Haas karen e (84 risultati)

Condizione: very_good.

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good.

81 pages, illustrated, with an additional essay by Brenda Danilowitz. Fine trade paperback in decorative wrappers (soft cover book)/ no dust jacket.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Soft cover. Condizione: Fine. 1st Edition. New soft cover in pristine condition. Some very light shelfwear to cover.

Hardback. Condizione: Good. Artistic representations of gardens across history, cultures and mediums, featuring work by such disparate artists as Hokusai, Claude Monet and Hilary Pecis A plot of land, a relaxing retreat, a formal landscape, a place of work: gardens carry a range of associations for individuals, communities and cultures alike. Spanning from the ancient Mediterranean to Renaissance Europe to the Edo period in Japan to the Qing dynasty in China to today, Gardens and Imagination considers how gardens have remained a source of artistic inspiration for millennia. Drawn from the holdings of the Museum of Fine Arts, Boston, this lush volume features both iconic representations of gardens as well as undersung depictions across a range of mediums, eras and cultures. Thematically organized, Gardens and Imagination features essays that probe the human impulse to influence, master and celebrate the natural world through cultivation, care and labor?all while exploring how countless artists have translated this phenomenon into their own visual aesthetics. Artists include: Ansel Adams, Ruth Bernhard, William Blake, Karl Blossfeldt, Lilla Cabot Perry, Jean-Baptiste Carpeaux, Lois Conner, Nancy Crasco, Jan Cornelisz, Elizabeth Courtis, Gregory Crewdson, Imogen Cunningham, Gohar Dashti, Maria Richards Oakey Dewing, Jim Dine, Christian Dior, Claudio Eshun, Gisèle Freund, Wanda Gág, Agostino Gallo, Jay Lynn Gomez, Anthony Green, Katsushika Hokusai, Graciela Iturbide, Robert John Thornton, Justin Kimball, Salomon Kleiner, Tom Loeser, Dakota Mace, Kimathi Mafafo, Mary Mattingly, Michael Mazur, Asnaku Melese, Jean-François Millet, Claude Monet, May Morris, William Morris, Vik Muniz, Giovanni di Paolo, Hilary Pecis, Andrew Raftery, Yves Saint Laurent, John Singer Sargent, Marjorie Schick, Linda Threadgill, Edouard Vuillard, Barbara Westman, Yuan Yao, and many more.…

Hardback. Condizione: Good. Artistic representations of gardens across history, cultures and mediums, featuring work by such disparate artists as Hokusai, Claude Monet and Hilary Pecis A plot of land, a relaxing retreat, a formal landscape, a place of work: gardens carry a range of associations for individuals, communities and cultures alike. Spanning from the ancient Mediterranean to Renaissance Europe to the Edo period in Japan to the Qing dynasty in China to today, Gardens and Imagination considers how gardens have remained a source of artistic inspiration for millennia. Drawn from the holdings of the Museum of Fine Arts, Boston, this lush volume features both iconic representations of gardens as well as undersung depictions across a range of mediums, eras and cultures. Thematically organized, Gardens and Imagination features essays that probe the human impulse to influence, master and celebrate the natural world through cultivation, care and labor?all while exploring how countless artists have translated this phenomenon into their own visual aesthetics. Artists include: Ansel Adams, Ruth Bernhard, William Blake, Karl Blossfeldt, Lilla Cabot Perry, Jean-Baptiste Carpeaux, Lois Conner, Nancy Crasco, Jan Cornelisz, Elizabeth Courtis, Gregory Crewdson, Imogen Cunningham, Gohar Dashti, Maria Richards Oakey Dewing, Jim Dine, Christian Dior, Claudio Eshun, Gisèle Freund, Wanda Gág, Agostino Gallo, Jay Lynn Gomez, Anthony Green, Katsushika Hokusai, Graciela Iturbide, Robert John Thornton, Justin Kimball, Salomon Kleiner, Tom Loeser, Dakota Mace, Kimathi Mafafo, Mary Mattingly, Michael Mazur, Asnaku Melese, Jean-François Millet, Claude Monet, May Morris, William Morris, Vik Muniz, Giovanni di Paolo, Hilary Pecis, Andrew Raftery, Yves Saint Laurent, John Singer Sargent, Marjorie Schick, Linda Threadgill, Edouard Vuillard, Barbara Westman, Yuan Yao, and many more.…

hardcover. Condizione: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Condizione: New.

