harthorn sandy (37 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: Good. A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact (including dust cover, if applicable). The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include "From the library of" labels or limited small stickers. Book may have a remainder mark or be a price cutter.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condizione: Near Fine. First Edition. A near fine copy of the first edition in original wraps (ink name on title page). 'Exhibition organized by Boise Art Museum in partnership with Salt Lake Art Center; co-curated by Sandy Harthorn, Boise Art Museum and Ric Collier, Salt Lake Center. Essay by Aden Ross.'.

Trade Paperback. Condizione: Very Good. No Jacket. First Edition. 4to - over 9¾" - 12" tall. A very good copy with light wear to wraps; otherwise as new. 'Exhibition organized by Boise Art Museum in partnership with Salt Lake Art Center; co-curated by Sandy Harthorn, Boise Art Museum and Ric Collier, Salt Lake Center. Essay by Aden Ross.'.

Paperback. Condizione: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Oversized.

Condizione: Very Good. 63 pp., Paperback, minor library markings, else text clean & binding tight; very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hard cover. Condizione: Very good. Condizione sovraccoperta: Very good. Jacket is lightly rubbed, and creased on top edge, but text and images are clear and bright. Cover is bumped on corners. Binding is tight. Inside is clean and unmarked.

Paperback (Saddle Stitched). Condizione: Very Good. Unmarked. 6 color reproductions, 6 black and white reproductions (silver prints). Catalog of an exhibition featuring manipulated images of 43 photographers, including Judy Dater, Judith Golden, David Goldes, Kenneth Josephson, Les Krims, Duane Michals, Lucas Samaras, Cindy Sherman, William Wegman and others. Measures 8.5x11 inches. 20p.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Very Good. No Jacket. First Edition. First printing; spiral bound.

Condizione: New.

Paperback. Condizione: new. Paperback. New York artist Devorah Sperber combines commonplace materials with simple optical devices to investigate the connections between art, perception and technology. Her works address the complex relationship between the way we think we see and the way that the brain actually processes images. Her most recent works examine famous paintings from art history. Sperber uses the computer to pixelate the images and then reproduces the pixels with thousands of spools of colored thread. She then inverts the spool-constructed pictures so that the image is viewed up side down and recognizable only when viewed through an acrylic sphere. To the naked eye the thread spool sculpture appears as patterns of color, but when viewed through the specially designed acrylic sphere, the images spring into focus. Sperber's works were recently presented at the John Michael Kohler Arts Center and the Brooklyn Museum and featured in articles in the New Yorker, the New York Times and Sculpture Magazine. New York artist Devorah Sperber combines commonplace materials with simple optical devices to investigate the connections between art, perception and technology. To the naked eye the thread spool sculpture appears as patterns of color, but when viewed through the specially designed acrylic sphere, the images spring into focus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Trade Paperback. Condizione: Very Good. Gallery stamp to fornt end-paper, else clean & unmarked; tight & square.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Softcover staple-bound exhibition catalog, 24 pages, very good condition, light rubbing to covers; no internal marks.

Paperback. Condizione: Brand New. 56 pages. 9.80x7.91x0.39 inches. In Stock.

PB. B&W and color illustrations (illustratore). "YARD ART is an exhibition of unique objects gathered together to explore the diverse attitudes and forms found in and about personal outdoor spaces." Catalogue of an exhibition held at the Boise Art Museum May 18-July 7, 1991. Complete with the original "plastic red reflector" attached to the rear cover. very good+, spiral bound softcover.

Hardcover. Condizione: Very Good. No Jacket. Castle James (illustratore). 1st Edition. Boards (HB) in very good condition with light cover wear, couple of small round indents, back cover and 2 partial brown finger prints on back credit page. Inside is all bright and clean with no marks, folds or soiling. 104 pages with biography and checklist. 110 illustrations 60 in color. Foreword by Timothy Close, Executive Director. Published on the occasion of the exhibition from The Boise Art Museum, Boise, Idaho March 25-June 5, 2005. Biography.

