herbert ross director (21 risultati)

Program. Condizione: Near Fine. 1st Edition. Offered is an original four-page Advance Screening Program for the film "Max Dugan Returns" (Directed by Herbert Ross; the Cast includes Marsha Mason, Jason Robards, Donald Sutherland, and Matthew Broderick) Produced and Released by Twentieth Century Fox-Film Corporation (as stated) and published in 1983, the year the film was released. A quality, glossy left-folded program printed on medium-stock and containing four pages, with each page measuring 9" by 11-1/2". With a splendid illustration to the front cover; the interior two pages contain The Cast and The Credits; the rear page contains the small 20th Century Fox logo (there are no photos). The lightest of corner wear.

107 minutes. NTSC. Starring: Christopher Walken, Jessica Harper, John Mcmartin, Steve Martin, Bernadette Peters. One DVD in publishers tray case with insert. Light wear. Plays well.

Poster. Condizione: Good. Movie poster measures 29.5 by 40 inches & 75 by 101.5 cms approx.Co Starring: Michael Redgrave. Some old sellotape marks & sellotape still present on front of movie poster around poster edges to bottom l/h corner and top left hand corner. Centrefold creases. Biro writing on rear. Else good +.

Vintage photograph of Shirley Maclaine from the 1977 film. A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s, in which MacLaine and Bancroft play former dance colleagues whose lives have gone separate ways (one became and professional dancer, the other a settled domestic life), and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards, including Best Picture, Best Director, and Best Screenplay. Shot on location in Oklahoma City. 8 x 10 inches. Near Fine. Grant US. Selby US. Silver Classic Noir. Spicer US.

No Binding. Condizione: Good. 1st Edition. Original film poster measuring 27" by 41" folded three times (mailed for theatre use). Containing a large, colored illustration of the actors who starred in the film (Alan Alda, Michael Caine, Bill Cosby, Jane Fonda, Walter Matthau, Elaine May, Richard Pryor, and Maggie Smith), with film credits below. As stated in red, "The best two-hour vacation in town!" Condition: "Regency [Theatre] 12/20 [1978]" written in pen to the lower right corner (presumably the theatre that displayed the poster); short closed tears to the edge folds; wear along the folds; small hole to lower margin; short tape remnant to lower right corner. Still, colors are vivid and poster will look nice framed.

Vintage borderless studio still photograph from the 1980 film, showing actors Alan Bates and George De La Pena reclining in ruins. A dramatization of the life of legendary Polish ballet dancer and choreographer Vaslav Nijinsky, focusing on the dancer's repression of his own homosexuality due to his drive for success, and subsequent descent into mental illness near the end of his life. Loosely based on Nijinsky's personal diaries, which were heavily bowderlized and published by his widow, Romola de Pulszky, in 1936, as well as Pulszky's 1934 biography of the dancer. 8 x 10 inches. Very Good plus. Olive Films 347.

Vintage reference photograph from the 1975 film, showing actor James Caan. Based on the life and career of Fanny Brice, focusing on her relationship with writer and impresario Billy Rose. The final project of cinematographer James Wong Howe, who came out of retirement to work on the film and received an Academy Award nomination for his efforts. Brice worked in show business as an illustrated song model, comedian, burlesque dancer, theatre and film actress from 1908 until her death in 1951. Her biggest claim to fame was the top-rated radio comedy show "The Baby Snooks Show." She was married three separate times, the final time in 1929 to Billy Rose, who was a songwriter and showman, a major force in entertainment for many decades. Set in New York, shot on location in California and New Jersey. 8 x 10 inches. Near Fine. Twilight Time 125.

Four vintage studio still photographs from the 1982 film. Based on the 1979 play, following a Hollywood screenwriter who abandoned his family 16 years earlier, now pursued by his teenage daughter who desires his help in securing an acting career. Set in Los Angeles. Three 8 x 10.5 inches, with one 8 x 10 inches. Fine.

