Henri zerner (195 risultati)

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Fair.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Binding tight and square, Pages are clean and unmarked.

Hardcover. Condizione: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

softcover. Condizione: Nearly fine copy. 1st. 8vo, 244 pp., Spine slightly faded, else fine. Well-illustrated (illustratore).

paperback. Condizione: Very Good.

Soft cover. Condizione: Very Good +. PAGES CLEAN AND UNMARKED. CREASE TO FRONT COVER.

Paperback. Condizione: Very Good. Condizione sovraccoperta: No Jacket as Issued. First Edition. A VERY GOOD, bright, clean, tight copy. PROLIFICALLY ILLUSTRATED in black-and-white photography of artworks with accompanying descriptive captions. "The history of Romanticism is.a history of redefinitions." Charles Rosen and Henri Zerner make this their springboard in their thoroughly refreshing and persuasive re-examination of the conceptual background to some of the major 19th century artistic movements, and to Romanticism and Realism, in particular. The early Romantic artists' crucial notion that their art was in permanent opposition to traditional authority, which helps us to undertand their shifting vision of Romanticism, has had its counterpart in the 20th century-the recent avant-garde having inherited it from their Romantic and Realist avant-garde predecessors." 244 pages. GH3.…

Paperback. Condizione: Good.

softcover. first thus. 8vo 195pp. first printing. see pictures for synopsis. #03300. Book G: soil/toning to wraps, mild shelf wear, name FFEP, tears to top corner of front endpapers, some underlining/highlighting, binding tight.

Condizione: acceptable. This book is in Acceptable condition. All pages are intact, but may have lots of notes, water damage or other issues and be ex library.

Paperback. Condizione: Very Good. Italian Art, 1500-1600: Sources and Documents This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. Good Hardcover with Dustjacket, ex-library with some markings.

Paperback. Condizione: Very Good. 1st. [35], 83 pages, illustrations, facsimiles, portraits; 26 cm. Exhibition held Museum of Art, Rhode Island School of Design, Providence, February 28 to March 29, 1968; Art Gallery of Ontario, Toronto, April 6 to May 5, 1968. Firm binding, clean text. Previous owner's name/title page, otherwise unmarked. *** CONTENTS: Introductory essay and drawing entries by Henri Zerner; chronology and painting entries by David S. Brooke; print section by Michael Wentworth. Size: 4to.…

Paperback. Condizione: Very Good. 1st. xviii, 195 pages, illustrations; 23 cm. Firm binding, clean inside copy. Light edgewear to wraps, age toning. Another copy available. Size: 8vo.

Paperback. Condizione: Very Good. Book has faint rubbing and smudging to covers with light fading to spine area, light wear to edges, a small bend to back cover outer bottom corner. otherwise in great condition, strong binding, bright pages with unmarked text/photos; an overall sturdy, attractive copy with clean interiors.…

paperback. Condizione: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. London, 1984; black cloth covered boards; mild shelf wear; illustrated jacket with mild edge wear; 8vo, 7 3/4" to 9 3/4" tall; interior is clean and unmarked; 244 pages. Well-illustrated (illustratore).

Softcover. Condizione: Good. Spine is cocked and has light edge wear. Covers have a few touches of slight edge wear. Name/word in ink partially erased from the title page. ; Approx. 8 1/2" wide by 10". Illustrated with 83 black and white plates, most are full page. Exhibition also held in The Art Gallery of Ontario in Toronto.…

Paperback. Condizione: Good. First Edition. Markings.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. 1st. xviii, 195 pages, illustrations; 23 cm. Tight, clean copy. Age toning. *** "Italian Art, 1500-1600 provides a unique view of the development of the literature on art in Italy during the Cinquecento. The selections bring out the close relationship between art theories and the actuality of art and chart a trend from a humanistic orientation to a more technical and professorial one. The documents and commentary reveal the effects that humanistic circles, the courts, and the Church--during the Renaissance and the Counter-Reformation--had on the way people wrote and thought about art." - Publisher. Size: 8vo.…

Soft cover. Condizione: Near Fine. Pbk, 244pp, illustr in b+w, faint crease to lower front corner tip, sunning to spine, optherwise appears unread and internally an excellent, clean, tight and unmarked text.