hartmann bruce (15 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

96pp, (8.5x11 inches), color illustrations. VG in wrappers (softcover). A trace of wear to edges, otherwise clean and bright, no tears or creasing, no markings. This issue features the work of Martin Grelle, Bret Smith, Charles Warren Mundy, Glenna Hartmann, Billyo O'Donnell, Bruce Greene.

Pamphlet. Condizione: Very Good. Vol 43, No 11, pp. 4304-4312, Illus,4to, Extracted from orig vol, thus begins with title page, VG.

Condizione: New.

Gebundene Ausgabe. Condizione: Gut. 536 S. B1717-46 9783770122141 Sprache: Deutsch Gewicht in Gramm: 500.

Condizione: New. In.

Softcover. Condizione: Sehr gut. 536 S. B1573-155 9783770122141 Sprache: Deutsch Gewicht in Gramm: 870.

Condizione: Muy bueno. : El planeta milagroso es un libro de divulgación científica que explora diversos aspectos de nuestro planeta, desde su formación y evolución geológica hasta la diversidad de sus ecosistemas y la influencia de la actividad humana. Con un enfoque didáctico y numerosas ilustraciones, el libro invita a reflexionar sobre la importancia de conservar el medio ambiente y promover un desarrollo sostenible. EAN: 9788447301133 Tipo: Libros Categoría: Ciencias Título: El planeta milagroso Autor: Bruce Brown| Lane Morgan| Brian J. Skinner| Dennis L. Hartmann| Stephen C. Porter Editorial: RBA Editores Idioma: es-ES Páginas: 260 Formato: tapa dura.

Hardcover. Condizione: Sehr gut. 342 pp. A perfect copy. - Summary: The late Bruce Karl Braswell worked on Pindar for decades. Besides many smaller contributions, his research resulted in fundamental commentaries on Pythian Four (1988), Nemean One (1992), and Nemean Nine (1998), and his last monograph, dedicated to Didymos of Alexandria and his ancient commentary on Pindar (2013). Two substantial, self-contained manuscript fragments were found in his papers after his death. Their originality and innovative methodological approach justify their posthumous publication. Part I of the present volume contains the fragment of Braswell's planned study, A Contribution to the History of Pindaric Scholarship. Using the example of Nemean Nine, Braswell traces the history of Pindar interpretation from Antiquity to the end of the 16 th century. The source texts for his exegesis appear as an appendix to the study. Part II contains the completed fragment of A Commentary on Pindar Nemean Ten. Alongside the original text and translation of the first two triads of this ode, this section includes a detailed verse-by-verse commentary and the text and translation of the relevant scholia. The commentary on the first triad is supplemented by an extensive appendix on the Argive legends and monuments reported by Pausanias. In brief introductions, the editor recounts the origins of the manuscripts and their preparation for print. - Contents: Part I: A Contribution to the History of Pindaric Scholarship The Study and Interpretation of Nemean Nine from Antiquity to the End of the Eighteenth Century -- Preface -- The Study and Interpretation of Nemean Nine -- 1. The Scholia Vetera -- 1.1 Didymos of Alexandria -- 1.2 The Anonymous Scholia -- 1.3 The Ancient Metrical Scholia -- 2. From Alexandria to Byzantium -- 3. Demetrios Triklinios -- 4. From Thessalonike to Venice -- 5. The editio Aldina (1513) -- 6. The editio Romana (1515) -- 7. The praefatio of Stefano Negri (1521) -- 8. Over the Alps -- 9. The editio Basileensis (1526) -- 10. The interpretatio Loniceri (1528) -- 11. The enarrationes Loniceri (1535) -- 12. The editio Brubacchii (1542) -- 13. The Aristologia Pindarica of Michael Neander (1556) -- 14. The editio Moreliana (1558) -- 15. The interpretatio Philippi (1558) -- 16. The editio prima Stephani (1560) -- 17. The interpretatio and commentarius in Nemea Sudorii (1582) -- 18. The commentarii Francisci Porti (1583) -- 19. The editio tertia Stephani (1586) -- 20. The commentarii Aretii (1587) -- *Appendix: Documents for the Study and Interpretation of Nemean Nine -- 1. The Scholia Vetera on Nemean Nine -- 2. The Vita Pindari of the Souda -- 3. The Vita Thomana -- 4. The recensio Tricliniana -- 5. The editio Aldina -- 6. The editio Romana -- 7. The praefatio of Stefano Negri -- 8. The first epistola of Huldrych Zwingli (editio Basileensis) -- 9. The interpretatio Loniceri -- 10. The enarrationes Loniceri -- 11. The Aristologia of Michael Neander -- 12. The interpretatio Philippi -- Bibliography -- Part II: A Commentary on Pindar Nemean Ten with an Appendix: Pausanias on the Argive Legends and Monuments -- Testimonia -- Synopsis of Readings -- Conspectus Siglorum -- Text and Translation of Nemean Ten (vv. 1-36) -- Commentary -- 1-18. Catalogue of Argive Legends -- 19-36. Praise of the Victor and his Ancestors -- Text and Translation of the Scholia Vetera on Nemean Ten (vv. 1-36) -- Appendix: Pausanias on the Argive Legends and Monuments. ISBN 9783034316767 Sprache: Englisch Gewicht in Gramm: 711.

