hans ottomeyer (361 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

paperback. Condizione: Acceptable. With tear to bottom of spine This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Oversized.

Soft cover. Condizione: Near Fine. 1st Edition. Text in English. Includes illustrated pages of items sold (silver, jewellery, gems, porcelain, Jugendstil, fine art, and modern art) with prices realized and feature articles, including a portrait of collector Harald Spengler. 79 p., illustrated. Oversize. [b 724].

brosch. 115 S. Abb., A4, sehr guter Zustand.

Softcover. Condizione: Fine. 4to. 0 pp. We specialize in fine books in collectible condition. Orders are professionaly packaged and shipped promptly. . W50.

paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

paperback. Condizione: fine. 10 x 13 " 400 pages. contributions by Albrecht Pyritz and Maria Luise Stenath-Scbuppanz, Paul Asenbaum, Regina Karner, Gisela Maul, Jutta Annette Page, Cornelia Reiter, Laurie A. Stain, Sabine Thummler, Christian Witt-Dorring. shipping will be extra for this large and heavy book, please inquire.

Soft cover. Condizione: Fine. Book: Fine/Almost As New/, $34.88 9780944110898 BIEDERMEIER: the INVENTION of SIMPLICITY * OTTOMEYER, Hans; SCHRODER; Klaus Albrecht; WINTERS, Laurie; Milwaukee Art Museum; Albertina; Deutsches Historisches Museum Various Locations 2006 UnStated 1sT Museum Edition Tall Wide Thick S/c Purple Spine With Title In Black And 0ff~White Colored Letters Spine, Soft Cover Book: Fine/Almost As New/, Slight Shelf, Edge And Corner Wear. 399 Numbered Pages Printed On 0ff~White Paper, Lightly Viewed, Clean And Tight To The Spine, In As New/, Condition. Might Require Extra Shipping And Handling Due To Large Size And Weight Of 5 Pounds And 10 Ounces. D/j: None. This Item Will Be Sent Wrapped In Plastic, Taped Shut And In A = Corrugated Mailing B0X = To Prevent Shipping Damage So That It Will Arrive In The Description Described Which Applies To This B00K, Only. = No Odors, No Writing, No Names, No Rippling, Not Stuck Together, No Book Plate, Not X~Library, No Other Marks. = Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE *.

Paperback. Condizione: Very Good. Former owner's name penned on first page. Otherwise, clean and solid. ; Color Illustrations; 4to; 399 pages.

Soft cover. Condizione: Fine. Condizione sovraccoperta: No Jacket as Issued. First Edition. Book is oversized so no international or expedited shipping.

Hardcover. Light bumps at top edge of covers; otherwise very good condition in lightly edge-worn dust jacket. No markings. Binding firm. ]. 399p. Illus. Folio.

Hardcover. Condizione: New in shrinkwrap. Black cloth boards with white stamped spine lettering. Glossy black and illustrated dust jacket with white lettering. xi, 194 pp. Mainly color illustrations. Catalogue of an exhibition held at the Bard Graduate Center, New York, July 22-Oct. 17, 2004. Contents as follows: Collecting neoclassical decorative art at The metropolitan museum of art / Heather Jane McCormick -- The metamorphosis of the neoclassical vase / Hans Ottomeyer -- The Hamilton collection and its influence -- The vase as a template for artists and early neoclassicism -- Tradition and innovation at the royal manufactories -- Technical discoveries and the commercial marketing of the vase -- Neoclassicism and the new aesthetic in silver -- The vase as ornament in furniture and furnishings -- The vase as a design element in interiors -- Symbol to satire: the vase as icon. When the ancient sites of Herculaneum and Pompeii were excavated in the eighteenth century, the objects found there renewed artistic interest in classicism. Neoclassical style and imagery permeated paintings, sculpture, furniture, and decorative arts of the period, and a central element of design in all these art forms was the vase." "This book focuses on the vase as an artistic and ornamental form in a variety of media. It presents and discusses almost one hundred hidden treasures from The Metropolitan Museum of Art's collection - not only vases but also wine and water urns, knife boxes, ink wells, perfume burners, fabrics, carved paneling, marquetry furniture, silver, works on paper, and paintings - all using the vase motif. Vase imagery ranged from austere to fantastic to romantic, say the authors of this book, and the vase became a new paradigm of beauty as well as an icon of European neoclassicism."--Jacket.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. SELLING MAJOR LIBRARY AT EXTREMELY REASONABLE PRICES. New, in original packaging with plastic wrap. Gottlieb Biedermeier, a teasing middle-class papa best known for his appearances in a Munich satirical weekly, came to fame in the 1840s. A "god-loving everyman," he represented the typical German citizen, more interested in a comfortable home and a convivial family than political activism. The poets who created him, needling the bourgeoisie and signing their own work "Biedermeier," weren't thinking about the elegant housewares that now bear their pseudonym, varied by a letter. By the end of the nineteenth century, however, their alter ego had retroactively given his name to the aesthetics and philosophies of the period his attitudes suited so well, from 1815 to 1835. Biedermeier arts and crafts were orderly, frugal and simplistic. They tended to pare forms to their essentials, merging the useful with the beautiful. Eighteenth-century gilding and frills were stripped away in favor of the natural beauty of materials and shapes. What began as an intellectual critique soon developed into a new model for living. Biedermeier examines Biedermeier painting, furniture and decorative arts as a style and a cultural attitude. Visual arts of the period, which are still largely unstudied as distinct from Romanticism or the Nazarenes, are highlighted here in the work of Georg Friedrich Kersting and Eduard Gaertner. With nearly 300 outstanding examples of German, Austrian and Czechoslovakian paintings, furniture, related decorative arts and works on paper, this is a superb document of the innovative character of the period and its importance as a precursor to modernism.

