizione: As New. 1st Edition. 1st Printing. 100 pages. Published in 2014. Exhibition Catalog. The first and only edition. Published in a small and limited print run as a softcover original only. None of the copies was sold to the public. There is no ISBN. The Exhibition Catalog is now scarce. An austerely elegant production by Stephen Daiter Gallery: Regular-sized volume format. Glossy black softcovers with white titles on the cover and spine, as issued. Photographs by Andre Kertesz. Essay by Robert Gurbo. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the landmark exhibition of the same name held at Stephen Daiter Gallery Chicago from March 7 through May 24, 2014. Presents "Andre Kertesz: 'Raison d'Etre': Photographs From The Concerned Photographer Exhibitions 1967-69". The fifth, and most comprehensive, publication by Stephen Daiter Gallery on the photographic art and achievement of Andre Kertesz. His participation in the eponymous - and eleemosynary: The Concerned Photographer shows helped establish the International Center for Photography (ICP) - exhibitions was sweet confirmation of the photographer's stature as one of the greatest photographers of the time. By the time Kertesz immigrated to the United States in 1937, he was already a well-known artist/photographer in Europe, and (rightly) expected to be greeted with the critical acclaim and financial success that a figure of his stature deserved. Instead, his work was completely ignored. Kertesz was forced to eke out a living by doing commercial work for House & Garden Magazine. It was not until the prescient John Szarkowski gave him a one-man show at the Museum of Modern Art (MOMA) in 1964, a posthumous-like, twenty-seven years later, that he finally achieved the recognition that he enjoys to this day. There are critics, scholars, dealers, and collectors who consider Kertesz to be the greatest photographer of the 20th century. Full stop. "The camera is my tool through which I try to give a reason to everything and to every happening around me. Every subject has a rhythm. To feel this rhythm is the raison d'etre" (Andre Kertesz). All great art compels us to slow down, tarry, take our time; transports us to another temporal reality and immerses us in it, which Andre Kertesz's best photographs do. An absolute "must-have" title for Andre Kertesz collectors. This title is a contemporary art photography classic. This is one of few copies of the Exhibition Catalog still available online and is in especially fine condition: Clean, crisp, and bright. Please note: This Exhibition Catalog was not sold to the public. It was given as a keepsake/souvenir to Andre Kertesz print collectors only. A scarce copy thus. 97 plates. Andre Kertesz's "Day of Paris" was selected as one of the greatest photography books in "The Photobook". One of the greatest photographers of the 20th century. A fine copy. (SEE ALSO OTHER ANDRE KERTESZ TITLES IN OUR CATALOG). no.

Soft cover. Condizione: As New. 1st Edition. 1st Printing. 15 pages. Published in 2000. Exhibition Catalog. The first and only edition. Published in a small and limited print run as a softcover original only. There is no ISBN. The Exhibition Catalog is now scarce. An austerely elegant production by David W. Williams: Regular-sized volume format. Pictorial softcovers with titles on the cover, as issued. Photographs by Andre Kertesz. Essay, "The Mirror As Muse", by Robert Gurbo, Curator of the Andre Kertesz Estate. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the exhibition of the same name held at the Stephen Daiter Gallery Chicago from November 26, 1999 through January 15, 2000. Presents "Andre Kertesz: The Mirror As Muse". Some of the photographer's celebrated portraits using a distorted mirror. They are among the most sensuous and elegant female nude photographs ever taken in the medium's history. The remarkable achievement of Andre Kertesz's "Distortion Series" is that the resulting images make one forget about the technical feat involved and is transported to another world, as the photographer intended, the closest any 20th-century artist/photographer has come to an Adult Wonderland Through A Looking Glass. An absolute "must-have" title for Andre Kertesz collectors. This title is a contemporary art photography classic. This is one of few copies of the Exhibition Catalog still available online and is in especially fine condition: Clean, crisp, and bright. Please note: This is a Catalog, not a monograph or full-fledged book. But it is a beauty and rarity for Andre Kertesz completists, plus an original Essay by Robert Gurbo, the Curator of the Andre Kertesz estate. A scarce copy thus. 13 duotone plates. Andre Kertesz's "Day of Paris" was selected as one of the greatest photography books in "The Photobook". One of the greatest photographers of the 20th century. A fine copy. (SEE ALSO OTHER ANDRE KERTESZ TITLES IN OUR CATALOG). no.

