Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condizione: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.
Lingua: Inglese
Editore: Mit Pr (edition First Edition), 1996
ISBN 10: 0262082519 ISBN 13: 9780262082518
Da: BooksRun, Philadelphia, PA, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
Da: Better World Books, Mishawaka, IN, U.S.A.
Prima edizione
Condizione: Fine. 1ST. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.
Da: Better World Books, Mishawaka, IN, U.S.A.
Prima edizione
Condizione: Very Good. 1ST. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
paperback. Condizione: Good. Satisfaction 100% guaranteed.
Lingua: Inglese
Editore: Cambridge: The MIT Press, (1995, 1997)., 1996
ISBN 10: 0262082519 ISBN 13: 9780262082518
Da: Sara Armstrong - Books, Cedarville, CA, U.S.A.
Membro dell'associazione: IOBA
Originally published by Yale University in 1995. 246pp, (6x9 inches), b&w photos, chronology, notes, index. Edited and with an introduction by Susan Elizabeth Ryan. Very Good condition, hardcover, no dust jacket. A trace of rubbing to lower corners, otherwise crisp, clean, bright and tight, no bumps, tears or creases, no markings. Does not even look "handled.".
Da: Affordable Collectibles, Columbia, MO, U.S.A.
Paperback. Condizione: Very Good. Nice clean used book with no marks.
hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Lingua: Inglese
Editore: MIT Press (MA) December 1996, 1996
ISBN 10: 0262082519 ISBN 13: 9780262082518
Da: Firefly Bookstore, Kutztown, PA, U.S.A.
Hardcover. Condizione: Used Very Good. No Jacket. Light wear to cover, slightly bumped corners, pages clean and unmarked. There are marks on the page edges, interior pages are clean. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 10,86
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
EUR 13,21
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New.
Da: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.
hardcover. Condizione: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.
EUR 13,76
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New.
Prima edizione
Hardcover. Condizione: Very Good. No Jacket. First Edition. 8vo - over 7¾" - 9¾" Tall 8vo xiv,246pp Edited from various manuscript sources, with an introduction and notes, by Susan Elizabeth Ryan. Includes a chronology of Hartley's life and travels. Very Good in cloth over boards.45 b/w Illustrations. // ' Marsden Hartley (1877-1943), the American modernist painter, was also a prolific writer who published dozens of essays and reviews and several volumes of poetry and prose. Yet the revealing memoir he wrote about his own life and relationships has remained unpublished until now. Hartley's text is accompanied by photographs (some never before published), notes, and an introduction discussing Hartley's autobiography in the context of his struggle with notions of self-representation in art. Susan Ryan describes the circumstances surrounding the composition of Somehow a Past, and explains the distinctions between this original version and two later ones also in Yale's Beinecke Rare Book and Manuscript Library. Somehow a Past is compelling both as historical document and as personal narrative. Although solitary, self-involved, and saturnine, Hartley nevertheless knew nearly every figure of the international avant-garde in his day and unfolds his life largely through a chain of personal encounters. His traffic with such major literary and artistic figures as Alfred Stieglitz, Vasily Kandinsky, Gertrude Stein, Mable Dodge Luhan, Eugene O'Neill, Robert McAlmon, and Charles Demuth is recorded, as are his travels both domestic and foreign.' -- publisher.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 11,71
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Prima edizione
Hardcover. Condizione: Very good +. First edition thus. Edited with an Introduction by Susan Elizabeth Ryan. 8vo. Quarter brown cloth and illustrated paper covered boards, with gilt and black lettering on spine and front cover. 246 pages, with Chronology and Index. Illustrated. Some scattered underlining and margin notes in light pencil. No dust-jacket, as issued.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dustjacket as issued. Would be "like new" but for very light rubbing to front board. Pictorial boards quarterbound in taupe cloth with gilt and black lettering on spine. Crisp, firmly bound text block with sharp corners; 45 black and white illustrations. 246 pp. Attractive book.
Hardcover. Condizione: Fine with no dust jacket. 246 pages. edited with an introduction by Susan Elizabeth Ryan. ; 6 3/8 x 9 1/4 ".
Lingua: Inglese
Editore: The MIT Press (c. 1997), Cambridge, MA, 1997
ISBN 10: 0262082519 ISBN 13: 9780262082518
Da: Alkahest Books, Deerfield, IL, U.S.A.
Prima edizione
hardcover. Condizione: Fine. first thus. Octavo, cloth-backed pictorial boards, xiv, 246 pages, Includes black and white illustration, appendices, chronology, index. Fine condition. No dust jacket (if issued). 102504A "Marsden Hartley (1877-1943), the American modernist painter, was also a prolific writer who published dozens of essays and reviews and several volumes of poetry and prose. Yet the revealing memoir he wrote about his own life and relationships has remained unpublished until now." -- from the book cover.
