Hannema (201 risultati)

paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: Good. Condizione sovraccoperta: Poor. 1st Edition. UK hardback first impression. Good+ with light wear, in poor jacket, missing half of front panel.

Paperback. Condizione: Very Good +. Unworn, unmarked and uncreased.

Condizione: As New.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Soft cover. Condizione: Good ++. No Jacket. Pages are clean and unmarked. Cover corners and edges are lightly rubbed. Binding is tight. 494pp.

Condizione: BUONO. NOTA:mancante della sopracoperta. / London, Macdonald cm.14x22, pp.XIV,146, legatura editoriale cartonata. The famous sit-in at the Hornsey College of Art in May 1968 was merely the most dramatic expression of a deep-rooted crisis in art education - and in art itself. While the essential ingredients of good art - sensitivity, vitality, integrity and a readiness to communicate - remain the same, these qualities are almost entirely lacking; instead, today's pseudo-art suggests futility, a narcissistic looking inward, a chilling and impersonal coldness. The gap between artist and public widens every year; the critic does little to bridge this gap. Art has become a clever commercial speculation, part of a fantasy world conjured up primarily by the news media. An incessant, nervous demand for novel and 'exciting' work and for young talent to invest in has turned the artist into a consumer product.If art is in a sorry state, so is art education. Each year, hundreds of fine-art students are sacrificed to the myth of Art with a capital their sense of purpose distorted, their talents tragically unexplored, their hopes cruelly dashed. They may seem coolly professional, confident, up-to-date; but this is merely because they are encouraged to restrict themselves to one or two currently fashionable idioms - which, of course, must never be too hard to imitate. Left largely to their own devices, art students study the latest trends as reported in the glossy magazines, and hopefully turn out their mimicries. Unique in being trained for a largely non-existent profession - how many artists live by their art alone? - they mostly drift, disenchanted, into teaching, where they transmit their own fine-art bias and so help to perpetuate the fine-art fantasy.Such, in outline, is the case which Sjoerd Hannema puts forward. He has developed and substantiated his arguments with great cogency, and a spirited refusal to bow down before fashionable gods. With an impressive historical grasp he traces the present malaise back to its roots in the Renaissance.Includes black & white illustrations.…

Paperback. Condizione: Very Good.

Paperback, geniet, 34 pagina's tekst en 52 pagina's afbeeldingen in zwart-wit, rug wat verkleurd, verder in nette staat. Please see description or ask for photos.

Condizione: Gebraucht / Used. Als nieuw d551e.

cloth, dustj, 8vo 192 pp., 96 ills h.t. Hannema was directeur van Museum Boymans van 1921 tot 1945; VG condition.

Condizione: Assez bon. AD DONKER. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

Flexibele linnen band met goudopdruk, rand van de pagina's iets verkleurd, verder in (zeer) goede staat. Please see description or ask for photos.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. 1st Edition. UK hardback first impression. Scarce. Good+ with some spotting to page edges, in unclipped jacket with some creasing, browning and a bit of fade in places.

Softcover. Condizione: Fair. Unbekannte Unterschrift / Widmung; Leichte Gebrauchsspuren; Leichte Verschmutzung / Farbtonveränderung.

First Edition. Owner's bookplate on front end paper, otherwise a fine copy without dust jacket. SIGNED BY J.C. HELDRING ON FRONT END PAPER. We provide PROTECTIVE packaging. Photos of our books are always available upon request. SELLING USED AND RARE BOOKS ON ABE SINCE 1997 AND IN OUR STORE IN THE BERKSHIRES FROM 1987 TO 2015.…

Condizione: As New. Unread book in perfect condition.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

24,5 x 18 cm ; kart. . Condizione: Gut. 60, 59 S. ; Tweede Druk. Niederländischsprachige Ausgabe, flexibler Einband, 60 Seiten Text nebst 59 Bildtafeln. Gutes Exemplar. hw765.

Hard Cover. Condizione: Very Good ++. Oversized hardcover without dust jacket, 32 pages of text and illustration captions in Dutch, plus 255 full page plates, almost all in black-and-white; light shelf wear and bumping to covers, tiny bookplate inside front cover, scattered foxing to first few pages of text, otherwise very clean and unmarked. Check all of our Dutch language books by using the Keywords "text in Dutch".…

Hardcover. Dark green cloth boards with gilt lettering on front cover and spine, 214 pp , 247 plates (several in color). Foreword by Max J. Friedländer. A large catalogue of the collection of art from D.G. Van Beuningen. Includes indexes of artists, literature, exhibitions, and collections. VG (scuffs & scratches to cloth; worn area to upper cover edge. light foxing to text block, light age toning to end pages, otherwise pages are clean) An unread copy from old publisher stock.…

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:0356031543.…

paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condizione: Good. Softcover, z/w illustraties.

Condizione: Good. Softcover, z/w illustraties.

Condizione: Good. Kreuk kaft voorzijde.