Harkrishan singh ratan (3 risultati)

Paperback. Condizione: new. Paperback. There is a moment - you have probably had it - when you open an app, a website, or some digital product and almost immediately feel a quiet frustration. Nothing is broken, exactly. The buttons respond, the page loads, the icons are where icons are supposed to be. And yet something about the whole experience feels faintly indifferent to you. It feels designed for a type of person, not for a real one. It feels, in a word, inhuman.That sensation is not trivial. It is the gap that this book is about.I have spent most of my professional life sitting in that gap - watching people interact with digital products, listening to what they say when nobody is watching them closely and trying to understand what happens in the space between a screen and a human being. What I have come to believe, more firmly with each passing year, is that the central challenge of digital design is not a technical problem. It is a deeply human one.We live in an era where almost everything a person touches in their daily life has a digital layer. The way we greet a colleague in the morning, the way we check whether our child arrived safely at school, the way we mourn the death of a friend - all of it now flows, at some point, through a screen. Design shapes all of those moments. And yet, as an industry, we have often treated design as though it were primarily about aesthetics or usability metrics or conversion rates.This book argues for a different perspective. It argues that to design anything digital is, first and foremost, to make a series of decisions about how a human being should feel.The title, Wired for Feeling, comes from a simple observation: human beings are not logic engines. We feel before we think. We remember how something made us feel long after we have forgotten what it looked like. Every digital experience - every onboarding flow, every notification, every loading screen - either respects that wiring or ignores it. The best design in the world respects it. A great deal of existing design ignores it.This is not a book of rules. I have deliberately avoided the kind of listicle-style prescriptions that fill so many design texts. Rules age quickly; principles endure. What I have tried to offer here is a way of thinking - a set of lenses through which you can look at the digital products you create and ask, honestly, whether they are serving the full humanity of the people who use them. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Taschenbuch. Condizione: Neu. Neuware - There is a moment - you have probably had it - when you open an app, a website, or some digital product and almost immediately feel a quiet frustration. Nothing is broken, exactly. The buttons respond, the page loads, the icons are where icons are supposed to be. And yet something about the whole experience feels faintly indifferent to you. It feels designed for a type of person, not for a real one. It feels, in a word, inhuman.That sensation is not trivial. It is the gap that this book is about.I have spent most of my professional life sitting in that gap - watching people interact with digital products, listening to what they say when nobody is watching them closely and trying to understand what happens in the space between a screen and a human being. What I have come to believe, more firmly with each passing year, is that the central challenge of digital design is not a technical problem. It is a deeply human one.We live in an era where almost everything a person touches in their daily life has a digital layer. The way we greet a colleague in the morning, the way we check whether our child arrived safely at school, the way we mourn the death of a friend - all of it now flows, at some point, through a screen. Design shapes all of those moments. And yet, as an industry, we have often treated design as though it were primarily about aesthetics or usability metrics or conversion rates.This book argues for a different perspective. It argues that to design anything digital is, first and foremost, to make a series of decisions about how a human being should feel.The title, Wired for Feeling, comes from a simple observation: human beings are not logic engines. We feel before we think. We remember how something made us feel long after we have forgotten what it looked like. Every digital experience - every onboarding flow, every notification, every loading screen - either respects that wiring or ignores it. The best design in the world respects it. A great deal of existing design ignores it.This is not a book of rules. I have deliberately avoided the kind of listicle-style prescriptions that fill so many design texts. Rules age quickly; principles endure. What I have tried to offer here is a way of thinking - a set of lenses through which you can look at the digital products you create and ask, honestly, whether they are serving the full humanity of the people who use them.…

Paperback. Condizione: new. Paperback. There is a moment - you have probably had it - when you open an app, a website, or some digital product and almost immediately feel a quiet frustration. Nothing is broken, exactly. The buttons respond, the page loads, the icons are where icons are supposed to be. And yet something about the whole experience feels faintly indifferent to you. It feels designed for a type of person, not for a real one. It feels, in a word, inhuman.That sensation is not trivial. It is the gap that this book is about.I have spent most of my professional life sitting in that gap - watching people interact with digital products, listening to what they say when nobody is watching them closely and trying to understand what happens in the space between a screen and a human being. What I have come to believe, more firmly with each passing year, is that the central challenge of digital design is not a technical problem. It is a deeply human one.We live in an era where almost everything a person touches in their daily life has a digital layer. The way we greet a colleague in the morning, the way we check whether our child arrived safely at school, the way we mourn the death of a friend - all of it now flows, at some point, through a screen. Design shapes all of those moments. And yet, as an industry, we have often treated design as though it were primarily about aesthetics or usability metrics or conversion rates.This book argues for a different perspective. It argues that to design anything digital is, first and foremost, to make a series of decisions about how a human being should feel.The title, Wired for Feeling, comes from a simple observation: human beings are not logic engines. We feel before we think. We remember how something made us feel long after we have forgotten what it looked like. Every digital experience - every onboarding flow, every notification, every loading screen - either respects that wiring or ignores it. The best design in the world respects it. A great deal of existing design ignores it.This is not a book of rules. I have deliberately avoided the kind of listicle-style prescriptions that fill so many design texts. Rules age quickly; principles endure. What I have tried to offer here is a way of thinking - a set of lenses through which you can look at the digital products you create and ask, honestly, whether they are serving the full humanity of the people who use them. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…