Hartmann william k editor (11 risultati)

Condizione: Good. paperback This item shows wear from consistent use but remains in good readable condition. It may have marks on or in it, and may show other signs of previous use or shelf wear. May have minor creases or signs of wear on dust jacket. Packed with care, shipped promptly.

paperback. Condizione: Good. First Edition. Corners are bent. Used - Good.

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Glossy Soft Cover. Condizione: Very Good. First Edition. Oversized 183pp Nearly 200 illustrations Previous owner's name inside front cover This is a heavy book and may require additional postage.

Paperback. Condizione: UsedVeryGood. Paperback; with a historical perspective by Ray Bradbury; light scuffing, l ight shelf wear to exterior; remainder mark on lower page edge; in very goo d condition with clean text, firm binding.

Softcover. Condizione: Very Good. 1st. 183 pages, softcover. Color. Hole punched in top right of front cover, otherwise very good condition.

Soft cover. Condizione: New. No Jacket. 1st Edition. First edition 1990, first printing, numbers line starts with 1. Published by Workman Publishing. Large softcover without DJ as issued. Condition new, square tight and clean book, no edgewear, corners not bumped, spine not creased, no names, no underlinings, no highlights, no bent page corners, not a reminder. 4to, 183 pages, illustrated throughout. Heavy book may require additional postage for international orders.…

Trade paperback. Condizione: Good. First Printing [Stated]. 11 x 10 inches. 183, [1] pages. Slight shelf wear and bumped corners. Small hole punched on front cover. A collection of rarely seen Soviet and American space art, featuring over 200 full-color reproductions and essays by Ray Bradbury, Alan Bean, and Alexei Leonov, offering a unique look at art inspired by the Cold War space race. Ron Miller (born May 8, 1947) is an artist and author. His work is primarily the writing and illustration of books specializing in astronomical, astronautical and science subjects. Miller holds a BFA from Columbus, Ohio, College of Art and Design. He was a commercial artist and designer, before becoming an art director for the National Air & Space Museum's Albert Einstein Planetarium. His illustrations have appeared on book jackets, book interiors and in magazines such as National Geographic, Scientific American, Smithsonian, Air & Space, Sky & Telescope, Newsweek, Natural History, Discover, and others. His paintings are in private and public collections, including the Smithsonian Institution and the Pushkin Museum (Moscow). He designed commemorative postage stamps for the U.S. Postal Service. Miller has taken part in international space art workshops and exhibitions, including sessions held in Iceland and the Soviet Union. He was an invited attendee at the 30th anniversary celebration of the launch of Sputnik. Miller has taught at the International Space University. He is a member of the International Academy of Astronautics; a Life Member of the International Association of Astronomical Artists and a Fellow of the British Interplanetary Society. Ray Douglas Bradbury (22 August 1920 5 June 2012) was an American author and screenwriter. One of the most celebrated 20th-century American writers, he worked in a variety of genres, including fantasy, science fiction, horror, mystery, and realistic fiction. Bradbury is best known for his novel Fahrenheit 451 (1953) and his short-story collections The Martian Chronicles (1950), The Illustrated Man (1951), and The October Country (1955).[4] Other notable works include the coming of age novel Dandelion Wine (1957), the dark fantasy Something Wicked This Way Comes (1962) and the fictionalized memoir Green Shadows, White Whale (1992). He also wrote and consulted on screenplays and television scripts, including Moby Dick and It Came from Outer Space. Many of his works were adapted into television and film productions as well as comic books. Bradbury also wrote poetry which has been published in several collections, such as They Have Not Seen the Stars (2001). The New York Times called Bradbury "An author whose fanciful imagination, poetic prose, and mature understanding of human character have won him an international reputation" and "the writer most responsible for bringing modern science fiction into the literary mainstream". William Kenneth Hartmann (born June 6, 1939) is an American planetary scientist, artist, author, and writer. He was the first to convince the scientific mainstream that the Earth had once been hit by a planet sized body (Theia), creating both the Moon and the Earth's 23.5° tilt. Hartmann's career spans over 40 years, from work in the early 1960s with Gerard Kuiper on Mare Orientale, and work on the Mariner 9 Mars mapping project, to work on the Mars Global Surveyor imaging team. He is currently a senior scientist at the Planetary Science Institute. He has long been one of America's leading space artists (strongly influenced by Chesley Bonestell), and has written and illustrated numerous books on the history of Earth and the Solar System, often in collaboration with artist Ron Miller. Hartmann is a Fellow of the International Association of Astronomical Artists. His written work also includes textbooks, short fiction, and novels, the most recent being published in 2003. In 1997 he was the first recipient of the Carl Sagan Medal for Excellence in Public Communication in Planetary Science from the American Astronomical Society, Division fo.…

Hardcover. Condizione: Very Good. Lunar & Planetary Institute, 1986. Book has a slight gap between binding and top area spine cover, light rubbing to covers with light smudges to center of back cover, faint smudges to textblocks, light wear to edges, light scuffs and bumps to corners, a slightly loose first signature. otherwise in great condition, strong binding, bright and unmarked pages; some light cosmetic wear but an overall sturdy, well-kept copy.…