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Paperback. Condizione: Brand New. 269 pages. 11.25x8.75x0.75 inches. In Stock.

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Paperback. Condizione: New. What was popular entertainment like for everyday Arab societies in Middle Eastern cities during the long nineteenth century? In what ways did café culture, theatre, illustrated periodicals, cinema, cabarets, and festivals serve as key forms of popular entertainment for Arabic-speaking audiences, many of whom were uneducated and striving to contend with modernity's anxiety-inducing realities? Studies on the 19th to mid-20th century's transformative cultural movement known as the Arab nahda (renaissance), have largely focussed on concerns with nationalism, secularism, and language, often told from the perspective of privileged groups. Highlighting overlooked aspects of this movement, this book shifts the focus away from elite circles to quotidian audiences. Its ten contributions range in scope, from music and visual media to theatre and popular fiction. Paying special attention to networks of movement and exchange across Arab societies in Lebanon, Syria, Egypt, Iraq, and Morocco, this book heeds the call for 'translocal/transnational' cultural histories, while contributing to timely global studies on gender, sexuality, and morality. Focusing on the often-marginalized frequenters of cafés, artist studios, cinemas, nightclubs, and the streets, it expands the remit of who participated in the nahda and how they did.…

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Paperback or Softback. Condizione: New. The Arab Nahda as Popular Entertainment: Mass Culture and Modernity in the Middle East. Book.

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Paperback. Condizione: new. Paperback. Although scholarship on how Islamic art is studied, collected, and exhibited is on the rise, what is less addressed is how the field's various commitments have related to pedagogical and curating practices. Bridging this gap between theory and practice, this book explores how the past two decades of debating methodologies for diverse, inclusive, decolonial, and global Islamic art histories have taken shape in classrooms, galleries, and related settings. The contributions span the following interrelated themes: Theory (critical approaches to teaching and curating), Method (examples of pedagogies), and Practice (curating, collecting, and archiving). The volume highlights the complexities brought on by the call for global art histories through focused case studies. In so doing, it aims to contend with the challengesand not just successesof teaching, curating, and researching Islamic art history in a global context, while also contributing new perspectives to discourses on the global turn writ large. Examining how art historys concerns with the global turn, along with calls for decolonial, diverse, inclusive, and equitable approaches, have shaped scholarship, teaching and curating in Islamic art history Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Paperback or Softback. Condizione: New. Islamic Art History and the Global Turn: Theory, Method, Practice. Book.

paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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4°, hardcover. Like new. Sprache: Englisch Gewicht in Gramm: 0.

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Paperback. Condizione: Brand New. 272 pages. 11.50x8.50 inches. In Stock.

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Hardcover. Condizione: Brand New. 192 pages. 11.81x9.45x11.93 inches. In Stock.

hardcover. Condizione: Befriedigend. 192 Seiten; 9783969001585.4 Gewicht in Gramm: 2.