Soft cover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. 1st Printing. 36 pages. Published in 2001. Exhibition Catalog. The first and only edition. Published in a small and limited print run as a softcover original only. None of the copies was sold to the public. There is no ISBN. The Exhibition Catalog is now scarce. An austerely elegant production by Adam Holtzman: Regular-sized volume format. Glossy pictorial softcovers with black titles on the cover and spine, as issued. Photographs by Andre Kertesz. Essay by Paul Berlanga. Printed on pristine-white, uncoated stock paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the AIPAD Photography Show held in New York City from March 26-29, 2009. Presents "Andre Kertesz: New York: 'The Lost Years' ". Reproductions of Kertesz's vintage prints, complete with handwritten and stamped information exactly as they appear on the prints themselves. The images are presented on the right-hand side, the captions en face. By the time Kertesz immigrated to the United States in 1937, he was already a well-known artist/photographer in Europe, and (rightly) expected to be greeted with the critical acclaim and financial success that a figure of his stature deserved. Instead, his work was completely ignored. Kertesz was forced to eke out a living by doing commercial work for House & Garden Magazine. It was not until the prescient John Szarkowski gave him a one-man show at the Museum of Modern Art (MOMA) in 1964, a posthumous-like, twenty-seven years later, that he finally achieved the recognition that he enjoys to this day. There are critics, scholars, dealers, and collectors who consider Kertesz to be the greatest photographer of the 20th century. Full stop. Kertesz called his long American obscurity, "The Lost Years", when instead of giving up, he persevered and "developed a body of work that visually distilled his isolation and anxieties, creating subdued and poetic photographs. Photographs that asked New York to slow down and hear a whisper among the shouts. And he remained true to his vision" (Paul Berlanga). All great art compels us to slow down, tarry, take our time; transports us to another temporal reality and immerses us in it, which Andre Kertesz's best photographs do. An absolute "must-have" title for Andre Kertesz collectors. This title is a contemporary art photography classic. This is one of few copies still available online and is in especially fine condition: Clean, crisp, and bright. Please note: This Exhibition Catalog was not sold to the public. It was given as a keepsake/souvenir to Andre Kertesz print collectors only. A scarce copy thus. 34 plates. Andre Kertesz's "Day of Paris" was selected as one of the greatest photography books in "The Photobook". One of the greatest photographers of the 20th century. A fine copy. (SEE ALSO OTHER ANDRE KERTESZ TITLES IN OUR CATALOG). no.

Hardcover. Quarto. Hardcover. Illustrated blue cloth boards with white stamped titles. No jacket, as issued. 223 pages : illustrations ; 30 cm. Catalog of an exhibition held at the Museum of Fine Arts, Budapest, April 5-August 25, 2024. The exhibition was organized by the Virginia Museum of Fine Arts in association with the Museum of Fine Arts, Budapest. As new. Still in shrink wrap although it is torn at the top right corner.

Hardcover, 127 pages. Condizione: Fine. Condizione sovraccoperta: Very Good. Laura Lindgren (Jacket Design) (illustratore). First Edition. First Edition. Red cloth boards with gilding on outer spine. Pages are clean, binding is tight. Creasing, scuffing and minor soiling to dust jacket.