Stiff Wrappers. Condizione: Near Fine. 400 pages 409 illustrations in color. Some minor rubbing and wear to the covers and edge. Stiff Illustrated wraps. Published on the occasion of the exhibition from the Milwaukee Art Museum, Milwaukee WI September 16, 2006-January 1, 2007. Selected Bibliography by Mary Weaver Chapin. Book.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

239 S., mit zahlr. Abbildungen. Ein gutes Exemplar! -Achtung: für dieses Buch / für diese Bücher / für diese Grafik ist wg. des Gewichts (über 1000 g) und/oder des Verpackungsmaßes u./o. des Wertes ein Versand als Päckchen (ggf. versichert) oder als Paket erforderlich. Für die notwendige Kostenanpassung werden Sie informiert und um Akzeptanz gebeten. Anm. zur Rechnungstellung: Die Buchpreise beinhalten die reduzierte MwSt von 7 %, diese wird gesondert ausgewiesen // Rechnungen für Kunstgegenstände wie Grafiken, Gemälde weisen gem. § 25a Abs.3 Satz 1 UStG (Differenzbesteuerung) bzw. § 25a Abs.3 Satz 2 UStG (Margenbesteuerung) keine MwSt aus (brutto = netto). Sprache: Deutsch Gewicht in Gramm: 1280 29,6x22 cm. Farbig illustr. OBrosch.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: As New. Leichte Abnutzungen.

Condizione: As New.

Hardcover. Condizione: As New.

4°, kart., 383 S., zahlr. Ill., 31 cm Einband etwas berieben und min. bestoßen; ansonsten tadellos. Mit offener Rechnung beliefern wir gerne Buchhandlungen, Bibliotheken, Antiquariate, Schulen, Galerien und Institutionen. Bei neuen uns noch unbekannten privaten Kunden erlauben wir uns die Bitte um Vorauskasse. Wir bitten um Ihr Verständnis. Sprache: Deutsch Gewicht in Gramm: 1650.

Condizione: Gut. Formateinband: Großformat, Leinen mit Umschlag / gebundene Ausgabe 399 S. (34x26 cm) In englischer Sprache; Gebundene Ausgabe; 1. Aufl.; (Durchgehend mit farbigen Abbildungen); Schutzumschlag mit minimalen Gebrauchsspuren; sonst gut und sauber erhalten. // Toller Bildband! Sprache: Englisch Gewicht in Gramm: 3600 [Stichwörter: Katalog zur Austellung, Bildband, Ausstellungskatalog].

Soft cover. Condizione: As New. Condizione sovraccoperta: No Jacket issued. No international shipping due to size.

21 x 15 cm, Pappband. Condizione: Gut. 281 Seiten, Illustriert, Einband einwandfrei. Notiz auf Innentitel. Häufige Anstreichungen und Anmerkungen in verschiedenen Farben. Insgesamt gut. Sprache: Deutsch Gewicht in Gramm: 450 Überarbeitete und aktualisierte Hardcover-Ausgabe der bisher unter der Nr. 08/9303 erschienenen Taschenbuch-Ausgabe.

Trade Paperback. Condizione: Used - Very Good. Very nice clean, tight copy free of any marks.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. HERTER BROTHERS - FURNITURE AND INTERIORS FOR A GILDED AGE by Katherine Howe and others, Harry N. Abrams, Inc., 1994. The Herter brothers extraordinary accomplishments have never before been the subject of a book. Here is an in-depth study of these talented men, their company, and its work, prized then as now for its design, richness of materials and detail, superb craftsmanship, and splendid diversity. The best of the Herter Brothers furniture and interiors are displayed in 133 color and 167 black-and-white illustrations, including many close-up details as well as comparative work by rival fine cabinetmakers of the time in New York and Europe. This book tells the story of the company from its earliest manifestations, when Gustave worked with other partners and alone, through his partnership with his brother, to Christian s years as head of the firm and the end of his tenure. The book places the company firmly in its context, international as well as domestic, with an extensive discussion of the brothers background and influences and an absorbing narrative of the furniture and decoration trade in New York City in the latter half of the nineteenth century. This book also reviews superb work done by the firm for their wealthy patrons. These commissions, many illustrated here, included woodwork, plasterwork, lighting fixtures, window treatments, wall and ceiling paintings, carpets, textiles, mosaics, stained glass, and decorative objects in addition to furniture. This book is a work of art in itself, and belongs in the permanent library of the connoisseur of American furniture. 8.9 x 11.3 hardback book with dust cover in very good condition. 272 pages.

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A few small marks or stains to the page edges/pages.

Ohne Stempel, keine An-und Unterstreichungen, sehr guter Zustand. Hardcover. Original Leinenband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

gr8° Broschur 252 Seiten kaum Gebrauchsspuren an Einband und Block Block sauber und fest ISBN: 3932353358 Deutsch 300g.

Hardback. Condizione sovraccoperta: Very Good. pp400.