hanbum lee (20 risultati)

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardcover. Condizione: new. Hardcover. Contemporary Art in Korean TraditionSuki Seokyeong Kang's practice traverses painting, sculpture, installation, as well as video and performance to explore the interplay between the individual and the collective. By developing an artistic vocabulary that draws from the rich heritage of Korean painting, poetry and dance, Kang's oeuvre examines the durability of traditions and expands their significance to contemporary art.The catalogue, accompanying her solo exhibition Willow Drum Oriole at Leeum Museum of Art, proposes to read Kang's practice through a range of varying discourses, such as the status of traditional Korean painting in contemporary art, feminism, and the narratives of the Western avant-garde. Taking the artist's foundational painting practice as a point of departure, the catalogue features a new body of work and charts the development of Kang's artistic language. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condizione: New. Contemporary Art in Korean Tradition Suki Seokyeong Kang's practice traverses painting, sculpture, installation, as well as video and performance to explore the interplay between the individual and the collective. By developing an artistic vocabulary that draws from the rich heritage of Korean painting, poetry and dance, Kang's oeuvre examines the durability of traditions and expands their significance to contemporary art. The catalogue, accompanying her solo exhibition Willow Drum Oriole at Leeum Museum of Art, proposes to read Kang's practice through a range of varying discourses, such as the status of traditional Korean painting in contemporary art, feminism, and the narratives of the Western avant-garde. Taking the artist's foundational painting practice as a point of departure, the catalogue features a new body of work and charts the development of Kang's artistic language.

Hardcover. Condizione: Like New. Immediate dispatch from Somerset. Book in excellent unread/unused condition. Dual language inc Hardcover. English. Pub Year 2024, See images for condition. About the book >.>.> Willow Drum Oriole by Suki Seokyeong Kang explores the intricate connections between landscape, time, and the human body through a tripartite structure centred on willow, drum, and oriole. This exhibition manifests in various forms including sculpture, painting, and video, integrating elements of traditional Korean ink painting, craft, poetry, and choreography. The work invites reflection on how physical and temporal realms intertwine, revealing how these aspects can influence personal rituals and senses of agency.The preface provides a personal narrative from Christine Y. Kim, reflecting on her experiences as a new mother in Laurel Canyon, Los Angeles. In the quiet of early mornings, the song of songbirds, especially the oriole, becomes a comforting presence, blending the themes of loneliness and connection. This intimate observation sets the stage for Kang's thematic exploration, illustrating how external sounds and sights can resonate deeply within one's psyche, echoing the duality of interiority and exteriority.The exhibition is further contextualised through four poems that are integral to Kang?s work, including Willow lyrics from a traditional Gugak song and contemporary pieces by You Hee-kyoung, Liyoun Kim, and Kim Nuiyeon. These works are discussed by curator June Young Kwak and essayists Connie Butler, An Kee, Michelle Kuo, and Zoé Whitley, who examine the intersection of Korean traditional art forms with Western experimental art, architecture, and language. Through this multifaceted lens, Kang's exhibition not only highlights the significance of art in expressing human experiences but also serves as a transformation of cultural narratives and modalities.

Condizione: New.

Condizione: New. 2024. 1st Edition. hardcover. . . . . .

Buch. Condizione: Neu. Neuware -Suki Seokyeong Kang's practice traverses painting, sculpture,installation, as well as video and performance toexplore the interplay between the individual and the collective.By developing an artistic vocabulary that drawsfrom the rich heritage of Korean painting, poetry anddance, Kang's oeuvre examines the durability of traditionsand expands their significance to contemporary art.The catalogue, accompanying her solo exhibition WillowDrum Oriole at Leeum Museum of Art, proposes to readKang's practice through a range of varying discourses,such as the status of traditional Korean painting in contemporaryart, feminism, and the narratives of theWestern avant-garde. Taking the artist's foundationalpainting practice as a point of departure, the cataloguefeatures a new body of work and charts the developmentof Kang's artistic language.Based in Seoul, SUKI SEOKYEONG KANG (\*1977) studied Painting at Ewha Womans University in Seoul and at London's Royal College of Art. In 2018, Kang won the Baloise Art Prize at Art Basel. She has had solo exhibitions at Buk-Seoul Museum of Art (2019-2020), MUDAM Luxembourg (2018), ICA Philadelphia (2018) and her works have been featured in group exhibitions at MCA Chicago (2021), the Venice Biennale (2019), the Shanghai Biennale (2018), the Gwangju Biennale (2018), and the Liverpool Biennial (2018). 392 pp. Englisch, Koreanisch.

Buch. Condizione: Neu. Neuware -Suki Seokyeong Kang's practice traverses painting, sculpture,installation, as well as video and performance toexplore the interplay between the individual and the collective.By developing an artistic vocabulary that drawsfrom the rich heritage of Korean painting, poetry anddance, Kang's oeuvre examines the durability of traditionsand expands their significance to contemporary art.The catalogue, accompanying her solo exhibition WillowDrum Oriole at Leeum Museum of Art, proposes to readKang's practice through a range of varying discourses,such as the status of traditional Korean painting in contemporaryart, feminism, and the narratives of theWestern avant-garde. Taking the artist's foundationalpainting practice as a point of departure, the cataloguefeatures a new body of work and charts the developmentof Kang's artistic language.Based in Seoul, SUKI SEOKYEONG KANG (\*1977) studied Painting at Ewha Womans University in Seoul and at London's Royal College of Art. In 2018, Kang won the Baloise Art Prize at Art Basel. She has had solo exhibitions at Buk-Seoul Museum of Art (2019-2020), MUDAM Luxembourg (2018), ICA Philadelphia (2018) and her works have been featured in group exhibitions at MCA Chicago (2021), the Venice Biennale (2019), the Shanghai Biennale (2018), the Gwangju Biennale (2018), and the Liverpool Biennial (2018). 392 pp. Englisch, Koreanisch.

