Heap stephen (30 risultati)

Soft cover. Condizione: Very Good. First Thus. Trade paperback format. Lightly rubbed on the corners with a faintly creased spine; no interior markings. Cover art by Simon Marsden. Illustrated with line drawings by: Nick Harris; Jonathan Heap; Ian Miller; Brian Pedley; Eric Stemp; and Adam Stower. This anthology contains: Christmas Meeting by Rosemary Timperley; The Rivals by Vivien Alcock; Spook House by Marc Alexander; The House with the Brick Kiln by E. F. Benson; The Monkeys by Ruskin Bond; Room at the Inn by Sydney J. Bounds; The Crown Derby Plate by Marjorie Bowen; Mayday by Redvers Brandling; It was Rose Hall by Petronella Breinburg; Earthbound by Roberta Simpson Brown; The Marble Hands by Bernard Capes; Fat Andy by Stephen Dunstone; Bang Bang Who's Dead by Jane Gardam; Carlotta by Adele Geras; Little Black Pies by John Gordon; The Guitarist by Grace Hallworth; The Chocolate Ghost by Julia Hawkes-Moore; Children on the Bridge by Kenneth Ireland; Rats by M. R. James; The Haunted Mill by Jerome K. Jerome; The Last Bus by J. M. Johnson-Smith; The Scene of the Crime by Gerald Kersh; 'Tain't So by Maria Leach; The Servant by Michael Macliammoir; In Black and White by Jan Mark; The Warning by Joyce Marsh; John Charrington's Wedding by E. Nesbit; Dead Call by William F. Nolan; Caves in Cliffs by Josh Pachter; The Running Companion by Philippa Pearce; Gibson's by Ann Pilling; The Servant by Alison Prince; The Ring and the Rib by J. J. Reneaux; A Pair of Muddy Shoes by Lennox Robinson; The Hard Working Ghost by Dal Stivens; The Tale of Caseley Halt by Barry Sutton; An Apple for Miss Stevenson by Michael Vestey; Dual Control by Elizabeth Walter; The Call by Robert Westall; and The Little Yellow Dog by Mary Williams. Size: 8vo. Simon Marsden; Nick Harris; Jonathan Heap; Ian Miller; Brian Pedley; Eric Stemp; Adam Stower; (illustratore). Book. …

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. pp. 214.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

Condizione: New. pp. 214.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 197 pages. 9.25x6.00x0.50 inches. In Stock.

Condizione: New.

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New.

Condizione: New.

Gebunden. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New. pp. 224.

Condizione: New. pp. 224.

Condizione: New.

Condizione: New. pp. 224.

Condizione: New. In English.

Hardcover. Condizione: Brand New. 216 pages. 9.25x6.00x0.75 inches. In Stock.

Condizione: New. Num Pages: 214 pages, 4 black & white illustrations, 2 black & white tables, 2 black & white halftones. BIC Classification: HRCM; HRHT; JNMN. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 162 x 242 x 17. Weight in Grams: 458. . 2016. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.…

Condizione: New. Num Pages: 214 pages, 4 black & white illustrations, 2 black & white tables, 2 black & white halftones. BIC Classification: HRCM; HRHT; JNMN. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 162 x 242 x 17. Weight in Grams: 458. . 2016. 1st Edition. Hardcover. . . . .…

No Binding. Condizione: Good. 1st Edition. 12:01 P.M. First Revision SCREENPLAY by JONATHAN HEAP and STEPHEN TOLKIN. Based on a Short Story by RICHARD LUPOFF. 12:01 P.M. is a short film based on the 1973 science fiction short story by Richard Lupoff. It was first shown in 1990 and was nominated for an Academy Award. Many believe that Groundhog Day stole the idea for its film from 12:01 P.M. A different film based on the story 12:01 P.M. was released in 1993. Copy machine printed on plain white paper (photocopied drafts were, and still are, used for production and working scripts because they can be easily made and quickly sent to a film's writers, producers, directors, etc.), 8.5x11 inches, 3 hole punched but bound with staples at the upper left corner, 25 pages plus title page, pages printed on one side only. GOOD MINUS condition, the pages are creased at all their corners, the title page is creased with some small tears along its left edge, there is wear around the two upper staples including some extra staple holes and staple impressions, the last page has pulled from the staples (i.e. is loose), otherwise a complete, clean, clear copy. SCARCE FIRST REVISED DRAFT of this groundbreaking science fiction short film. It is the only copy I have and the only copy I have ever seen. About the 1990 film 12:01 P.M. (from Wikipedia): ******12:01 PM is a 1990 short film starring Kurtwood Smith. Directed by Jonathan Heap, it originally aired on cable television in 1990 as part of the Showtime 30 Minute Movie anthology series. It was nominated for an Academy Award. It is the first film adaptation of the short story "12:01 PM" by Richard A. Lupoff, which was published in the December 1973 edition of The Magazine of Fantasy and Science Fiction. The major plot device is a time loop or time bounce, and bears great similarity to that of the 1993 film Groundhog Day. Lupoff and Jonathan Heap, director of the 1990 film, were "outraged" by the apparent theft of their idea, but after six months of lawyers conferences and substantial expenses, they decided to drop the case against Columbia Pictures. In the 1990 film, Kurtwood Smith plays Myron Castleman, an everyman stuck in a loop that forces him to constantly relive the same hour of his life over and over, being the only person aware of this. During one loop, he discovers that a scientist named Nathan Rosenbluth has predicted an event that matches his experience. Castleman calls him and explains what is going on, however, Rosenbluth is highly skeptical of his claims. Over the next loops, Myron struggles to get into contact with Rosenbluth again, and in the process becomes frustrated to the point of screaming at his secretary and throwing his suitcase into traffic. Eventually, he does manage to talk to Rosenbluth, who initially dismisses Myron as crazy until Myron describes the transition as the scientist had predicted (including the phrase "Consciousness is an independent variable," which is central to Rosenbluth's theories). The professor sadly informs Castleman that there is nothing that can be done, causing Myron to become hysterical and shoot himself. There is a brief pause until Myron finds himself back at the beginning of the loop, realizing that he is trapped for eternity. This version has NEVER BEEN RELEASED ON DVD IN THE U.S. In the 1993 film the main character keeps reliving the same 24 hour period (which in this case restarts at one minute past midnight, rather than midday as in the other versions). This version differs from the 1990 film in that it features a much lighter and more comedic tone, and that the protagonist ultimately finds a way to correct the time loop over the course of the film. This version was released on DVD in the United States on November 28, 2006.******.…

Condizione: New. PRINT ON DEMAND pp. 214.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Increasing numbers of young adults go to university. This book explores contemporary understandings of what universities are for, what impact they might be having on their students, and what visions of life and society are driving them. It criticises a narrow view of higher education which focuses on serving the economy. It argues that, for the sake of the common and individual good, universities need to be about forming citizens and societies as well as being an economic resource. It does so in the light of theological perspectives mainly from the Christian but also from the Muslim faith, and has a global as well as a British perspective. It brings together key thinkers in theology and higher education policy - including Rowan Williams, David Ford, Mike Higton, and Peter Scott - to present a unique perspective on institutions which help shape the lives of millions.…