Gustav metzger (84 risultati)

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condizione: as new. Appears unread. May have a retail sticker on back cover or remainder mark on the text block.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Hardcover. Condizione: Very Good. Paper-covered boards. Minor shelf wear. Else a bright, clean copy.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

83 pp.; 17.9 x 10.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Pocket exhibition guide published in conjunction with show held June 17 - September 30, 2007. Texts by Frank Frangenberg. Artists include Pawel Althamer, Michael Asher, Nairy Bagramian, Guy Ben-Ner, Guillaume Bijl, Martin Boyce, Jeremy Deller, Elmgreen & Dragset, Hans-Peter Feldmann, Dora García, Isa Genzken, Dominique Gonzalez-Foerster, Tue Greenfort, Valérie Jouve, Mike Kelley, Suchan Kinoshita, Marko Lehanka, Gustav Metzger, Eva Meyer, Eran Schaerf, Deimantas Narkevicius, Bruce Nauman, Maria Pask, Manfred Pask, Manfred Pernice, Susan Philipsz, Martha Rosler, Thomas Schütte, Andreas Siekmann, Rosemarie Trockel, Silke Wagner, Mark Wallinger, Clemens von Wedemeyer, Annette Wehrmann and Pae White. Texts in English and German. Good / Very Good. 3.5 cm. of bumping to publication edge. Contents clean and unmarked.…

Paperback. Condizione: Fine. 1st. 95 pages, colour illustrations; 24 cm. Firm binding, clean inside copy. *** "This book charts a project by London Fieldworks (Bruce Gilchrist and Jo Joelson) with the participation of internationally celebrated artist Gustav Metzger to create a sculptural work by linking a computer-brain interface with industrial manufacturing technology. Using bespoke software, London Fieldworks produced 3D shape information from EEG readings of Metzger's brainwaves as he attempted to think about nothing. This data was translated into instructions for a manufacturing robot, which carved out the shapes from the interior of a block of stone to create a void space. An introduction by the artists, a text by Gustav Metzger and four contextualising essays by writers across the fields of literature, art, science and technology explore the diverse historical and conceptual grounding for and broader implications of Null Object's production process." - Publisher. *** CONTENTS: Artists' introduction, by London Fieldworks; Sculpting the void: between negation and abnegation, between action and absence, by Bronac Ferran; Writing about nothing, by Hari Kanzru; Null and objective: London Fieldworks and Metzger's brain, by Nick Lambert; Null object: prolegomena, by Christopher W Tyler; Empty and emptiness, and emptying, by Gustav Metzger. Size: 8vo. Collectible.…

Soft cover. Condizione: Fine. Just On New.

Hardcover. Condizione: As New. First Edition. Superior copy, gift-quality condition, inside and out, no discernible wear to the pictorial covers. Silk linen-ribbon sewn in. Hans Ulrich Obrist was a leading art museum and art gallery curator for several decades, and his interlocutor here, Gustav Metzger, has known him well for two decades. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. Illustrated endpapers front and rear. [16], 17-287 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

Condizione: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Paperback. Condizione: Brand New. 207 pages. 8.43x5.85x0.73 inches. In Stock.

Pappband. Condizione: Befriedigend. 77 (2) Seiten Kanten bestossen, Rücken oben angerissen, etwas angegraut.-[ Standort Wimregal . ISS-17654 Sprache: Deutsch Gewicht in Gramm: 245.

Paperback. Condizione: Brand New. 168 pages. 8.00x5.25x0.50 inches. In Stock.

Hardcover. Condizione: About Fine. 1st Edition. Illustrated. 4to.

Paperback. Condizione: Brand New. reprint edition. 696 pages. 8.00x5.00x1.00 inches. In Stock.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

No Binding. Condizione: Very Good. Periodical by Gustav Metzger; folded, printed on thin paper like newspaper, 8 pages; printed by Agnes B. and Hans-Ulrich Obrist 2015; in VERY GOOD COND.

Paperback. Condizione: Brand New. Paperback.Width: 21 cm. Height: 30cm. 40 pages. English text.

Condizione: Neuf.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. The artist's biography as told by Metzger himself, a leader of the Auto-Destructive Art and Art Strike movements. A visionary artist and radical thinker, Gustav Metzger asked provocative questions about the role of the artist and of conventional forms of artmaking and display. In this richly illustrated book, Metzger tells the story of his life and work in a series of interviews with the curator Hans Ulrich Obrist. He recounts his Orthodox Jewish childhood in 1930s Nuremberg and his arrival in England as part of the Kindertransport before shedding light on his development as an artist, including his early contributions to computer art, his leading role in the Destruction in Art Symposium of 1966, and his call for an 'art strike' from 1977-80. An artist for our times, Metzger's uncompromising commitment to combating environmental destruction was fundamental to his understanding of art as a vehicle for change. This publication speaks emphatically to the undimmed urgency of Metzger's artistic position, offering an insight into his interests in ecology and nature and, in the later part of his life, the threat of extinction and the motto he adapted from W. H. Auden: 'We must become idealists or die.'.…

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condizione: new. Hardcover. The artist's biography as told by Metzger himself, a leader of the Auto-Destructive Art and Art Strike movements.A visionary artist and radical thinker, Gustav Metzger asked provocative questions about the role of the artist and of conventional forms of artmaking and display. In this richly illustrated book, Metzger tells the story of his life and work in a series of interviews with the curator Hans Ulrich Obrist. He recounts his Orthodox Jewish childhood in 1930s Nuremberg and his arrival in England as part of the Kindertransport before shedding light on his development as an artist, including his early contributions to computer art, his leading role in the Destruction in Art Symposium of 1966, and his call for an 'art strike' from 1977-80.An artist for our times, Metzger's uncompromising commitment to combating environmental destruction was fundamental to his understanding of art as a vehicle for change. This publication speaks emphatically to the undimmed urgency of Metzger's artistic position, offering an insight into his interests in ecology and nature and, in the later part of his life, the threat of extinction and the motto he adapted from W. H. Auden: 'We must become idealists or die.' Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: Used - Very Good. VG hardback. First Edition. Published on the occasion of an exhibition. 2 signatures on half-title page, dated 2012: 1 appears to be 'Sue', the other is a squiggle Presumably Tim). Minor mark on grey cloth on front board Used - Very Good. VG hardback.

Hardcover. VIII S. + 1307 S., Oktav, Hardcover/gebunden, Halbleinen. Gerade und fest. Ordentlicher, mäßig gebrauchter Zustand. Einbandinnenseite hinten Bleistifteinträge. Leinenrücken stellenweise dünn, verschlissen. Einige Seiten ganz leicht wellig bzw. ganz schwach wasserrandig. Sehr gut erhaltenes Arbeitsexemplar. Dritte (3.) Auflage. Sprache: Deutsch (unbesetzt) 1250 gr.…

Condizione: new.

Couverture rigide. Condizione: Neuf.

Condizione: Sehr gut. 77 S. : mit Abb. ; 8 Schönes, ordentliches, gutes Exemplar. Keine auffälligen Mängel. Innen wie ungelesen. Sprache: Deutsch Gewicht in Gramm: 250.

Condizione: Fine. First edition. Hardback. Square quarto, 103pp. Original grey cloth with white titles. About fine. No jacket.

Condizione: New.