Vintage program for the 1977 film. A fictionalized account of the tumultuous friendship between ballerinas Isabel Mirrow Brown and Nora Kaye. Nominated for ten Academy Awards. 9 x 12 inches. Eight leaves, saddle stapled, with a laid in bifold sheet. About Near Fine.

Vintage press kit for the 1980 film. Full-color illustrated pocketed folder, containing 12 black and white photographs, and 5 gatherings of promotional reading material. A dramatization of the life of legendary Polish ballet dancer and choreographer Vaslav Nijinsky, focusing on the dancer's repression of his own homosexuality due to his drive for success, and subsequent descent into mental illness near the end of his life. Loosely based on Nijinsky's personal diaries, which were heavily bowderlized and published by his widow, Romola de Pulszky, in 1936, as well as Pulszky's 1934 biography of the dancer. Folder, photographs, and promotional material Near Fine. Olive Films 347.

Draft script for the 1977 film. Presumed estimating script, with "Budgeting" in manuscript ink on the front wrapper. Notations in manuscript blue and black ink throughout. A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s, in which MacLaine and Bancroft portray former dance colleagues whose lives have gone separate ways (one becomes a professional dancer, the other a settled domestic woman), and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards, including Best Picture, Best Director, and Best Screenplay. Mustard titled wrappers, noted as "Budgeting" on the front wrapper. Title page present, dated 3/2/76, with a credit for screenwriter Laurents. 116 leaves, mechanical duplication. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

Revised Final Draft for the 1981 film. Copy belonging to an unknown crew member, with their name in manuscript pencil annotation on the front wrapper. One of Steve Martin's earliest and most bizarre critical successes and, along with "The Singing Detective" (1986), the work for which the late Dennis Potter is best remembered. Potter's trademark dark sensibilities permeate the film's mood, punctuated by wildly complex, choreographed musical numbers. Nominated for three Academy Awards, including Best Screenplay. Set in Illinois. Goldenrod titled wrappers, noted as REVISED FINAL DRAFT on the front wrapper, rubber-stamped copy No. 27, dated October 22, 1980, with credits for director Herbert D. Ross and screenwriter Dennis Potter. Title page present, dated 10/22/80, noted as REVISED FINAL DRAFT, with credits for screenwriter Dennis Potter. 145 leaves, with last page of text numbered 143. Xerographic duplication, rectos only. Pages Very Good plus, wrapper Very Good plus, bound with two gold brads.

Revised Shooting script for the 1972 film. Based on Woody Allen's 1969 play. The predecessor of many films Allen would write and direct throughout the 1970s, in terms of shooting style, timing, romantic themes, and the actors involved. Allen had already directed two films at this point ("Take the Money and Run" in 1969 and "Bananas" in 1971), but "Play It Again, Sam" is significant in that it predicted the more substantive romantic comedies that would gain him broader acclaim. Orange pictorial titled wrappers, undated, noted as REVISED SHOOTING SCRIPT on the front wrapper. Title page present, undated, noted as REVISED SHOOTING SCRIPT, with credits for screenwriter and playwright Woody Allen. 121 leaves, with last page of text numbered 120. Xerographic duplication, rectos only. Pages and wrapper Very Good plus, with light dampstains on the leaves and wrappers lightly toned. Bound with two gold brads. Grant US.

Revised Final script for the 1977 film. A portrait of the second wave of feminism at its turning point in the late 1970s, about two former dancers whose lives have gone separate ways (one having become a professional dancer, the other a housewife), and whose unexpected reunion yields dramatic consequences. Nominated for eleven Academy Awards, including Best Picture, Best Director, and Best Screenplay. Shot on location in Oklahoma City. Green titled Twentieth Century-Fox wrappers, dated July 2, 1976. Title page present, dated July 2, 1976, noted as REVISED FINAL, with credits for screenwriter Arthur Laurents. 119 leaves, with last page of text numbered 118. Xerographic duplication on eye-rest green stock, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads. Housed in a custom cloth slipcase.

