Harbison robert (455 risultati)

Hardback. Condizione: Good.

Hardback. Condizione: Fair.

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Paperback. Condizione: Good. The pristine, the ruined, the ephemeral, and even the notional are the subject of Robert Harbison's highly original and admittedly romantic contribution to the literature of architecture. His fresh perceptions open this practical art to new interpretations as he explores the means by which buildings, real or imagined, evade or surpass functional necessities while sometimes satisfying them. What fascinates Harbison in these discussions are the paradoxes and ironies of function that give rise to meaning, to a psychological impact that may or may not have been intended. He chooses examples from an architectural borderland - of gardens, monuments, ideal cities and fortification, ruins, paintings, and unbuildable buildings -where use and symbolism overlap; he examines the exceptions at the edges of a field that will illuminate its center. Harbison's pursuit of man's efforts to fashion art from nonhuman life begins with a consideration of gardens and the organic architecture of the English Arts and Crafts movement and of Gaudi, then turns to monuments (Claes Oldenburg, Christo, the Vietnam Memorial) that are either the nearest or the furthest thing from gardens. Harbison's discussion of fortification and urban planning leads to metaphorical themes (fort-features in churches or prisons or Fascist municipal buildings) and mocked-up worlds (Williamsburg, Disneyland), and to the subject of fictional space as expressed in ruins, in painting, in the unbuildable, and finally in the inconceivable as revealed in Kafka's sketches.…

Paperback. Condizione: Very Good. Reprint. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Condizione: Good.

Hardback. Condizione: Fair.

Hardcover. Condizione: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: Very Good. Very Good condition. Good dust jacket. With remainder mark. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Well-illustrated (illustratore).

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: Very Good. Very Good condition. Like New dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condizione: Good. 2nd Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. 2nd Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condizione: Good. First Thus. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. In this book, Robert Harbison offers a novel interpretation of what architectural theory might look like. The title is an echo of Wallace Stevens's Thirteen Ways of Looking at a Blackbird. Like the poem, Harbison's work is a composite structure built of oblique meanings and astonishing shifts that add up to an engaging portrait--in this case a portrait of architecture in which use, symbol, and metaphor coexist.The chapter titles indicate Harbison's themes, all of which bear parallel, implied, or tangential relations to architecture: Sculpture, Machines, the Body, Landscape, Models, Ideas, Politics, the Sacred, Subjectivity, and Memory. The journey through the chapters is roughly a journey from the physical to the metaphysical, a journey that is at once poetic, technical, and philosophical. Harbison examines his subjects with as few preconceptions as possible, taking familiar concepts and stripping away all associations until they become strange, producing ideas that are refreshing and new for architecture. The book straddles the ground between the intellect and the senses, leading the reader beyond the realm of theory and practice into the universe of the imagination, where space is experienced as something touched, seen, and thought.…

Hardcover. Condizione: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Good. The pristine, the ruined, the ephemeral, and even the notional are the subject of Robert Harbison's highly original and admittedly romantic contribution to the literature of architecture. His fresh perceptions open this practical art to new interpretations as he explores the means by which buildings, real or imagined, evade or surpass functional necessities while sometimes satisfying them. What fascinates Harbison in these discussions are the paradoxes and ironies of function that give rise to meaning, to a psychological impact that may or may not have been intended. He chooses examples from an architectural borderland - of gardens, monuments, ideal cities and fortification, ruins, paintings, and unbuildable buildings -where use and symbolism overlap; he examines the exceptions at the edges of a field that will illuminate its center. Harbison's pursuit of man's efforts to fashion art from nonhuman life begins with a consideration of gardens and the organic architecture of the English Arts and Crafts movement and of Gaudi, then turns to monuments (Claes Oldenburg, Christo, the Vietnam Memorial) that are either the nearest or the furthest thing from gardens. Harbison's discussion of fortification and urban planning leads to metaphorical themes (fort-features in churches or prisons or Fascist municipal buildings) and mocked-up worlds (Williamsburg, Disneyland), and to the subject of fictional space as expressed in ruins, in painting, in the unbuildable, and finally in the inconceivable as revealed in Kafka's sketches.…

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Well-illustrated (illustratore).

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Well-illustrated (illustratore). …

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.