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Altre immaginiFlaying in the Pre-Modern World: Practice and Representation
Tracy, Larissa; Bain, Frederika; Dent, Peter; DeVries, Kelly; Gramling, Valerie; Harrison, Perry Neil; Hartnell, Jack; Leverett, Emily; Livingston, Michael; Lindquist, Sherry C.M.; Mittman, Asa; Rambaran-Olm, Mary; Sayers, William; Sciacca, Christine; Small, Susan; Tracy, Larissa; Ward, Renée
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Da: Yesterday's Muse, ABAA, ILAB, IOBA, Webster, NY, U.S.A.Yesterday's Muse, ABAA, ILAB, IOBA
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Hard Cover. Condizione: Fine. Condizione sovraccoperta: No Jacket - Pictorial Cover. First Edition. First edition. An exceptional copy. Binding tight and square, pages clean, bright, and unmarked. 2017 Hard Cover. xviii, 406 pp. The practice and the representation of flaying in the middle ages and after are considered in this pr…ovocative collection. Skin is the parchment upon which identity is written; class, race, ethnicity, and gender are all legible upon the human surface. Removing skin tears away identity, and leaves a blank slate upon which law, punishment, sanctity, ormonstrosity can be inscribed; whether as an act of penal brutality, as a comic device, or as a sign of spiritual sacrifice, it leaves a lasting impression about the qualities and nature of humanity. Flaying often functioned as animaginative resource for medieval and early modern artists and writers, even though it seems to have been rarely practiced in reality. From images of Saint Bartholomew holding his skin in his arms, to scenes of execution in Havelok the Dane, to laws that prescribed it as a punishment for treason, this volume explores the idea and the reality of skin removal - flaying - in the Middle Ages. It interrogates the connection between reality and imagination in depictions of literal skin removal, rather than figurative or theoretical interpretations of flaying, and offers a multilayered view of medieval and early modern perceptions of flaying and its representations in Europeanculture. Its two parts consider practice and representation, capturing the evolution of flaying as both an idea and a practice in the premodern world.
