Henrike hans (73 risultati)

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback or Softback. Condizione: New. Canon and Cobbler: A Reformation Dialogue in German, Dutch, and English. Book.

Paperback. Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New.

Condizione: New.

Cloth. Condizione: Near Fine. Condizione sovraccoperta: No Jacket, As Issued. 208 pages. Color illustrations. Minor rubbing and wear to the cover and edge. Illustrated boards. Text is in German and English. Published on the occasion of the exhibition from the Museum Pfalzgalerie Kaiserslautern 5 May-9 September 2018. Selected Bibliography and Biography. Book.…

Hardcover. 30 S.,ehemaliges Büchereibuch= in Folie eingebunden,Stempel,Ausleihkartentasche,dennoch guter Zustand. Poppel Hans (illustratore).

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Taschenbuch. Condizione: Neu. Neuware - The Dialogue on Greed is the last Reformation dialogue published in 1524 by Hans Sachs (1494-1576), the Nuremberg shoemaker, prolific playwright, poet, and Meistersinger. In the text, the Catholic monk 'Romanus' and the Protestant merchant 'Junker Reichenburger' argue about the legitimacy of making profit with a liberal use of biblical references. Despite his own clear Protestant tendencies, Sachs has the monk draw a convincing picture of the malpractices of greedy merchants who misuse their new-won Protestant freedom to excuse themselves from any charitable work and take advantage of precariously employed workers.The volume brings together an introduction which places this dialogue in the historical context of Nuremberg, the first imperial city which only one year later openly declared its alliance to Martin Luther - not least because of pamphleteers such as Hans Sachs, with a discussion of the topic of greed which looks at the prehistory of the term as one of the seven deadly sins. An analysis of how the GDR responded to this as the self-proclaimed socialist German state forms the second part. The third part looks at the publishing history and then follows the way of the pamphlets into Oxford. A short practical guide on how to read the Early New High German texts closes the introduction.The edition comprises a new edition of the German text, based on the 1524 Nuremberg edition of the dialogue in the copy of the Bodleian Library, with linguistic footnotes and a new English translation which references the copious quotations from the Bible by Hans Sachs. This is followed by a facsimile of the whole pamphlet.The edition is part of the Reformation Pamphlet series of the Taylor Institution Library in Oxford which aims to make the treasures of the library accessible via open access editions on https: //editions.mml.ox.ac.uk/ and to bring together interdisciplinary expertise on different aspects of these historic holdings. Previous volumes have traced the success of Martin Luther's writings since the publication of the 95 Theses throughout the early 1520s, particularly his 1520 treatise Von der Freiheit eines Christenmenschen (On Christian Freedom) and the 1522 translation of the New Testament, and have also already published the first of Sachs's four Reformation dialogues.This edition introduces this work, until now not available in modern English translation, to historians, theologians and linguists through richly annotated editions and translation. The volume shows Sachs as an avid reader of Martin Luther's works and as an active translator himself. Furthermore, the illustrations throughout the volume and the facsimile at the end of the book give an insight into the material culture and history of Reformation rhetoric and its reception throughout history and in particular in the GDR.…

Gebunden. Condizione: Neu. +++ BESCHREIBUNG +++ Mit Beiträgen von: Henrike Hans (Hans Hoffmanns Modellstudien); Britta E. Buhlmann (Die Landschaften um Saint-Tropez);Mindy Friedman (Hans Hofmann - Meister der Zeichnung); Chika Jenkins (Die Synthes verschiedener Perspektiven) +++ LIEFERZEIT +++ Lieferzeit ca. 3 - 6 Werktage.…