Hardcover. Condizione: new. Hardcover. Artistic representations of gardens across history, cultures and mediums, featuring work by such disparate artists as Hokusai, Claude Monet and Hilary PecisA plot of land, a relaxing retreat, a formal landscape, a place of work: gardens carry a range of associations for individuals, communities and cultures alike. Spanning from the ancient Mediterranean to Renaissance Europe to the Edo period in Japan to the Qing dynasty in China to today, Gardens and Imagination considers how gardens have remained a source of artistic inspiration for millennia. Drawn from the holdings of the Museum of Fine Arts, Boston, this lush volume features both iconic representations of gardens as well as undersung depictions across a range of mediums, eras and cultures. Thematically organized, Gardens and Imagination features essays that probe the human impulse to influence, master and celebrate the natural world through cultivation, care and laborall while exploring how countless artists have translated this phenomenon into their own visual aesthetics.Artists include: Ansel Adams, Ruth Bernhard, William Blake, Karl Blossfeldt, Lilla Cabot Perry, Jean-Baptiste Carpeaux, Lois Conner, Nancy Crasco, Jan Cornelisz, Elizabeth Courtis, Gregory Crewdson, Imogen Cunningham, Gohar Dashti, Maria Richards Oakey Dewing, Jim Dine, Christian Dior, Claudio Eshun, Gisele Freund, Wanda Gag, Agostino Gallo, Jay Lynn Gomez, Anthony Green, Katsushika Hokusai, Graciela Iturbide, Robert John Thornton, Justin Kimball, Salomon Kleiner, Tom Loeser, Dakota Mace, Kimathi Mafafo, Mary Mattingly, Michael Mazur, Asnaku Melese, Jean-Francois Millet, Claude Monet, May Morris, William Morris, Vik Muniz, Giovanni di Paolo, Hilary Pecis, Andrew Raftery, Yves Saint Laurent, John Singer Sargent, Marjorie Schick, Linda Threadgill, Edouard Vuillard, Barbara Westman, Yuan Yao, and many more. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Original cloth. Near Fine, in near fine dust jacket.

Hardcover. Condizione: Very good. Condizione sovraccoperta: Very good. Cloth, dj. Quarto. Minor shelf wear. Else a bright, clean copy. Often overlooked--until now--Weston's early photography is painterly and luscious This is a book about Edward Weston before he was Edward Weston--before he was the renowned modernist photographer we know so well. His early years in the field coincided exactly with the height of the Pictorialist movement in America, and while he was never a typical practitioner, he did make photographs that borrowed themes from paintings and other media, and experimented with soft-focused imagery that sometimes looks more like graphite drawings or inky dark prints than photographs. He would later disavow the gauzy, painterly experiments of his early years, claiming in his Daybooks that 'even as I made the soft 'artistic' work . I would secretly admire sharp, clean, technically perfect photographs.' Introducing rare surviving prints from the unplumbed holdings of the Lane Collection at the Museum of Fine Arts, Boston, this book offers new insights into Weston's working methods and his evolution as a photographer. By taking a longer and more nuanced view of his early years, and by reinserting his first experiments back into the larger story of his artistic production, it reveals the variety of ways in which the paths he took as a young man led him to become the mature modernist master. Beautifully reproduced examples of Weston's most important early work, essays explaining its place in his oeuvre and the history of photography, and a section dedicated to the variety of Weston's early materials and techniques make this book a must-have resource. .…

