Hans orlowski ill (2 risultati)

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  • Lingua: Tedesco

    Editore: Wien/München/Basel, Verlag Kurt Desch, 1953

    • Prima edizione

    Da: Antiquariat Uhlmann, Zürich, SvizzeraAntiquariat Uhlmann

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    Membro dell’associazione: VEBUKUILAB

    Condizione: Usato

    EUR 27,20

    EUR 62,00 spedizione 
    Spedito da Svizzera a U.S.A.

    Quantità: 1 disponibile

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    Brosch. m. montiertem Deckelbild in Schmuckschuber. Gr.8°, 38 S. mit 12 Original-Holzschnitten auf Tafeln. Schuber etw. unsauber, Deckel u. Vorsätze etw. wellig, sonst tadellos. EA dieser Ausgabe. «Für die Freunde des Verlages zum Jahreswechsel 1953/54».

    • Rilegato

    Da: Patrik Andersson, Antikvariat., Lund, SveziaPatrik Andersson, Antikvariat.

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    Membro dell’associazione: ILABSVAF

    Condizione: Usato

    EUR 408,83

    EUR 13,00 spedizione 
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    [Berlin]; Wendelkreis Verlag, 1924. 32,5x25,5 cm. (14, 2 blanks) pp. With four full-page woodcuts by Hans Orlowski, printed at the Kunstgewerbeschule in Charlottenburg and all of them signed in pencil by the artist. Publisher's vellum-backed boards with the publisher's device printed on front panel, gilt top edge. Spine is slightly worn and darkened. There are a few small specks on the boards. A fine copy. The text, a Georgian epic on the mythical, Prometheus-like hero Amiran (or Amirani), was translated by Adolf Dirr and originally published in his "Kaukasische Märchen" (Jena, 1920). Orlowski (1894-1967), German painter and woodcut artist. Orlowski attended the Kunstgewerbeschule in Berlin-Charlottenburg from 1911 to 1915. After the First World War he returned to Berlin and continued his studies at the Staatlichen Kunstschule under Philipp Franck. In 1920 he exhibited in the "Freien Sezession Berlin" and, by invitation, with the Belgian group "Lumière" in Antwerp. In the following years he also exhibited with this group, which included Jan and Jozef Cantré, André Lhote, Conrad Felixmüller, Frans Masereel, Joris Minne, Max Pechstein and Karl Schmidt-Rottluff. From 1921 to 1945 he worked as a teacher at the Kunstgewerbeschule in Charlottenburg. During this period he created numerous woodcuts and series of illustrations. In 1924 the artist turned away from Expressionism and destroyed almost all of his early work. The book offered was issued in an edition of 50 numbered copies, and in further 10 copies intended as gifts for friends of the publisher ("Frühlingsgabe für die Freunde des Wendelkreis Verlages."). This is one of the 10 copies. …