Paperback. Condizione: new. Paperback. The Dialogue on Greed is the last Reformation dialogue published in 1524 by Hans Sachs (1494-1576), the Nuremberg shoemaker, prolific playwright, poet, and Meistersinger. In the text, the Catholic monk 'Romanus' and the Protestant merchant 'Junker Reichenburger' argue about the legitimacy of making profit with a liberal use of biblical references. Despite his own clear Protestant tendencies, Sachs has the monk draw a convincing picture of the malpractices of greedy merchants who misuse their new-won Protestant freedom to excuse themselves from any charitable work and take advantage of precariously employed workers.The volume brings together an introduction which places this dialogue in the historical context of Nuremberg, the first imperial city which only one year later openly declared its alliance to Martin Luther - not least because of pamphleteers such as Hans Sachs, with a discussion of the topic of greed which looks at the prehistory of the term as one of the seven deadly sins. An analysis of how the GDR responded to this as the self-proclaimed socialist German state forms the second part. The third part looks at the publishing history and then follows the way of the pamphlets into Oxford. A short practical guide on how to read the Early New High German texts closes the introduction.The edition comprises a new edition of the German text, based on the 1524 Nuremberg edition of the dialogue in the copy of the Bodleian Library, with linguistic footnotes and a new English translation which references the copious quotations from the Bible by Hans Sachs. This is followed by a facsimile of the whole pamphlet.The edition is part of the Reformation Pamphlet series of the Taylor Institution Library in Oxford which aims to make the treasures of the library accessible via open access editions on / and to bring together interdisciplinary expertise on different aspects of these historic holdings. Previous volumes have traced the success of Martin Luther's writings since the publication of the 95 Theses throughout the early 1520s, particularly his 1520 treatise Von der Freiheit eines Christenmenschen (On Christian Freedom) and the 1522 translation of the New Testament, and have also already published the first of Sachs's four Reformation dialogues.This edition introduces this work, until now not available in modern English translation, to historians, theologians and linguists through richly annotated editions and translation. The volume shows Sachs as an avid reader of Martin Luther's works and as an active translator himself. Furthermore, the illustrations throughout the volume and the facsimile at the end of the book give an insight into the material culture and history of Reformation rhetoric and its reception throughout history and in particular in the GDR. Hans Sachs (14941576) published four Reformation dialogues in 1524 of which this is the last, taking the question of 'What is good Protestant?' to a new level in having the monk 'Romanus' and the merchant 'Reichenburger' discuss the practical consequences of 'Christian Freedom' as proposed by Martin Luther in his 1520 eponymous treatise. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Taschenbuch. Condizione: Neu. Neuware -Pioneers of modernism the powerful women of the Blue RiderAnyone who thought they knew the Blue Rider well will be set straight by this volume: now it s the women of this artists group who take centre stage. Their significant contribution to the avant-garde is celebrated alongside their courage in defying social conventions. The publication describes thirteen fascinating artist biographies well worth discovering.Gabriele Münter and Marianne von Werefkin have entered the canon of German modernism, but who were their fellow women artists Through individual portraits and wide-ranging essays, this book re counts how the women of the Blue Rider group fought for artistic independence even in the most adverse of circumstances, creating international networks and pursuing their own artistic methods. More than 150 works show their revolutionary approach to art and its distinct way of engaging with the world. 336 pp. Englisch.…

Taschenbuch. Condizione: Neu. Neuware -Pioneers of modernism the powerful women of the Blue RiderAnyone who thought they knew the Blue Rider well will be set straight by this volume: now it s the women of this artists group who take centre stage. Their significant contribution to the avant-garde is celebrated alongside their courage in defying social conventions. The publication describes thirteen fascinating artist biographies well worth discovering.Gabriele Münter and Marianne von Werefkin have entered the canon of German modernism, but who were their fellow women artists Through individual portraits and wide-ranging essays, this book re counts how the women of the Blue Rider group fought for artistic independence even in the most adverse of circumstances, creating international networks and pursuing their own artistic methods. More than 150 works show their revolutionary approach to art and its distinct way of engaging with the world. 336 pp. Englisch.…

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condizione: Neu. Neuware - Pioneers of modernism the powerful women of the Blue RiderAnyone who thought they knew the Blue Rider well will be set straight by this volume: now it s the women of this artists group who take centre stage. Their significant contribution to the avant-garde is celebrated alongside their courage in defying social conventions. The publication describes thirteen fascinating artist biographies well worth discovering.Gabriele Münter and Marianne von Werefkin have entered the canon of German modernism, but who were their fellow women artists Through individual portraits and wide-ranging essays, this book re counts how the women of the Blue Rider group fought for artistic independence even in the most adverse of circumstances, creating international networks and pursuing their own artistic methods. More than 150 works show their revolutionary approach to art and its distinct way of engaging with the world.…

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condizione: New.

Condizione: New.