Taschenbuch. Condizione: Gut. 536 S. Gebrauchsspuren. Innerhalb Deutschlands Versand je nach Größe/Gewicht als Großbrief bzw. Bücher- und Warensendung mit der Post oder per DHL. Rechnung mit MwSt.-Ausweis liegt jeder Lieferung bei. Sprache: Deutsch Gewicht in Gramm: 980.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

387 pp.; 28.5 x 22.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue and documentation of preparation for exhibition held in 1971. Large-scale book documenting the thrills and chills of when artists and scientists [or corporations] joined together by the Los Angeles County Museum of Art attempted to produce collaborative works. Amazingly self-critical of the failures [and limited success] of the program. Full documentation of each of the invited artists in narrative, blow-by-blow detail. Includes sections on Stephen Antonakos, Avigdor Arikha, Michael Asher, John Baldessari, Iain Baxter, Larry Bell, Max Bill, Ronald Bladen, George Brecht, James Byars, Greg Card, Anthony Caro, John Chamberlain, Christo, Ron Cooper, François Dallegret, Channa Davis, Ron Davis, Walter de Maria, Mark di Suvero, Jean Dubuffet, Jean Dupuy, frederick Eversley, Oyvind Fahlstrom, Dan Flavin, Sam Francis, Hans Haacke, Newton Harrison, Erich Hartmann, Robert Irwin, Donald Judd, Aleksandra Kasuba, Ellsworth Kelly, Philip King, R.B. Kitaj, Piotr Kowalski, Rockne Krebs, Wesley Duke Lee, Les Levine, Roy Lichtenstein, Len Lye, Jackson MacLow, Robert Mallary, Charles Mattox, John McCracken, Glenn McKay, Boyd Mefferd, Michael Moore, Robert Morris, Bruce Nauman, Claes Oldenburg, Jules Olitski, Eduardo Paolozzi, Otto Piene, Pulsa, Jeff Raskin, Robert Rauschenberg, Jess Reichek, Vjencenslav Richter, James Rosenquist, James Seawright, Richard Serra, Tony Smith, Robert Smithson, Karlheinz Stockhausen, Takis, Gerhard Trommer, James Turrell, Victor Vasarely, Stephan Von Huene, Peter Voulkos, Andy Warhol, Robert Watts, Martial Westburg, Robert Whitman, and William T. Wiley. Black-and-white illustrations throughout. Fair / Good. 1.6 cm. tear to top edge of recto. Significant rubbing of cover edges. 18 cm. scratch to recto. 7.5 cm., 17.6 cm., 6.5 cm., 7 cm., and 2.5 cm. creases to verso. Light soiling of text block edge. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

4. [1. - 4. Tsd.] 24 cm. 298 S. Gewebe 1 Aufkl.-Abdr. a. unt. Kapit., Schnitt leicht angeschm., innen sauber u. gut erhalten, 1 Biblioth.-Stempel a. Tit.-Bl. Auf Wunsch senden wir gerne ein Foto des Buches via E-mail Sprache: Deutschu 0,750 gr.

