Hardcover. Condizione: Near Fine. No Jacket. 1st Edition. Rachel Lachowicz. Melrod, George; Jones, Amelia; Hernandez, Jillian. Marquand Books, Incorporated (2013) 128p. oversized hardcover no dust jacket, boards clean/square/scratches/scuffs back board, tight binding, text clean/unmarked, near fine condition----ISBN 10: 0988227525ISBN 13: 9780988227521--24.00.
Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Da: Bibliomonster Books, Rancho Cucamonga, CA, U.S.A.
hardcover. Condizione: As New. Used hardcover like new. No underlining, tears, highlighting, or marginalia. A clean sound and serviceable copy.
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
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Aggiungi al carrelloPaperback. Condizione: New. Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying "excessive" styles that are presumed to indicate sexual deviance. In Aesthetics of Excess Jillian Hernandez examines how middle-class discourses of aesthetic value racialize the bodies of women and girls of color. At the same time, their style can be a source of cultural capital when appropriated by the contemporary art scene. Drawing on her community arts work with Black and Latina girls in Miami, Hernandez analyzes the art and self-image of these girls alongside works produced by contemporary artists and pop musicians such as Wangechi Mutu, Kara Walker, and Nicki Minaj. Through these relational readings, Hernandez shows how notions of high and low culture are complicated when women and girls of color engage in cultural production and how they challenge the policing of their bodies and sexualities through artistic authorship.
Prima edizione
Hardcover. Condizione: Near Fine. No Jacket. First Edition. 4to - over 9¾" - 12" Tall (square). Near Fine condition, without dust jacket as issued. Clean interior. Little to no shelf or handling wear.
Lingua: Inglese
Editore: Duke University Press 11/6/2020, 2020
ISBN 10: 1478011106 ISBN 13: 9781478011101
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condizione: New. Aesthetics of Excess: The Art and Politics of Black and Latina Embodiment. Book.
Da: California Books, Miami, FL, U.S.A.
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Da: Brook Bookstore On Demand, Napoli, NA, Italia
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Da: Majestic Books, Hounslow, Regno Unito
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Aggiungi al carrelloCondizione: New. pp. 320.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Duke University Press Books 2020-11-06, 2020
ISBN 10: 1478011106 ISBN 13: 9781478011101
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Aggiungi al carrelloCondizione: New. 2020. Paperback. . . . . .
Da: Ria Christie Collections, Uxbridge, Regno Unito
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Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. pp. 320.
Lingua: Inglese
Editore: Duke University Press Books, 2020
ISBN 10: 1478010053 ISBN 13: 9781478010050
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 30,27
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
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Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Da: Kennys Bookstore, Olney, MD, U.S.A.
Condizione: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.
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Aggiungi al carrelloPaperback. Condizione: Brand New. 312 pages. 9.00x6.00x0.75 inches. In Stock.
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Aggiungi al carrelloCondizione: NEW.
Da: moluna, Greven, Germania
EUR 32,08
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Aggiungi al carrelloCondizione: New. Analyzing the personal clothing, makeup, and hairstyles of working-class Black and Latina girls, Jillian Hernandez examines how cultural discourses of aesthetic value racialize the bodies of women and girls of color.Über den Autor.
Lingua: Inglese
Editore: Duke University Press Nov 2020, 2020
ISBN 10: 1478011106 ISBN 13: 9781478011101
Da: AHA-BUCH GmbH, Einbeck, Germania
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying 'excessive' styles that are presumed to indicate sexual deviance. In Aesthetics of Excess Jillian Hernandez examines how middle-class discourses of aesthetic value racialize the bodies of women and girls of color. At the same time, their style can be a source of cultural capital when appropriated by the contemporary art scene. Drawing on her community arts work with Black and Latina girls in Miami, Hernandez analyzes the art and self-image of these girls alongside works produced by contemporary artists and pop musicians such as Wangechi Mutu, Kara Walker, and Nicki Minaj. Through these relational readings, Hernandez shows how notions of high and low culture are complicated when women and girls of color engage in cultural production and how they challenge the policing of their bodies and sexualities through artistic authorship.
EUR 28,75
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Aggiungi al carrelloPaperback. Condizione: New. Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying "excessive" styles that are presumed to indicate sexual deviance. In Aesthetics of Excess Jillian Hernandez examines how middle-class discourses of aesthetic value racialize the bodies of women and girls of color. At the same time, their style can be a source of cultural capital when appropriated by the contemporary art scene. Drawing on her community arts work with Black and Latina girls in Miami, Hernandez analyzes the art and self-image of these girls alongside works produced by contemporary artists and pop musicians such as Wangechi Mutu, Kara Walker, and Nicki Minaj. Through these relational readings, Hernandez shows how notions of high and low culture are complicated when women and girls of color engage in cultural production and how they challenge the policing of their bodies and sexualities through artistic authorship.
Da: preigu, Osnabrück, Germania
EUR 36,80
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Aesthetics of Excess | The Art and Politics of Black and Latina Embodiment | Jillian Hernandez | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2020 | Duke University Press | EAN 9781478011101 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Da: California Books, Miami, FL, U.S.A.
EUR 114,42
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Aggiungi al carrelloCondizione: New.
EUR 116,25
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Aggiungi al carrelloHardback. Condizione: New. Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying "excessive" styles that are presumed to indicate sexual deviance. In Aesthetics of Excess Jillian Hernandez examines how middle-class discourses of aesthetic value racialize the bodies of women and girls of color. At the same time, their style can be a source of cultural capital when appropriated by the contemporary art scene. Drawing on her community arts work with Black and Latina girls in Miami, Hernandez analyzes the art and self-image of these girls alongside works produced by contemporary artists and pop musicians such as Wangechi Mutu, Kara Walker, and Nicki Minaj. Through these relational readings, Hernandez shows how notions of high and low culture are complicated when women and girls of color engage in cultural production and how they challenge the policing of their bodies and sexualities through artistic authorship.