Hardcover. Condizione: Very good. Condizione sovraccoperta: Very good. Cloth, dj. Quarto. Minor shelf wear. Else a bright, clean copy. Often overlooked--until now--Weston's early photography is painterly and luscious This is a book about Edward Weston before he was Edward Weston--before he was the renowned modernist photographer we know so well. His early years in the field coincided exactly with the height of the Pictorialist movement in America, and while he was never a typical practitioner, he did make photographs that borrowed themes from paintings and other media, and experimented with soft-focused imagery that sometimes looks more like graphite drawings or inky dark prints than photographs. He would later disavow the gauzy, painterly experiments of his early years, claiming in his Daybooks that 'even as I made the soft 'artistic' work . I would secretly admire sharp, clean, technically perfect photographs.' Introducing rare surviving prints from the unplumbed holdings of the Lane Collection at the Museum of Fine Arts, Boston, this book offers new insights into Weston's working methods and his evolution as a photographer. By taking a longer and more nuanced view of his early years, and by reinserting his first experiments back into the larger story of his artistic production, it reveals the variety of ways in which the paths he took as a young man led him to become the mature modernist master. Beautifully reproduced examples of Weston's most important early work, essays explaining its place in his oeuvre and the history of photography, and a section dedicated to the variety of Weston's early materials and techniques make this book a must-have resource. .…

Condizione: As New. Unread book in perfect condition.

soft cover. Condizione: Very Good. No jacket. First Edition. Boston:MFA Publications. (2005).  Stated 1st printing. 176pp. Softcover.  Front cover's lower outside edge is creased and turned otherwise in very good condition.  Internally, light soiling and age toning to outside edge of 1st free end-page, otherwise a very good, clean copy.  Published in conjunction with an exhibition in 2005 at the Museum of Fine Arts, Boston.…

Soft cover. Condizione: Near Fine. No Jacket.

Hardcover. Condizione: Fine. Pictorial cloth boards. Pictorial endpapers. Color and b/w photos throughout. Book does not have a dust jacket. Due to size, ships within US only and only by media rate mail. ; 4to 11" - 13" tall; 208 pp.

Condizione: New.

hardcover. Condizione: Very Good. Modest shelfwear to jacket, clean pages and sound binding.

Hard Cover. Condizione: Fine. First Edition. First Edition (stated) First Printing in about Fine unclipped dust jacket, no markings, NOT ex-lib, binding tight pages bright, slight shelf wear to jacket, a clean tight excellent copy (dj in mylar protector); 4to; 224pp illus. Extra shipping charge will be incurred for this large heavy book (additional charge MAY BE SUBSTANTIAL for overseas shipment).…

hardcover. Condizione: Very Good. Dust jacket rubbed on top edge (in brodart), otherwise in Fine (Like New) condition. U.S. orders are shipped from N.Y. state.

Condizione: new.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. This is a book about Edward Weston before he was Edward Weston - before he was the renowned modernist photographer we know so well. His early years in the field coincided exactly with the height of the Pictorialist movement in America, and while he was never a typical practitioner, he did make photographs that borrowed themes from paintings and other media, and experimented with soft-focused imagery that sometimes look more like graphite drawings or inky dark prints than photographs. He would later disavow the gauzy, painterly experiments of his early years, claiming in his Daybooks that 'even as I made the soft "artistic" work.I would secretly admire sharp, clean, technically perfect photographs.'Introducing rare surviving prints from the unplumbed holdings of the Lane Collection at the Museum of Fine Arts, Boston, this book offers new insights into Weston's working methods and his evolution as a photographer. By taking a longer and more nuanced view of his early years, and by reinserting his first experiments back into the larger story of his artistic production, it reveals the variety of ways in which the paths he took as a young man led him to become the mature modernist master. Beautifully reproduced examples of Weston's most important early work, essays explaining their place in his oeuvre, and a section dedicated to the variety of Weston's early materials and techniques make this book a must-have resource. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. 224 pp. Folio. Clean, crisp copy with dust jacket in mylar cover.