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  • Lingua: Inglese

    Editore: Yale University Press, 1992

    0300050682 / 9780300050684

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    Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.

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    Lingua: Inglese

    Editore: Yale University Press, 1992

    0300050682 / 9780300050684

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    Hardcover. Condizione: Fine. 1st Edition. Fauve Painting The Making of Cultural Politics Green Cloth Boards w Yellow End Pages HB/DJ Fine / Fine.

  • Lingua: Inglese

    Editore: Yale University Press, 1992

    0300050682 / 9780300050684

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    Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. Text clean and tight; 8vo 8" - 9" tall; 208 pages.

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    Lingua: Inglese

    Editore: Yale University Press, 1992

    0300050682 / 9780300050684

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    Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good.

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    Paperback. Condizione: Very Good. Minor shelf wear, binding tight, pages clean and unmarked. This collection presents, for the first time, a much-needed synthesis of the major research themes and findings that characterize the Woodland Period in the southeastern United States.The Woodland Period (ca. 1200 B.C. to A.D. 1000) has been the subject of a great deal of archaeological research over the past 25 years. Researchers have learned that in this approximately 2000-year era the peoples of the Southeast experienced increasing sedentism, population growth, and organizational complexity. At the beginning of the period, people are assumed to have been living in small groups, loosely bound by collective burial rituals. But by the first millennium A.D., some parts of the region had densely packed civic ceremonial centers ruled by hereditary elites. Maize was now the primary food crop. Perhaps most importantly, the ancient animal-focused and hunting-based religion and cosmology were being replaced by solar and warfare iconography, consistent with societies dependent on agriculture, and whose elites were increasingly in competition with one another. This volume synthesizes the research on what happened during this era and how these changes came about while analyzing the period's archaeological record.In gathering the latest research available on the Woodland Period, the editors have included contributions from the full range of specialists working in the field, highlighted major themes, and directed readers to the proper primary sources. Of interest to archaeologists and anthropologists, both professional and amateur, this will be a valuable reference work essential to understanding the Woodland Period in the Southeast.

  • Lingua: Inglese

    Editore: Yale University Press, New Haven, CT, 1992

    0300050682 / 9780300050684

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    Da: Caffrey Books, Oundle, Regno UnitoCaffrey Books

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    Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Very Good/Very Good. Unread condition.

  • Lingua: Inglese

    Editore: Yale University Press, 1992

    0300050682 / 9780300050684

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    Condizione: Bueno. Fauve Painting: The Making of Cultural Politics, de James D. Herbert, es un análisis profundo sobre cómo el movimiento fauvista transformó la expresión artística a principios del siglo XX, vinculando el color y la forma con debates culturales y políticos de su época. Este libro, identificado con el ISBN 9780300050684, ofrece una perspectiva académica rigurosa que examina las obras de los principales artistas del grupo, como Matisse o Derain, dentro de su contexto histórico y social. Dirigido a estudiantes de historia del arte, profesionales del sector y lectores con interés en las corrientes culturales, esta obra resulta esencial para comprender la relevancia del fauvismo más allá de su estética. Una lectura enriquecedora que conecta la pintura con las tensiones ideológicas de su tiempo, aportando claves para interpretar la modernidad artística.

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    The six items in good condition, on lightly-aged paper. ONE: Typed Letter Signed to Carter, in English, from Miss Dr. D. van Velden, curator. On letterhead of the Rijksmuseum Meermanno-Westreenianum. 22 March 1966. 1p., 12mo. Giving details of the opening hours. TWO: Typed Letter Signed to Carter from E. A. Lowe. On letterhead of the Institute for Advanced Study, Princeton, New Jersey. 25 January 1969. 'If there are any new developments re Stanley Morison, I hope you will keep me posted. Some one sent me Brooke Crutchley's Two Men. There was no card so I do not know to whom I am indebted. [.] Do you recall our dinner at the Garrick Club when I astonished you and Morison by ordering steak tartare. What a delightful occasion! I cannot tell you how I miss S. M.' THREE: Copy of Carter's typed reply to Item Two. 1p., 4to. 3 February 1969. The second paragraph begins: 'The Morisonians are at work.' and notes activities by Nicolas Barker, Brooke Crutchley, S. H. Steinberg ('who died last week to our great loss') and James Moran. 'Last night there was an excellent BBC programme organised by Douglas Cleverdon and Nicolas Barker, which included some superb recordings of Morison's own voice. I believe a transcript of this is being prepared for those specially interested and if so I will get a copy for you.' He ends in the hope that Lowe will be able to visit England in May. 'Fredson Bowers is coming to collect his medal and we shall lay on some suitable ceremony - a dinner if I have my way - for him and Graham Pollard; to which your presence would add an immense eclat, besides giving much pleasure to your friends.' FOUR: Autograph Letter Signed to Carter from James Moran. On his letterhead, 13 Chesterford Gardens, London. 1p., 4to. He writes, as a Governor of St Bride's, to ask if Carter 'would be prepared to allow your name to be added to an appeal to establish a Beatrice Warde Memorial Lecture Fund. We are asking some thirty distinguished people on both sides of the Atlantic to sign the appeal'. He is enclosing a draft (Item Five). FIVE: Duplicated Typed circular enclosed with Item Four, headed 'Beatrice Warde Memorial Lecture Fund Appeal'. 1p., 8vo. Moran has written 'Draft' at the head of the head. SIX: Copy of Typed Letter from Nicolas Barker to H. R. B. Hamilton of Messrs Crane & Hawkins, London. 6 May 1971. 2pp., 8vo. Headed 'MRS. B. L. B. WARDE DEC'D'. The letter begins: 'As agreed on the telephone, I am writing to make a proposal to you about the future of that part of the papers and possessions of Mrs. Warde that were deposited with me, as suggested by the memorandum drawn up by Mr. Jones and Miss Clutton of the Monotype Corporation (I enclose a copy). From this you will see that three items, numbers 4, 10 and 20 were put in my hands. The value assigned to them for a total off $250. I would like to offer to buy these papers from the Estate, so that they may be kept with the other main Morison archive, which is partly in my possession and partly in that of the Literary Executors of Morison's Estate and the Cambridge University Press. As I told you, it is my hope that the complete archive will be deposited in the Cambridge University Library. [.]' The letter continues with reference to the valuation. Barker has copied in Crutchley, Jones and Carter, the last of whom he proposes as a valuer at Sotheby's.