heckert virginia (109 risultati)

Condizione: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

hardcover. Condizione: very good. 384 pages; 8 3/4 x 11 1/4" Sticker removed from spine; light scuffing to rear board; bookplate on front pastedown; library pencil markings on copyright page; stamping on page edges; stickers on rear pastedown. Shipping will be extra for this heavy book, please inquire.

Paperback. Condizione: Very Good.

Condizione: New. Brand New.

Hardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

First edition. Softcover. 48 pages. Exhibition catalog for a show that ran September 9 through November 6, 2004 at The Print Center in Philadelphia. Text by Richard Burgin and Virginia Heckert. Includes numerous color and black and white images. A fine copy in wrappers. Signed and inscribed by Lynn on the title page.

Hardcover. Condizione: Very Good. First Edition. But for a split front paste-down, a sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear; not ex-library, with neither underlining nor highlighting anywhere. Black cloth and with white lettering to spine. Bright and shiny dust jacket, illustrated, showing only very minor wear, protected by a plastic coat, dust jacket not being price-clipped. Foreword by Judith Keller, then a long essay by Virginia Heckert, then an interview led by John Divola with Judy Fiskin. 21 pp. and then a several hundred plates, a note on the plates, a chronology, and a bibliography. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

hardcover. Condizione: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Trade Paperback. Condizione: New. Published to accompany the exhibition In Focus: Ed Ruscha, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from April 9 to September 29, 2013, this book focuses on Ruscha's photographic work, specifically the thirty-eight images he made for his 1965 photobook Some Los Angeles Apartments. Los Angelesâ"based contemporary artist Ed Ruscha is celebrated for his paintings, drawings, prints, and artistâs books, receiving widespread critical acclaim for more than half a century. Capturing the quintessential Los Angeles experience with its balance of the banal and the beautiful, his photobooks of the 1960sâ"such as Twentysix Gasoline Stations, Every Building on the Sunset Strip, Some Los Angeles Apartments, and Thirtyfour Parking Lotsâ"are known for their deadpan cataloguing of the cityâs functional architecture. This publication features thirty-eight Ruscha plates and an essay that traces the evolution of the artistâs thinking about his photographs initially as the means to the end of his self-published photobooks and eventually as works of art in and of themselves. Virginia Heckert contextualizes Ruschaâs photographs within the history of photographic documentation of vernacular architecture, using examples by such important photographers as Carleton Watkins, Eugà ne Atget, and Walker Evans, as well as contemporary photographers, many of whom have acknowledged Ruscha as an influence in their own depiction of the built environment.

Paperback. Condizione: new. Paperback. A new look at the work of Mario Giacomelli, one of Italy's foremost photographers of the twentieth century. Mario Giacomelli (19252000) was born into poverty and lived his entire life in Senigallia, a seaside town along the Adriatic coast in Italy's Marche region. He purchased his first camera in 1953 and quickly gained recognition for the raw expressiveness of his images. His preference for grainy, high-contrast film and paper produced bold, geometric compositions with glowing whites and deep blacks. Giacomelli most frequently focused his camera on the people, landscapes, and seascapes of the Marche, and he often spent several years expanding and reinterpreting a single body of work or repurposing an image made for one series for inclusion in another. By applying titles derived from poetry and literature to his photographs, he transformed ordinary subjects into meditations on time, memory, and existence. Spanning the photographer's earliest pictures to those made in the final years of his life, this publication celebrates the J. Paul Getty Museums extensive Giacomelli holdings, formed in large part through a significant gift from Daniel Greenberg and Susan Steinhauser. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 29 to October 10, 2021. A new look at the work of Mario Giacomelli, one of Italy's foremost photographers of the twentieth century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. First Edition. Light wear to edges of jacket with a few tiny marks. Interior clean and unmarked.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Oversize Hardback. Condizione: Very Good. Condizione sovraccoperta: Very Good. Light wear to cover with small tear at bottom of spine. 1/4" bump/tear to bottom edge of front cover. Light wear to dust jacket. 9 5/8"w x 11 5/8"h. 112 pages. 2.

