harrison pegram (27 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paper wrappers. Condizione: A fine copy. First edition. 111 pp. Illus. with b/w reproductions. Sm. 4to.

Condizione: Very good. - Quarto, 11 inches high by 8-1/2 inches wide. Softcover, bound in printed wraps titled in red with a black & white illustration on the front cover. 111 pages, with black & white illustrations. The creamy white covers are lightly soiled and creased and there is a short horizontal tear near the top of the spine. A very good, lightly used copy.

Trade Paperback. Condizione: Used - Good. Over the last half-century, Rudy Pozzatti has earned internationalacclaim as an artist, educator, professor of printmaking at Indiana University, andco-founder of Echo Press, a fine arts printmaking workshop. The 95 illustrations inthis book (including 47 full-color plates) capture Pozzatti's bountiful creativityin etchings, engravings, lithographs, and collages produced over the course of hiscareer. An essay by Norman A. Geske defines Pozzatti's place in the renaissance inAmerican printmaking that was sparked by Mauricio Lazansky and his students at theUniversity of Iowa in the 1940s and 1950s. Pozzatti's personal insights andanecdotes about many of the prints enliven the extensive catalogue entries, which, along with an inclusive bibliography and a compendium of the artist's exhibitionsand chronology, make this book an indispensable resource on the artist and hiswork. Book has minor shelf wear.

Soft cover. Condizione: As New. Essay by Norman A. Geske, introduction by Pegram Harrison, catalogue entries by Nanette Esseck Brewer. (6), 106 pages, 95 illustrations (47 color), chrono., bibliog., quarto (4to), soft cover. Very good condition, unsold inventory from an old bookstore. Inventory #28595.

111p., b/w illus., original stiff wrappers, quarto format (Lilly Library publication, 35).

softcover. Food & Drink (illustratore). 4to. softcover. 111 pages. Softcover, bound in printed wraps titled in red with a black & white illustration on the front cover. Very good. From the reference library of Philadelphia Rare Books & Manuscripts with their bookplate included.

Paperback. Condizione: New.

Softcover. Condizione: Near Fine. First edition. Quarto. 111pp. Illustrated. Perfectbound illustrated wrappers. Corners a little bumped else very near fine.

Condizione: Good. Stapled 4to., printed wraps. [16] pp. Eng. Ill. 20 color plates/works. Essays. Exhib. 14 Mar - 7 Apr, 1990. Price list laid in. Fine.

Soft cover. Condizione: As New. pbk 4to 109pp ilustr unused excellent clean tight text.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Hardcover in complete dj. 510 pp. 376 illus., including 306 plates in full colour. Introduction by Suzanne Boorsch. Small ink mark to texblock otherwise in near fine condition. Clean and unmarked copy. 4to.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Remainder mark on bottom edge.

Hard cover. Sewn binding. Cloth over boards. 510 p. Audience: General/trade. Good in good dust jacket. Ex-library. A few library markings. Remainder mark on bottom textblock edge. Slight lean to book. Dust jacket in new mylar.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Bright, crisp, unmarked copy, firm binding with no wear or sagging, faint oval stain on upper textblock, slight ripple at upper corner of first 20 pages, jacket VG+.

Hardcover. Condizione: Very Good. 1st Edition. Unusually detailed and chronicled catalogue that is complete in every sense.

Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Quarto. A GORGEOUS 1st Edition (McBride, NAP) large coffee table retrospective of the print work of Helen Frankenthaler. Profusely illustrated with full color as well as black and white examples from one of the most influential American painters of the 20th century. "In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland." The Frankenthaler Foundation Blue cloth. Square Tight Binding. Clean interior. Dust jacket Fine. A lovely and uncommon edition.

Harrison, Pegram. FRANKENTHALER: A Catalogue Raisonné: Prints 1961-1994. 510 pp. with 376 illustrations, including 306 plates in colour. Large 4to, cloth. New York, Abrams, 1996. Every edition print and proof is reproduced in color. Includes interviews with the artist, archival materials and technical analysis of the prints.

Hardcover. Condizione: Very Good. Hardcover. 4to. Harry N Abrams, New York. 1996. 510 pgs. Illustrated with 235 edition prints are reproduced in full color, as are more than seventy proofs; there are also an additional seventy black-and-white illustrations, including photographs of the artist at various workshops. First Edition/First Printing. DJ has very light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. Bookplate present to the front pastedown. Text is clean and free of marks. Binding tight and solid. This catalogue raisonne, unlike most print reference works, describes in detail all extant and documented proofs of Frankenthaler's prints, recording measurements, colors, inscriptions, and the relationship of each proof to the final edition print. Ultimately, the trial, working, and other proofs constitute a journal of Frankenthaler's work, one that preserves and reveals the creative process as well as the effectiveness of the contemporary print workshop. EB; 11.9 X 10.4 X 1.8 inches; 510 pages.

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. First Edition. First Printing. A Very Fine copy in french blue cloth, yellow endpapers, in a Very Fine frenchfold glossy illustrated dustwrapper. Introduction by Suzanne Boorsch. 510pp. Illustrations in color. Q07063.

4to. pp. 510. 376 illus. (306 colour). biblio. index. cloth. dw. First Edition.

Cloth. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. SIGNED BY HELEN FRANKENTHALER on the tile page. An immaculate copy to boot of the 1996 1st edition of the catalogue raisonne of the prints, 1961-1994. Tight and Fine in a crisp, Fine dustjacket. Tall quarto, "376 illustrations, including 306 plates in full color". Signed.

In 4° (28x21,5 cm) 111 pp. Numerous b&w illustrations. Softcover. Clean and unmarked, a nice copy. All books are in stock in fine condition or described meticulously. Very safe packaging.

New York., Harry N. Abrams, Inc., 1996. Large 4to. A crisp, clean, unread copy. 510 pp., with 376 illustrations, 306 are color plates, describes in detail all extant and documented proofs of Frankenthaler"s prints, Recording measurements, colors, inscriptions, and the relationship of each proof to the final edition print. . First Edition. Cloth. 9¾" x 12" Hardbound with dj. Book Condition: Fine. Dust Jacket Condition: Fine.