hesse catherine (13 risultati)

Hardcover. Condizione: new. Lohr, Riley (illustratore). Hardcover. Gordon is a very confused little guy. Can you help him figure out what the word GOOD means? Goodness Gordon Gram is a book about the letter G and the word GOOD. It's a day in the life of Gordon! Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condizione: New. Lohr, Riley (illustratore).

Hardback. Condizione: New. Lohr, Riley (illustratore).

Soft cover. Condizione: Good. Published on the occasion of an exhibition at IVAM Centre Julio Gonzalez, Valencia 10 February - 4 April 1993. Some wear and a few creases on covers.

Hardcover. Condizione: Very Good. Eva Hesse (illustratore). 1st Edition. 1st Edition (YUP, 2006). Clean, bright, tight, unmarked copy with no rips or creases. Top corner is bumped. Quick, secure shipping with free delivery confirmation from Los Angeles bookstore. Photos available upon request. Shipping may be extra due to weight.

Hardcover. Condizione: new. Lohr, Riley (illustratore). Hardcover. Gordon is a very confused little guy. Can you help him figure out what the word GOOD means? Goodness Gordon Gram is a book about the letter G and the word GOOD. It's a day in the life of Gordon! Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardback. Condizione: New. Lohr, Riley (illustratore).

Hardcover. Condizione: new. Lohr, Riley (illustratore). Hardcover. Gordon is a very confused little guy. Can you help him figure out what the word GOOD means? Goodness Gordon Gram is a book about the letter G and the word GOOD. It's a day in the life of Gordon! Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Originalhardcover. Condizione: Gut. Vol. 77: 142 p., Vol. 78: 144 p., Vol. 79: 121 p., Vol. 80: 138 p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - leicht berieben, auf Hinterdeckel weist einen langen Kratzer auf, sonst guter Zustand / slightly rubbed, back cover has a long scratch, otherwise good condition. - Contents: BRENT HAYES EDWARDS The Literary Ellington CATHERINE JURCA Mildred Pierce, Warner Bros., and the Corporate Family GEOFFREY GALT HARPHAM The Hunger of Martha Nussbaum ANDREA FRISCH In a Sacramental Mode: Jean de Lérys Calvinist Ethnography TODD P. OLSON Pitiful Relics: Caravaggios Martyrdom of St. Matthew / LORNA HUTSON Civility and Virility in Ben Jonson SIRAJ AHMED The Theater of the Civilized Self: Edmund Burke and the East India Trials KATHRYN A. TUMA Cézanne and Lucretius at the Red Rock FORUM: CONTENTIONS OF AGE IN PAINTING RANDOLPH STARN Three Ages of Patina in Painting EILEEN CLEERE Dirty Pictures: John Ruskin, Modern Painters, and the Victorian Sanitation of Fine Art DARCY GRIMALDO GRIGSBY Afterthought: Patina, Painting, and Portentous Somethings / DEBARATI SANYAL A Soccer Match in Auschwitz: Passing Culpability in Holocaust Criticism RICARDO PADRON Mapping Plus Ultra: Cartography, Space, and Hispanic Modernity PAUL GORING John Bull, pit, box, and gallery, said No!: Charles Macklin and the Limits of Ethnic Resistance on the Eighteenth-Century London Stage MAURICE SAMUELS Realizing the Past: History and Spectacle in Balzacs Adieu CHRISTOPHER HERBERT Vampire Religion / FORUM: CRIMES, LIES, AND NARRATIVES KEN ALDER A Social History of Untruth: Lie Detection and Trust in Twentieth-Century America TODD HERZOG Crime Stories: Criminal, Society, and the Modernist Case History ISTVAN REV The Suggestion MARGARET OLIN Touching Photographs: Roland Barthess Mistaken Identification DANIEL COTTOM To Love to Hate. Sprache: Englisch Gewicht in Gramm: 550.

Hardback. Condizione: New. Lohr, Riley (illustratore).

Paper over boards, 8 3/8 x 10 1/4 in., 340 pp. Published on the occasion of the travelling exhibition, "Eva Hesse Drawing," curated by Catherine de Zegher and Elisabeth Sussman. Contributors include Mignon Nixon, Benjamin H.D. Buchloh, Bracha L. Ettinger, Kathryn A. Tuma, Briony Fer, Anne M. Wagner, and the curators. Issued without jacket. Very near fine.

83 pp.; 29.6 x 19.5 cm.; glue bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed; Reprint of issue no. 2 out of three published issues of Eau de Cologne, a magazine edited by gallerist Monika Sprüth focused on women in the artworld. Includes features on Meret Oppenheim, Christiane Meyer-Thoss, Sophie Taeuber-Arp, Louise Lawler, Jenny Holzer, Marianne Eigenheer, Nancy Dwyer, Annette Lemieux, Gretchen Bender, Anne Loch, Bettina Semmer, Jutta Koether, Ina Barfuss, Katharina Fritsch, and Susan Hiller ; "Louise Bourgeois : LAIR," by Stuart Morgan ; "Russische Konstruktivistinnen Die 'Anderen' der Anderen welt" by Jo-Anna Isaak ; an interview between Eva Hesse and Cindy Nemser ; "Desire" by Ulla Frohne ;"Speech Acts : Tokens of the 1980s," by Paul Taylor ; "If You're Successful Why Do You Feel Like a Fake," by Mary-Anne Staniszewski Interviews with Barbara Kruger, Barbara Jakobson, Iwona Blazwick, Catherine Lacey, Maureen Paley, Dorine Mignot, Marie-Claude Jeune, Adelina von Fürstenberg, Carmen Giminez, Maria Corall, Grazia Gunn, Mary Jane Jacob, Lisa Phillips, Linda Shearer, Bernice Rose, Joan Simons, Kathy Halbreich, Sue Grace, Katharina Schmidt, Marie-Luise Syring, Evelyn Weiss, and Marianne Stockebrand. Cover image by Barbara Kruger.Text in English and German. Very Good. Light rubbing of covers. 1 cm. tear to top layer of paper along lower edge of spine. Contents clean and unmarked.

Archive of 224 vintage borderless single weight keybook contact sheets and film stills, amounting to nearly 2000 numbered images, for the 1962 French-Italian film, here under the original French title. The entire film is represented in minute detail, along with test shots, set design shots, and many candid off-camera shots from the set. Brief cropping and numerical annotations in pencil throughout. Housed in original mailing envelope, noting on the front in manuscript red ink, "Cinedis" and "C.Hesse," the film distributor and still photographer, and "A refreuda" in manuscript red pencil. 153 photographs are keybook contact sheets, nearly all with 12 images per photograph (several with 36), each image with a series number, and photos crediting at the top the photo laboratory Tele-Photo, production studio France Cinema, film title, and photographer (Hesse, Beauvarlet). Remaining photographs are borderless film stills. Both photographers are credited on the keybook photos but went uncredited at the film's release. The archive also extensively features actress Dany Saval, in film scenes answering the phone, in heated moments with male cast members (including some stunningly low-lit images that echo film noir themes), showcasing the variety of hair and clothing styles seen on Saval throughout the film. Based on Annette Wademant's screenplay, one of twelve written by Wademant for director Boisrond. Bernard (Poiret) is a new publisher who falls in love with Sophie (Saval), but their foolish love nearly destroys them and his job. Keybook photos range from 8.25 x 10.75 to 9.25 x 11.75 inches, three slightly smaller, all but ten are 2-hole punched; film stills 7 x 9.25 inches. Very Good overall, with moderate curling, light edgewear, a handful with slight discoloration.