Hardcover. Condizione: gut. 2006. Was erleben wir im Kino? Und wann weinen wir? Ähnelt die Filmwahrnehmung dem Traum? Achtzehn führende Film- und Kulturwissenschaftler, Psychologen, Psychoanalytiker und Gehirnforscher untersuchen diese und weitere Fragen. Das Buch vermittelt einen interdisziplinären Blick auf den Traum, Verdrängung, Rausch, Narzissmus und die Schaulust. Mit Beiträgen von Borwin Bandelow, Horst Bredekamp, Elisabeth Bronfen, Antonio Damasio, Régine-Mihal Friedman, Henrike Hölzer, Lutz Jäncke, Gertrud Koch, Wolfgang Leuschner, Thomas Macho, Ramón Reichert, Andreas Rost, August Ruhs, Karl Sierek, Nils Warnecke, Mai Wegener, Hans Jürgen Wulff und Patrick Kruse, Mechthild Zeul sowie Interviews mit Michael Haneke, Ken Jacobs, Benoît Jacquot. AutorKristina Jaspers, geb. 1969, Studium der Kunstgeschichte und Philosophie, seit 2001 Kuratorin der Deutschen Kinemathek Museum für Film und Fernsehen, Berlin. Ein wichtiger Beitrag zur interdisziplinären Bildwissenschaft "Durch die Integration der aktuellen Hirnforschung in einen psychologischen sowie kunst- und filmwissenschaftlichen Diskurs resümiert das Buch nicht nur ein Jahrhundert Kinogeschichte, sondern auch die experimentellen Versuche der Beeinflussung und Analyse des menschlichen Bewusstseins von der Hypnose über die psychoanalytische Gesprächstherapie bis zu den gegenwärtigen bildgebenden Verfahren, die Denkprozesse in Farbenspiele umwandeln und so zu entschlüsseln versuchen. Damit kommentiert und erweitert das Buch nicht nur die Ausstellung, sondern ist darüber hinaus ein wichtiger Beitrag zur interdisziplinären Bildwissenschaft." (S. Marschall) Renommierte Kultur- und Naturwissenschaftler untersuchen die filmische Darstellung von Traum- und Rauscherlebnissen, Gedächtnisverlust, gespaltenen Persönlichkeiten und anderen psychischen Ausnahmeerscheinungen. Vom Stummfilm bis in die Gegenwart zu Michel Gondys The Science of Sleep (2006) reicht die Liste der Filmbeispiele. Schön gestaltet, reich bebildert. "Kino im Kopf. Psychologie und Film seit Sigmund Freud." So hiess die Ausstellung, die gut vierzehn Monate lang Besucher ins Berliner Museum für Film und Fernsehen lockte. Ich muss mich leider mit dem Buch begnügen. Das ist zwar schade, aber nicht so schlimm, weil ich wenigstens einen grossen Teil der im Buch angesprochenen Bilderwelten kenne. Wer nicht zu den Filmfreaks gehört und auch nicht im Museum war, dem wird dieses Buch wahrscheinlich weniger Freude bereiten. Denn die meisten Autoren gehen ungesagt davon aus, dass die Leser ihrer Texte das Referenzmaterial vor Augen haben. Und irgendwie wurde ich bei der Lektüre dieses Buches das Gefühl nicht los, dass seine Herausgeber ebenfalls der Meinung sind, die Leser seien allesamt Filmliebhaber oder hätten die Ausstellung besucht. Denn trotz redlichen Bemühungen gelingt es nur halb, den roten Faden zwischen den verschiedenen Beiträgen zu spinnen. Der Untertitel weckte zumindest die Erwartung, Sigmund Freud stehe nicht so im Zentrum, wie es tatsächlich der Fall ist. Wenigstens ein Aufsatz, der sich mit den Archetypen von C.G. Jung beschäftigt, würde zur Pflicht gehören. Gegliedert ist der Band in die drei Teile Prolog, Beziehungen und Phänomene. Auf den ersten Blick ist dies ein Ordnungsmuster, das Klärung verspricht. Aber nach der Lektüre erscheinen mir die gesetzten Wegweiser doch etwas willkürlich. Und auch das Versprechen, es würden die aktuellsten neurologischen Erkenntnisse in die Analysen einfliessen, wird nur ungenügend eingelöst. Selbst wenn der Aufsatz von Antonio Damasio zu den Glanzlichtern gehört. Mein Fazit: Ich bin froh, dass es zu einer Ausstellung, die ich gerne gesehen hätte, wenigstens ein dickes, schön gemachtes und facettenreiches Buch gibt. Zeichensprachen des Films menschliche Psyche Ausstellungskataloge Film Berlin Museen Filmmuseum Deutsche Kinemathek Filmwissenschaft Freud Sigmund Gehirnforschung Musik Theater Psychoanalyse Psychologie Zusatzinfo durchg. vierfarb. Sprache deutsch Maße 210 x 270 mm Einbandart gebunden Kunst Musik Theater Film TV Ausstellungskataloge Film Berlin Museen Filme Filmmuseum Berlin Deutsche Kinemathek Filmwissenschaft Freud, Sigmund Gehirnforschung Sachbücher Musik Film Theater Filmwissenschaft Nachschlagewerke Psychoanalyse Psychologie ISBN-10 3-86505-173-1 3865051731 ISBN-13 978-3-86505-173-8 9783865051738 In deutscher Sprache. 176 pages. 27,4 x 21,6 x 2,4 cm.…

Paperback. Condizione: New.

Condizione: New.