Lingua: Inglese
Editore: The MIT Press, Cambridge, MA, 1996
ISBN 10: 0262082519 ISBN 13: 9780262082518
Hardcover. Condizione: Good. Condizione sovraccoperta: No Dust Jacket. Cover slightly discolored. Appears to be stains from neighboring books in owner's library. ; B&w Illustrations; 8vo 8" - 9" tall; 260 pages.
Paperback. Condizione: Very Good. Softcover. Shelf wear. Binding slightly cocked. Pages unmarked.
Da: Douglas Park Media, Brunswick, ME, U.S.A.
Prima edizione
Soft cover. Condizione: Near Fine. No Jacket. 1st Edition. MIT Press, 1998 Trade Paperback. Condition: Near Fine. . First paperback edition. From the rear wrap: Marsden Hartley (1877-1943) is best known as an American modernist and pioneering artist of the early twentieth century. But he was also a prolific writer who published dozens of essays and reviews and several volumes of poetry and prose.The autobiographical account of his life in the manuscript collection of Beinecke Library at Yale has often been consulted by scholars and curators writing about Hartley. It is the most revealing document he left about his personal life and relationships -- both for its disclosures and omissions -- but has never been published before. Transcribed from Hartley's own handwritten manuscripts, this edition is accompanied by photographs (some never before published), notes, and an introduction discussing Hartley's fascination with autobiography in the context of his struggle with notions of self-representation in art. Susan Ryan also describes the circumstances surrounding the composition of Somehow a Past, and explains the distinctions between this original version and two later ones also in the Beinecke Library. Somehow a Past is compelling both as historical document and as personal narrative. His traffic with such major literary and artistic figures as Alfred Stieglitz, Vasili Kandinski, Gertrude Stein, Mabel Dodge, Eugene ONeill, Robert McAlmon, and Charles Demuth is recorded as are his travels both domestic and foreign. Somehow a Past is gossipy, discursive, ands elf-distanced. Hartley drafted it several times, truncating the description of his traumatic childhood, and leaving out any overt reference to his homosexuality. Yet there are moments of crystal clear self-characterization and leitmotifs that commemorate his troubled youth. 246 pp, 45 illustrations.
Prima edizione
Hardcover. Condizione: Fine. 1st Edition. 246 pages, notes, index. 45 illustrations. Fine copy. No dust jacket as issued by the publisher.
Da: Bolerium Books Inc., San Francisco, CA, U.S.A.
Prima edizione
Hardcover. xiv, 246p. introduction, appendixes, chronology, notes, index, photos, very good first edition in quarter-cloth boards. Hartley left out all overt references to his homosexuality, although the innuendos are clear.
paperback. Condizione: Softcover. Softcover. Free of any markings and no writings inside. Minor shelf-wear.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Trade Paperback. Condizione: Used - Very Good. Marsden Hartley (1877-1943) is best known as an American modernist andpioneering artist of the early twentieth century. But he was also a prolific writerwho published dozens of essays and reviews and several volumes of poetry and prose.The autobiographical account of his life in the manuscript collection of Yale?sBeinecke Library has often been consulted by scholars and curators writing aboutHartley. It is the most revealing document he left about his personal life andrelationships -- both for its disclosures and omissions -- but has never beenpublished before.Transcribed from Hartley's own handwritten manuscripts, thisedition is accompanied by photographs (some never before published), notes, and anintroduction discussing Hartley's fascination with autobiography in the context ofhis struggle with notions of self-representation in art. Susan Ryan also describesthe circumstances surrounding the composition of Somehow a Past, and explains thedistinctions between this original version and two later ones also in the BeineckeLibrary.Somehow a Past is compelling both as historical document and as personalnarrative. Although solitary, self-involved, and saturnine, Hartley neverthelessknew nearly every figure of the international avant-garde in his day and unfolds hislife largely through a chain of personal encounters. His traffic with such majorliterary and artistic figures as Alfred Stieglitz, Vasili Kandinski, Gertrude Stein, Mabel Dodge, Eugene O?Neill, Robert McAlmon, and Charles Demuth is recorded as arehis travels both domestic and foreign.Somehow a Past is gossipy, discursive, andself-distanced. Hartley drafted it several times, truncating the description of histraumatic childhood, and leaving out any overt reference to his homosexuality. Yetthere are moments of crystal clear self-characterization and leitmotifs thatcommemorate his troubled youth. Marsden Hartley (1877-1943) is best known as an American modernist and pioneering artist and writer of the early 20th century. This autobiographical account of his life is the most revealing document he left about his personal life and relationships but has never been published before. SOMEHOW A PAST is compelling both as historical document and as personal narrative. 45 illustrations. Slight scratching/scuffing on cover. Book has minor shelf wear. Sold as is.