Vintage photograph of director Herbert Ross and actor Shirley Maclaine on the set of the 1977 film. Manuscript annotations on the verso. A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s, in which MacLaine and Bancroft play former dance colleagues whose lives have gone separate ways (one became and professional dancer, the other a settled domestic life), and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards, including Best Picture, Best Director, and Best Screenplay. Shot on location in Oklahoma City. 8 x 10 inches. Near Fine. Grant US. Selby US. Silver Classic Noir. Spicer US.

Collection of 18 vintage studio still photographs from the 1972 film. Based on Woody Allen's 1969 play. A comedy that is pretty difficult to overestimate. Even though it was not directed by Woody Allen, it was the template for the many great films he would subsequently write and direct in the 1970s, in terms of shooting style, timing, romantic themes, and the actors involved (the irrepressible trio of Allen, Keaton, and Roberts). Allen had already directed two films at this point ("Take the Money and Run" and "Bananas"), but this film is significant in that it predicted the more substantive romantic comedies that would later place him among the most important filmmakers of his era, notably "Annie Hall" (1977) and "Manhattan" (1979). Shot on location in California. 8 x 10 inches. Couple with light corner or edgewear, else Near Fine. Grant US.

Vintage borderless reference photograph of actors Woody Allen and Diane Keaton from the 1972 film. Based on Allen's 1969 play. The predecessor of many great films Allen would write and direct throughout the 1970s, in terms of shooting style, timing, romantic themes, and the actors involved. Allen had already directed two films at this point ("Take the Money and Run" in 1969 and "Bananas" in 1971), but this film is significant in that it predicted the more substantive romantic comedies that would later place him among the most important filmmakers of his era. 8 x 10 inches. Very Good plus overall. Grant US.

Vintage reference photograph from the 1989 film, showing actors Daryl Hannah and Dolly Parton. Stamps of Stills Press Agency on the verso, along with a mimeo snipe noting the film's title in French. Based on the 1987 play by Robert Harling, who also wrote the screenplay, about a group of women in a small southern community who help each other cope with loss and heartbreak. Set in northwestern Louisiana, in the fictional Chinquapin Parish, and shot on location in the town of Natchitoches. 9.5 x 7 inches. Near Fine.

Vintage borderless reference photograph of actor Woody Allen from the 1972 film. From the archive of film historian and author Joel Finler. Based on Allen's 1969 play. The predecessor of many films Allen would write and direct throughout the 1970s, in terms of shooting style, timing, romantic themes, and the actors involved. Allen had already directed two films at this point ("Take the Money and Run" in 1969 and "Bananas" in 1971), but this film is significant in that it predicted the more substantive romantic comedies that would later place him among the most important filmmakers of his time. 10 x 8 inches. Very Good plus overall. Grant US.

Vintage borderless photograph of actor Woody Allen from the 1972 film. With a printed mimeo snipe affixed to the verso. Based on Allen's 1969 play. The predecessor of many great films Allen would write and direct throughout the 1970s, in terms of shooting style, timing, romantic themes, and the actors involved. Allen had already directed two films at this point ("Take the Money and Run" in 1969 and "Bananas" in 1971), but this film is significant in that it predicted the more substantive romantic comedies that would later place him among the most important filmmakers of his era. 10 x 7.5 inches. Very Good plus overall. Grant US.

Vintage reference photograph of choreographer and director of musical numbers, Herbert Ross, with a line of 15 girls in bikinis, from the casting of the 1968 film. Ross had previously worked with Streisand in her Broadway debut, in "I Can Get It for You Wholesale" (1962). 1967 "Columbia Pictures Corp." stamp on verso. Based on the 1964 musical, with music by Julie Stein, lyrics by Bob Merrill, and book by Isobel Lennart, which was based on Lennart's 1964 biography, detailing the life of Broadway star Fanny Brice, and her tumultuous relationship with playboy Nick Arnstein. Lennart also adapted the work for the screen. The film debut of Barbra Streisand, reprising her Tony nominated Broadway role. Streisand would go on to win an Academy Award for Best Actress, and the film would be nominated for seven others, including Best Supporting Actress for Kay Medford, and Best Picture. Set in New York, shot on location in California, New York, and New Jersey. 8 x 10 inches. Near Fine.