Lingua: Inglese
Editore: Museum of Art, Carnegie Institute, Pittsburgh, 1980
ISBN 10: 0881689998 ISBN 13: 9780881689990
Da: Browsing Is Arousing, Middlebury, VT, U.S.A.
Condizione: Very Good. Softcover, 94 pages. B&W photographs throughout. Minor wear to rear cover. Otherwise, overall tight and clean copy. Photographs focusing on the city of Pittsburgh. Record # 850501.
Editore: Museum of Art, Carnegie Institute, Pittsburgh
Da: Willis Monie-Books, ABAA, Cooperstown, NY, U.S.A.
Softcover. Condizione: Very Good-. Covers have slightly browned margins. Front cover has a slight price sticker stain.
Editore: Museum of Art, Carnegie Institute, 1980
Da: rareviewbooks, Kensington, MD, U.S.A.
Soft cover. Condizione: Good. Soft cover book (94 pages)illustrated with the amazing black and white photographs of Luke Swank. Covers show moderate scuffing/soiling. Bookseller since 1995 (LL-12-TS-L) rareviewbooks.
Editore: Museum of Art, Carnegie Institute, Pittsburgh, PA, 1980
Da: My November Guest Books, Beaver falls, PA, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Scarce HARDBACK copyright 1980; first edition; VG in VG dj; well preserved withdrawal from public library with usual stamps and stickers; text block and boards tight and square; dj preserved in clear archival jacket; faint tape stains to end-papers; 94 spotless, glossy pages MT.
Editore: Museum of Art, Carnegie Institute, Pittsburgh, 1980
Da: Andrew Cahan: Bookseller, Ltd., ABAA, Akron, OH, U.S.A.
Prima edizione
Swank, Luke (illustratore). First edition. Small 4to., 94 pp., 92 b&w photo-plates. With additional texts by Beaumont Newhall and Robert Doherty. A fine copy in the illustrated dust jacket that is slightly toned, lacking a few tiny chips at the spine crown, and is scarred on the bottom of the rear panel from the removal of a 1 x 1 inch price label. Swank was born in 1890 in Pennsylvania; after a number of different occupations and serving in the army, he turned to photography around 1930. He exhibited in various salons around the U.S., in group exhibitions in major museums, exhibed at the Julien Levy Gallery in 1932, and was published in several photographic journals. His work is among the best of the American modernist documentarians. Of particular interest are his photos of the circus.