1. Auflage, zweisprachige Ausgabe,. 392 Seiten : 300 Fotografien, Das Buch ist in einem sehr guten Zustand. Als Geschenk geeignet. Abgleich des Titelbildes bitte bei nika-books. 9783775752930 Sprache: Englisch Gewicht in Gramm: 1042 Gr.-8°, gebundene Ausgabe, Leinen,

Hardcover. Condizione: Brand New. 392 pages. 10.00x7.25x1.42 inches. In Stock.

Condizione: New. 2024. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: new. Hardcover. Contemporary Art in Korean TraditionSuki Seokyeong Kang's practice traverses painting, sculpture, installation, as well as video and performance to explore the interplay between the individual and the collective. By developing an artistic vocabulary that draws from the rich heritage of Korean painting, poetry and dance, Kang's oeuvre examines the durability of traditions and expands their significance to contemporary art.The catalogue, accompanying her solo exhibition Willow Drum Oriole at Leeum Museum of Art, proposes to read Kang's practice through a range of varying discourses, such as the status of traditional Korean painting in contemporary art, feminism, and the narratives of the Western avant-garde. Taking the artist's foundational painting practice as a point of departure, the catalogue features a new body of work and charts the development of Kang's artistic language. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Gebunden. Condizione: New. Suki Seokyeong Kang s practice traverses painting, sculpture,installation, as well as video and performance toexplore the interplay between the individual and the collective.By developing an artistic vocabulary that drawsfrom the rich heritage of Korean .

Hardcover. Condizione: new. Hardcover. Contemporary Art in Korean TraditionSuki Seokyeong Kang's practice traverses painting, sculpture, installation, as well as video and performance to explore the interplay between the individual and the collective. By developing an artistic vocabulary that draws from the rich heritage of Korean painting, poetry and dance, Kang's oeuvre examines the durability of traditions and expands their significance to contemporary art.The catalogue, accompanying her solo exhibition Willow Drum Oriole at Leeum Museum of Art, proposes to read Kang's practice through a range of varying discourses, such as the status of traditional Korean painting in contemporary art, feminism, and the narratives of the Western avant-garde. Taking the artist's foundational painting practice as a point of departure, the catalogue features a new body of work and charts the development of Kang's artistic language. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condizione: Neu. Suki Seokyeong Kang | Willow Drum Oriole | Harry C. H. Choi (u. a.) | Buch | 392 S. | Englisch | 2024 | Hatje Cantz Verlag | EAN 9783775752930 | Verantwortliche Person für die EU: HATJE CANTZ VERLAG GmbH, Mommsenstr. 27, 10629 Berlin, contact[at]hatjecantz[dot]de | Anbieter: preigu.

Buch. Condizione: Neu. Neuware - Suki Seokyeong Kang's practice traverses painting, sculpture,installation, as well as video and performance toexplore the interplay between the individual and the collective.By developing an artistic vocabulary that drawsfrom the rich heritage of Korean painting, poetry anddance, Kang's oeuvre examines the durability of traditionsand expands their significance to contemporary art.The catalogue, accompanying her solo exhibition WillowDrum Oriole at Leeum Museum of Art, proposes to readKang's practice through a range of varying discourses,such as the status of traditional Korean painting in contemporaryart, feminism, and the narratives of theWestern avant-garde. Taking the artist's foundationalpainting practice as a point of departure, the cataloguefeatures a new body of work and charts the developmentof Kang's artistic language.Based in Seoul, SUKI SEOKYEONG KANG (\*1977) studied Painting at Ewha Womans University in Seoul and at London's Royal College of Art. In 2018, Kang won the Baloise Art Prize at Art Basel. She has had solo exhibitions at Buk-Seoul Museum of Art (2019-2020), MUDAM Luxembourg (2018), ICA Philadelphia (2018) and her works have been featured in group exhibitions at MCA Chicago (2021), the Venice Biennale (2019), the Shanghai Biennale (2018), the Gwangju Biennale (2018), and the Liverpool Biennial (2018).; Zweisprachige Ausgabe.

Hardback. Condizione: New. Contemporary Art in Korean Tradition Suki Seokyeong Kang's practice traverses painting, sculpture, installation, as well as video and performance to explore the interplay between the individual and the collective. By developing an artistic vocabulary that draws from the rich heritage of Korean painting, poetry and dance, Kang's oeuvre examines the durability of traditions and expands their significance to contemporary art. The catalogue, accompanying her solo exhibition Willow Drum Oriole at Leeum Museum of Art, proposes to read Kang's practice through a range of varying discourses, such as the status of traditional Korean painting in contemporary art, feminism, and the narratives of the Western avant-garde. Taking the artist's foundational painting practice as a point of departure, the catalogue features a new body of work and charts the development of Kang's artistic language.