Hardcover with dustjacket, 302 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Neuf. Edition originale. New York, 2005. 1 volume/1. -- NEUF/NEW -- Reliure éditeur cartonnée pleine toile sous jaquette transparente . Format "carré" 13,2 x 13,5 cm ( 256 gr ). ------- 160 pages. *************" When Hungarian photographer André Kertész did not have access to an enlarger early in his career, he made contact prints instead. And he became quite adept with this size, creating miniature images with incredible depth and sophistication. A real feeling of youth and artistic exploration dominates these pictures, which span from 1912 to 1925. From the very joyous experiments with his brother, Jeno, in the countryside, to his idyllic romance with Elizabeth, from his portraits of WWI soldiers, to his later hospital stay as he convalesced from a wound, we witness Kertész explore different photographic interests and subjects. In order to compose for such a small format, Kertész needed to ground his images in strong lines and geometry, forging the hallmarks of his later modernist vision. Thus, the Hungarian Contacts, as they are called, chronicle not only Kertész s coming of age as a man, but also his development as an artist. Before emigrating to the U.S. in 1936, Kertész left the contact prints with an agent in Paris, who was later forced to flee the city under Nazi occupation. She buried the cache of tiny works in a makeshift bomb shelter on a farm in southern France. Kertész lost contact with her, and decades passed before the agent re-discovered Kertész because of his Bibliothéque Nationale exhibition in Paris in 1963. Thankfully, she led him to the site where he recovered the still-buried treasure. Though some of the Hungarian Contacts were part of the National Gallery of Art s 2004 retrospective and though Kertész enlarged some of the images in his later years, a broad selection of them are presented together here as art objects in their own right and in the size that Kertész originally intended for them. The book commemorates an important show of the work at Silverstein Photography in New York City and includes an engaging personal essay by Robert Gurbo, the curator of the estate. This new volume presents the Hungarian Contact Prints many unpublished before now in a wonderfully small format that enchants and refreshes. "" DENISE WOLFF ***************** ref 142a.

Condizione sovraccoperta: dj. First Edition. First Edition. Published in conjunction with an exhibition of the artist's work held from February 6 to May 15, 2005, at the National Gallery of Art, and from June 12 to September 5, 2005, at the Los Angeles County Museum of Art. About Fine in a Near Fine dust jacket.

Condizione sovraccoperta: dj. First Edition. First edition and first printing. Hardcover. 302 pages. Published in conjunction with an exhibition that ran February 6 through May 15, 2005 at the National Gallery of Art and then June 12 through September 3, 2005 at the Los Angeles County Museum of Art. Introduction by Sarah Greenough and Robert Gurbo. Essays by Greenough, Gurbo, and with a chronology by Sarah Kennel. Includes over 100 black and white images. A very fine copy in a very fine dust jacket and still somewhat in the publisher's shrinkwrap.

Condizione: New.

Hardcover. Condizione: New.

Condizione: Muy Bien. Gracias, su compra ayuda a financiar programas para combatir el analfabetismo.

Condizione: Good. 4to. [14 pp]. Soft, stapled black and white photographic wraps with beige text. Very good with marginal creasing along top right front wrap corner. 12 black and white early gelatin silver plates by Andre Kertesz. Includes an essay by exhibition curator Robert Gurbo. Catalogue created on occasion of exhibition "Andre Kertesz: Mirror as Muse" at the Stephen Daiter Gallery in Chicago, IL from November 26, 1999 through January 15, 2000. First edition. From the Collection of the Art Historian Peter Selz.

Hardcover. Condizione: As New. 1st Edition. 4° - 223pp - Color & Dual-tone photo-reproductions. Published as Exhibition Catalogue: Budapest April-August 2024. André Kertesz (1894-1985) Hungarian-born photographer known for his groundbreaking contributions to photographic composition and the photo essay - Lajos Moholy-Nagy (1895-1946) Hungarian painter, photographer, and Bauhaus professor. Learn about his life, work, influences, and legacy in the fields of art, design, and technology. Robert Capa (1913-1954)Hungarian-American war photographer and photojournalist. First edition, text in English. Original Binding. As New!

First Edition. With more than 250 superb photographs in gravure. 4to, publisher's original stiff printed wrappers, illustrated with photographs on the covers by Kertesz. xiv, 302 pp. A very fine copy, pristine as issued, tight, clean, and well preserved. FIRST EDITION. ANDRE KERTESZ IS ONE OF THE MOST IMPORTANT PHOTOGRAPHERS OF THE 20TH C. "This book chronicles his rich art, from his first works taken in his native Hungary just shortly before World War I, to his highly celebrated photographs of Paris in the 1920's and 1930's, and his studies of New York from the late 1930s to the early 1980s."- publisher.