Paperback. Condizione: Good. text in German, covers have minor wear, rubbing and chipping, corners lightly bumped, binding tight, no writing, 238 pages, exhibition of b&w photographs Size: 8.25 x 11.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. pp. 100 67 Illus. (11 Col.).

paperback. Condizione: very good(+). Numerous photographic illustrations in black & white and color. 384 pages. 4to, stiff pictorial wrappers. New York: Metropolitan Museum of Art/Harry N. Abrams, (1993). Slightly edgeworn. A very good(+) copy. Foreword by Philippe de Montebello. Published in conjunction with the 1993 exhibition of the same name at the Metropolitan Museum of Art.

Condizione: New.

Paperback. Condizione: New. Mario Giacomelli (1925-2000) was born into poverty and lived his entire life in Senigallia, a seaside town along the Adriatic coast in Italy's Marche region. He purchased his first camera in 1953 and quickly gained recognition for the raw expressiveness of his images. His preference for grainy, high-contrast film and paper produced bold, geometric compositions with glowing whites and deep blacks. Giacomelli most frequently focused his camera on the people, landscapes, and seascapes of the Marche, and he often spent several years expanding and reinterpreting a single body of work or repurposing an image made for one series for inclusion in another. By applying titles derived from poetry and literature to his photographs, he transformed ordinary subjects into meditations on time, memory, and existence. Spanning the photographer's earliest pictures to those made in the final years of his life, this publication celebrates the J. Paul Getty Museum's extensive Giacomelli holdings, formed in large part through a significant gift from Daniel Greenberg and Susan Steinhauser.

Softcover. Condizione: Near Fine. First edition. First edition. Softcover. Quarto. 48 pages, profusely illustrated from color and b/w photos. SIGNED BY LYNN.

28 x 21,5 cm ; kart. ; Condizione: Akzeptabel. XXII, 384 S. ; With a Foreword by Philippe de Montebello. Großformatige englischsprachige Paperbackausgabe, XXII, 384 Seiten mit zahlreichen Fotos. Eine Buchecke mäßig gestaucht, sonst gutes Exemplar (one Corner somewhat bumped, otherwise a good Copy). pwRegal-HH ISBN: 0870996622.

Paperback. Condizione: New. Mario Giacomelli (1925-2000) was born into poverty and lived his entire life in Senigallia, a seaside town along the Adriatic coast in Italy's Marche region. He purchased his first camera in 1953 and quickly gained recognition for the raw expressiveness of his images. His preference for grainy, high-contrast film and paper produced bold, geometric compositions with glowing whites and deep blacks. Giacomelli most frequently focused his camera on the people, landscapes, and seascapes of the Marche, and he often spent several years expanding and reinterpreting a single body of work or repurposing an image made for one series for inclusion in another. By applying titles derived from poetry and literature to his photographs, he transformed ordinary subjects into meditations on time, memory, and existence. Spanning the photographer's earliest pictures to those made in the final years of his life, this publication celebrates the J. Paul Getty Museum's extensive Giacomelli holdings, formed in large part through a significant gift from Daniel Greenberg and Susan Steinhauser.

Condizione: New.

Paperback. Condizione: Brand New. 1st edition. 100 pages. 10.20x8.10x0.40 inches. In Stock.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Softcover. Oblong. Softcover. Orange bw illustrated wraps. 90 pp., Catalogue illustrated and lists 62 photographs and 23 collages by this artist. Wonderful book - the works has a Surrealist bent to it, especially the collages. Franz Roh, a German art historian, critic and photographer who not only defined the European avant-garde between the wars, but whoas both critic and artistinfluenced the collective trends seen in much photo-based work today. Ubu Gallery's exhibition presents works largely from the 1930s, most of which are on view for the first time, and illuminates the possibilities of expression Roh coaxed from the photographic mechanism, particularly the negative print and the photomontage. Ranging from motifs of the female nude to the urban landscape to Surrealist-inflected collage, the works in Ubu's exhibition attest to both Roh's theoretical engagement with photography, as well as his singular take on a number of the experimental techniques which would define much of the "New Vision" in photography. VG. Light rubbing and wear around edges, otherwise clean and unmarked.