Condizione: New. Addresses the complex relationship between the way we think we see and the way that the brain actually processes images. Num Pages: 56 pages, 46 color illus.trations. BIC Classification: ACX; AGB. Category: (P) Professional & Vocational. Dimension: 6466 x 5193 x 10. Weight in Grams: 250. . 2009. Illustrated. paperback. . . . .

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: Fine. Dennis Evans The Science of Secrets is a booklet looking at 3 installations by Seattle artist Dennis Evans. Included is an essay about each by John Weber, Sandy Harthorn, Susan Sagawa. Color photographs of the installations and some of the pieces. Also, exhibition information on Evans. 16 pages, paper with stiff cover. 11" x 8 1.2". Fine condition.

Condizione: New. Addresses the complex relationship between the way we think we see and the way that the brain actually processes images. Num Pages: 56 pages, 46 color illus.trations. BIC Classification: ACX; AGB. Category: (P) Professional & Vocational. Dimension: 6466 x 5193 x 10. Weight in Grams: 250. . 2009. Illustrated. paperback. . . . . Books ship from the US and Ireland.

Hardcover. Hazelnut boards, brown & illus. dust jacket, 104 pp., color & BW illus. Issued in conjunction with a 2005 exhibition of artwork by James Castle (1900-1977), "Idaho's best known self-taught artist, a man of immense talent who did not receive formal art training. Castle grew up on a farm in rural Garden Valley, Idaho, at the turn of the century, the son of the postmaster and the fifth of seven children. Born with disabilities, he was never able to hear or speak. At an early age he began to express himself through drawing. [This book] is the companion voluime to an exhibition presented at the Boise Art Museum that showcases James Castle's extraordinary works of art from the Museum's Permanent Collection and a selection of works on loan from J Crist Gallery." (dj) The illustrated narrative is followed by dozens of examples of his work. A solid treatment for this artist. VG. museum label on fly-leaf pgs. some chips to lower spine of dustjacket.

Condizione: Good. Folding exhibition card. Good. Creases and rubbing.

paperback. Condizione: Good. gallery markings on cover Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Hard Cover. Condizione: Fine. First Edition. First Printing in about Fine illustrated dust jacket, no markings, NOT ex-lib, binding tight pages bright, slight shelf wear & quiet soil to jacket, else Fine unread copy (dj in mylar protector); 4to; 104pp fully illus in color.

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st edition. 1st edition. A Near Fine copy in Near Fine dust jacket. 4to., 103 pp., illustrated with b&w and color photographs. Grey cloth in brown paper dust jacket. The dust jacket has wear at the front upper tip. Upper tip bumped. The dj is now protected in a mylar sleeve.

Paperback. Condizione: new. Paperback. New York artist Devorah Sperber combines commonplace materials with simple optical devices to investigate the connections between art, perception and technology. Her works address the complex relationship between the way we think we see and the way that the brain actually processes images. Her most recent works examine famous paintings from art history. Sperber uses the computer to pixelate the images and then reproduces the pixels with thousands of spools of colored thread. She then inverts the spool-constructed pictures so that the image is viewed up side down and recognizable only when viewed through an acrylic sphere. To the naked eye the thread spool sculpture appears as patterns of color, but when viewed through the specially designed acrylic sphere, the images spring into focus. Sperber's works were recently presented at the John Michael Kohler Arts Center and the Brooklyn Museum and featured in articles in the New Yorker, the New York Times and Sculpture Magazine. New York artist Devorah Sperber combines commonplace materials with simple optical devices to investigate the connections between art, perception and technology. To the naked eye the thread spool sculpture appears as patterns of color, but when viewed through the specially designed acrylic sphere, the images spring into focus. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Softcover. Condizione: Good+. Large glossy softbound covers. There is wear and rubbing to the spine edges and the corners. The binding is tight. Beautiful color and black-and-white illustrations throughout.