Harold stone screenwriter (2 risultati)
- Altre immagini
The Soul of Nigger Charley [Con el Odio en el Alma] (Original pressbook for the Spanish release of the 1973 film)
Fred Williamson, D'Urville Martin, Denise Nicholas, Pedro Armendáriz Jr. (starring); Larry G. Spangler (director); Harold Stone (screenwriter)
Editore: Paramount Pictures, Madrid, 1975
- Manuscript / Paper Collectible
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 135,69
EUR 8,78 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloVintage pressbook for the Spanish release of the 1973 Blaxploitation film, with full-color poster art on the recto, and credits, synopsis, description, and advertising phrases on the verso. Text in Spanish. Sequel to the 1972 film "The Legend of Nigger Charley," directed by Martin Goldman, followed by the 1975 film "Boss Nigger,…" directed by Jack Arnold, both starring Fred Williamson and D'Urville Martin. Two ex-slaves, Williamson and Martin, organize other freed slaves after the Civil War to fight Confederate hold-outs attempting to reignite the Confederacy and sell captured freed men to southern plantation owners in Mexico. Shot on location in Arizona. 8.25 xc 11.75 inches. With a faint vertical production crease, else Near Fine.
- Altre immagini
The Invisible Boy (Original studio still photograph from the 1957 film)
Richard Eyer, Philip Abbott, Diane Brewster, Harold J. Stone (starring); Herman Hoffman (director); Cyril Hume (screenwriter)
Editore: Metro-Goldwyn-Mayer [MGM], Beverly Hills, CA, 1957
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 135,69
EUR 8,78 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloVintage studio still photograph from the 1957 film. A supercomputer hopes to achieve world domination by hacking into a family's pet robot. The robot, originally built for "Forbidden Planet" (1956), was reused by Metro-Goldwyn-Mayer in an attempt to defray the substantial cost of the prop. 8 x 10 inches. Near Fine.
