handy william j (28 risultati)

Hb. Condizione: G+. Condizione sovraccoperta: G. 499pp. Stamp top-edge, wear boards, soiling, DJ: tear top front, wear extremities, crease and tear top back.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Hardcover. Very Good in Very Good dust jacket. Interior clean and unmarked. Tight binding.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardback. Condizione: Very Good. Condizione sovraccoperta: Worn. Previous owners plate glued to inside front cover.

Paperback. Condizione: Very Good. Original 1962 University of Texas printing. Paperback. Very Good. Text block clean and unmarked. Tight binding.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Fine sea green cloth in a Near Fine price-clipped dust jacket lightly rubbed with a touch of sun at spine. Else a bright, snug & unmarked first printing.

hardcover. Condizione: Good. 92 pp. 6 7/8 x 10. Beige cloth covered boards, stamped in black on front and spine. No dj. No damage or markings noted.

Hardcover. 499pp. "Complimentary Copy" stamped on top edge else very good condition with text clean and binding sound in a very good lightly chipped dust jacket with a couple of closed tears.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Very Good +. No Jacket. First Printing. Book is a clean tight unmarked copy.

Hardback. Condizione: Very Good. Condizione sovraccoperta: Worn. From papers delivered on Feb 11 and 12, 1965 at UT by John Crowe Ransom, Elder Olson, Eliseo Vivas & Kenneth Burke.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. VG-/VG- 499 pp. DJ rubbed, lightly scratched, and lightly soiled. Edges chipped, rubbed, and creased. Page edges sunned and lightly foxed. Bottom edges have small ink mark near spine. Front paste down has inscription from Max (one of editors?) in b lack ink.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. Near Fine book in Very Good jacket. New York: The Free Press, 1974. First Edition and First Printing. Large octavo, illustrated dust jacket, olive green cloth boards with black and silver spine imprinting, xix + 499 pp. A Near Fine book, showing only speckled soil on top page edges and a bit of same at cover top, in a solid Very Good unclipped jacket which shows some sunning at top front (see scans) and sporadic small bits of edge wear. A tight, handsome copy of this memorable collection of essays on literary criticism in the twentieth century. A worthy first/first. l47n.

Hardcover. 1st edition. x, [3], 112 p.; 22 cm. Good orig. gray cloth in dj. Ink scoring and notes in text.

Condizione: Very Good. 1st edition, 92 pp., hardcover, fine in near very good dust jacket. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condizione: Good. Good/Good. ex-library.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. First Edition, First Printing. Not price-clipped ($3.75 price intact). Published by University of Texas Press, 1963. Octavo. Book is very good. Dust jacket is very good with previous owner stamp on front cover and flyleaf. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. First Edition. First edition. Fine in very good plus dust jacket. Dustwrapper light wear, minor rubbing.

Paperback. Condizione: Brand New. 126 pages. 9.25x5.75x0.50 inches. In Stock.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hard Cover. Condizione: Very Good. No Jacket. First Edition. [xiv], 112pp ---- Inscribed signed and dated on title page: November 8, 1963 - For Leo Hughes - with warmest regards. Bill Handy ---- [foxing to cloth covers] Size: 8vo - over 7¾" - 9¾" tall. Inscribed and Signed By the Author.

Paperback. Condizione: New. Print on Demand. This book explores the complex relationship between space, time, and the search for meaning in life. Drawing inspiration from scientific ideas, the author develops a unique narrative style that allows readers to experience the past, present, and future simultaneously. Through a series of interconnected stories, the book delves into themes of love, loss, and the enduring power of human connection. The author challenges conventional notions of reality and invites readers to consider the fluidity and interconnectedness of all things. This thought-provoking work offers a profound examination of our place in the cosmos and the nature of existence itself, leaving a lasting impression on readers seeking a deeper understanding of the universe and their place within it. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

First Edition. Very nice copy dust-wrapper. From the Library of Kenneth Hopkins, with his autograph signature in red ink on the front free end-paper Contributors include Kenneth Burke on "Formalist Criticism: Its Principles and Limits" and John Crowe Ransom on "Theory of Poetic Form".

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The theories and practices of some pioneers of philosophical criticism-John Crowe Ransom, Allen Tate, Cleanth Brooks, and others-and the influence of the Kantian generative idea on their assumption that a work of art is the celebration of one s qualitative .

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - An author's true meaning has always been largely a matter of opinion among literary critics, even when only objective language was analyzed. However, a writer's inner meaning, which perhaps not even he or she consciously realizes, interests the 'new critics,' who base their theory of criticism on the writings of Immanuel Kant and hold philosophical values to be essential in studying a literary work.William J. Handy, a former student of John Crowe Ransom, himself a critic of note, reveals the inadequacy of logical concept to represent the full quality of human experience. In Kant and the Southern New Critics he discusses the theories and practices of some pioneers of philosophical criticism-John Crowe Ransom, Allen Tate, Cleanth Brooks, and others-and traces the influence of the Kantian generative idea on their assumption that a work of art is the celebration of one's qualitative experience.Critics in the new school believe that knowledge of experience is distorted when abstracted into scientific, quantitative notations, and that the artist, to portray things in their more natural state, must employ particulars in order to achieve 'universals.' Knowledge of any subject or object must include the aesthetic qualities of imagination and emotion that cannot be discovered through analysis.This study explores Ransom's theory of 'ontological criticism.' The basic difference in symbols representing things and those representing ideas was discerned by Kant, who distinguished between understanding (analysis of an object in order to classify it)and imagination (realization of an object undistorted by logical reduction). Handysuggests that ontological structure requires a writer to use the logic that springs from his image-making faculty-a thought also expressed by T. S. Eliot, who says, 'The only way of expressing emotion in the form of art is by finding an 'objective correlative.'¿'The discipline of philosophical aesthetics is necessary for the critic, Handy says, if his principles are to be substantial enough to make a significant contribution to knowledge of literary theory. This book clearly delineates the origins of a philosophical approach and leads the reader to an appreciation of the deeper enjoyment and meaning it can give to literary experience.

Taschenbuch. Condizione: Neu. Kant and the Southern New Critics | William J. Handy | Taschenbuch | Einband - flex.(Paperback) | Englisch | University of Texas Press | EAN 9780292741102 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.