H b stein (98 risultati)

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condizione: Very Good. Subsequent. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condizione: Acceptable. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.…

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: new.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condizione: New.

Paperback. Condizione: Good+. Second Edition; Second Printing. 6.25 X 0.75 X 9.5 inches; 235 pages; B&W illustrations. Stickers and business cards adhered onto the inside of the covers. Minor shelf wear on the covers. Good condition otherwise. No other noteworthy defects. No markings. ; Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence.…

hardcover. Condizione: fine. Condizione sovraccoperta: very good. Many color Illus. Small folio, blue cloth, d.w. (Washington): National Museum of American Art, (1999). Very good.

Oversized Hardcover. Condizione: Good. Published on the occasion of the exhibition @ National Musuem of American Art, Smithsonian Institution, Washington, D.C. (1999). This volume presents a study of works of art - images & crafted objects - originating between the Civil War and World War II that depict New England, investigating the direct and indirect meanings in this imagery. Notes, artists' biographies, index. Illus., 219 color/b&w. 239p.…

Hardcover. Condizione: Used - Very Good. Open copy with light wear, clean pages/interiors.

Softcover. Condizione: Near Fine. A very clean and bright copy. Careful packing and fast, efficient shipping including delivery confirmation. Please note: International and Domestic Priority orders for this item will require additional shipping.

Paperback. Condizione: As New. Softcover. Good binding and cover. Clean, unmarked pages. Minor scuff marks to head of spine. Light wear. XV, 239 p. : ill. ; 32 cm.This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: Used - Like New. When we think of New England, we envision village greens surrounded by neat, white-framed houses; tall elms and church spires; country stores; Yankee farmers; sailing ships; rocky coastlines; brilliant autumn foliage. Despite the fact that there is a New England of cities, factories, and an increasingly diverse ethnic population, it is the Old New England that Americans have always treasured, finding in it a kind of 'national memory bank'. This beautiful book examines images of Old New England created between 1865 and 1945, demonstrating how these images encoded the values of age and tradition to a nation facing complex cultural issues during the period. The book begins with an introduction by Dona Brown and Stephen Nissenbaum that provides a historical background to the era. Then William Truettner, Roger Stein, and Bruce Robertson turn more directly to New England images and discuss a variety of artistic efforts to historicize the past. They show that paintings of the Revolutionary War, of harvest scenes, or of genteel old New England towns served, for example, to provide reassurance to urban dwellers after the Civil War, to counteract the effects of modernism, and to encourage a sense of community during the Depression. They also examine paintings of coastal New England and favorite haunts of tourists and artists such as Winslow Homer and Marsden Hartley. The many images of Old New England, say the authors, represent shared cultural beliefs -- ways of seeing the present in terms of a mythical past. BEAUTIFUL COPY!!.…

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Softcover. Condizione: Très bon. Ancien livre de bibliothèque. Edition 1999. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 1999. Ammareal gives back up to 15% of this item's net price to charity organizations.…

paperback. Condizione: Good. Used items may contain, highlighting, writing, and other previous signs of use. Used items may not contain CD's. access codes and other accompanying items when applicable.

Condizione: Very Good. Condizione sovraccoperta: Very Good. 239 pages. Hardcover. Dust jacket with only minor wear. Full color and black & white illustrations throughout. Clean unmarked text. Record # 750077.

Softcover. Condizione: Near Fine. Tight unmarked book in glossy card covers with slight blemish to rear cover edge.; 8.43 X 5.85 X 0.73 inches; 239 pages.

Soft cover. Condizione: Very Good. 96 pages. Walter Stein "Ibsen's Ghosts" / Janet Burroway "Mansfield Park" / A E Dyson "Barnaby Ridge" / Stanley Fish "Paradise Lost" / T H Gibbon "Dubliners".

Paperback. Condizione: new. New Copy. Customer Service Guaranteed.

Hardcover. Condizione: As new in shrinkwrap. Navy boards, teal dust jacket with color illustrations on front and rear, xv, 239 pages, richly illustrated in bw and color. "When we think of New England, we envision village greens surrounded by neat, white-framed houses; tall elms and church spires; country stores; Yankee farmers; sailing ships; rocky coastlines; brilliant autumn foliage. Despite the fact that there is a New England of cities, factories, and an increasingly diverse ethnic population, it is the Old New England that Americans have always treasured, finding in it a kind of "national memory bank". This beautiful book examines images of Old New England created between 1865 and 1945, demonstrating how these images encoded the values of age and tradition to a nation facing complex cultural issues during the period. The book begins with an introduction by Dona Brown and Stephen Nissenbaum that provides a historical background to the era. Then William Truettner, Roger Stein, and Bruce Robertson turn more directly to New England images and discuss a variety of artistic efforts to historicize the past. They show that paintings of the Revolutionary War, of harvest scenes, or of genteel old New England towns served, for example, to provide reassurance to urban dwellers after the Civil War, to counteract the effects of modernism, and to encourage a sense of community during the Depression. They also examine paintings of coastal New England and favorite haunts of tourists and artists such as Winslow Homer and Marsden Hartley. The many images of Old New England, say the authors, represent shared cultural beliefs -- ways of seeing the present in terms of a mythical past." - book jacket description "Published on the occasion of the exhibition Picturing Old New England : Image and memory, organized by the National Museum of American Art, Smithsonian Institution, and shown at National Museum of American Art, Smithsonian Institution, Washington, D.C., April 2-August 22, 1999"--Title page verso. Includes bibliographical references (pages 230-235) and index. …