Archive of three scripts and one post-production script for the 1942 film. First is a First Draft script, under the working title "'Sherlock Holmes' (#2)," by screenwriters Edward T. Lowe and Scott Darling, dated March 24, 1942. Ribbon copy typescript on onionskin, with annotations in manuscript pencil on several pages, inquiries about plotline, question marks, as well as dates, and name of screenwriter Darling. Bound in, preceding script, are: A two-page, carbon typescript, breakdown of the story in 21 points, with annotation of "1st rough draft" and "One 3/24/42," in manuscript pencil, in upper right of first page. A ribbon copy typescript "continuity" breakdown of locations and sequences in ten points, dated 4/6/42. A ribbon copy typescript "comments on Sherlock Holmes #2," broken into nine points, dated 4-6-42, and a three-page ribbon copy typescript synopsis, dated 3/24/42. Second is a Third Draft script, under the working title "'Sherlock Holmes' (#2)," crediting screenwriter Scott Darling on front wrapper, and Edward T. Love and Scott Darling on title page, dated April 22, 1942. Annotation in manuscript pencil of "mimeographed pink" on lower right of front wrapper. Ribbon copy typescript on onionskin, with several annotations in red or graphite manuscript pencil, question marks, an asterisk, underlines, and screenwriter S. Darling's name and date "4-27-42." Third is a Draft script, under the working title "Sherlock Holmes Fights Back," with name of screenwriter Edmund L. Hartmann on front wrapper. Title page credits to "Additional Changes by Edmund L. Hartmann," and screenwriters Scott Darling and Edward T. Lowe, dated May 22, 1942. Carbon typescript, with mimeograph duplication revision pages. Bound in, preceding script, is a page describing concept for "The Miss Bently School for Girls," with photograph affixed, illustrating concept. Annotations in red and graphite manuscript pencil throughout, noting dialogue, locations, shots, characters, as well as strikes and dates. Lastly, a Post-production Dialogue and Contitnuity script, dated August 6, 1942, with single annotation in manuscript ink on front wrapper. Loosely based on the 1903 Sherlock Holmes short story "The Adventure of the Dancing Men," by Sir Arthur Conan Doyle. The fourth Sherlock Holmes movie starring Basil Rathbone and Nigel Bruce, and the second produced at Universal Studios. Preceded by "Sherlock Holmes and the Voice of Terror" (1942), directed by John Rawlins, and followed by "Sherlock Holmes in Washington" (1943), also directed by Roy William Neill (who would go on to direct all subsequent Holmes films at Universal). Watson and Holmes, transplanted from their usual Victorian setting, now in England in the midst of WWII, have to protect Swiss scientist Dr. Franz Tobel and his invention, an advanced bomb site, from falling into the hands Nazi Germany, as well as Holmes' arch-nemesis, Professor Moriarty (Lionel Atwill). The first Holmes film to feature Inspector Lestrade (Dennis Hoey) of Scotland Yard. March 24, 1942 script, "'Sherlock Holmes' (#2)": Gray titled wrappers, dated March 24, 1942, with credits for screenwriters Edward T. Lowe and Scott Darling. Title page integral with first page, dated 3/24/42, noted as 1st draft screenplay, with credits for screenwriters Lowe and Darling. 103 leaves, with last page of text numbered 96. Ribbon copy typescript on onionskin, rectos only. Pages Near Fine, wrapper Very Good with chipping and closed tears to extremities and one large 4.5 inch closed tear on bottom of front wrapper, bound with three gold brads. April 22, 1942 script, "'Sherlock Holmes' (#2)": Gray titled wrappers, noted as THIRD DRAFT on the front wrapper, dated April 22, 1942, with credits for screenwriter Scott Darling. Title page integral with first page, with credits for screenwriters Edward T. Lowe and Scott Darling. 110 leaves, with last page of text numbered 110. Ribbon copy typescript, rectos. Pages Near FIne, wrapper Very Good with closed tears and chipping at extremities, bound with three gold brads. May 22, 1942 script, "Sherlock Holmes Fights Back": Gray titled wrappers, with credits for screenwriter Edmund L. Hartmann. Title page present, dated May 22, 1942, with credits for Additional Chages by screenwriter Edmund L. Hartmann, screenwriters Scott Darling and Edwart T. Lowe and author Sir Arthur Conan Doyle. 107 leaves, with last page of text numbered 100. Carbon typescript with mimeograph duplication revision pages, rectos only, with pink revision pages throughout, undated. Pages Near Fine, wrapper Very Good with large closed tear to front wrapper and chipping and closed tears to extremities, bound with three gold brads. script: Titled self wrappers, noted as DIALOGUE CONTINUITY on the front wrapper,dated August 6, 1942, with credits for director Neill. 109 leaves. Mimeograph duplication, rectos only. Pages Near Fine, bound at top with two gold brads.