Hill errol g (23 risultati)

Paperback. Condizione: Good. Annotated. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience. Ex-Library.…

Paperback. Condizione: Very Good. Annotated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Softcover. Condizione: Very Good with no dust jacket. Sound binding. Clean, off-white pages. Wrappers have light handling wear. Contents: Hill, Caliban and Ariel: a study in black and white in American productions of The Tempest from 1945-1981. Behrendt, The cult of Dionysus and the Roman theatre: Dionysian iconography in a scenographic painting from the fourth Pompeian style. Clark, John Barrymore' Richard III. Milhous, The capacity of Vanbrugh's Theatre in the Haymarket. Stetz, The Two Noble Kinsmen on the twentieth century stage. Knapp and Kabialka, Shakespeare and the prince of Purpoole: the 1594 production of The Comedy of Errors at Gray's Inn Hall. Homan, Gilmore Brown and avant-garde Kansas THeatre, 1912-1916. Pálffy, George Bernard Shaw's reception in Hungary: the early years, 1903-1914. Speaight, Il diavolo Antonio. Oggel, Edwin Booth and Jervis McEntee: new materials at the University of Tulsa nad the Archives of American Art. Reviews. 9.0" tall; 165 pages. …

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9781873201145.

Condizione: Good. Volume 18. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:9780521624725. …

paperback. Condizione: New. Annotated. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

paperback. Condizione: Good. Used items may contain, highlighting, writing, and other previous signs of use. Used items may not contain CD's. access codes and other accompanying items when applicable.

Soft cover. Condizione: Near Fine. No Jacket. 2nd Edition. "First paperback edition 2005", "Third printing 2010", "Second Edition 2012" and "Reprinted 2004 (twice), 2013" stated. Near fine plus, if not fine wraps/608 page trade paperback. Only trivial signs of age/wear/previous use.

Condizione: As New. Unread book in perfect condition.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: New.

Paperback. Condizione: New. This is the first definitive history of African-American theatre. The text embraces a wide geography investigating companies from coast to coast as well as the anglophone Caribbean and African-American companies touring Europe, Australia, and Africa. This history represents a catholicity of styles - from African ritual born out of slavery to European forms, from amateur to professional. It covers nearly two and a half centuries of black performance and production with issues of gender, class, and race ever in attendance. The volume encompasses aspects of performance such as minstrel, vaudeville, cabaret acts, musicals and opera. Shows by white playwrights that used black casts, particularly in music and dance, are included, as are productions of western classics and a host of Shakespeare plays. The breadth and vitality of black theatre history, from the individual performance to large-scale company productions, from political nationalism to integration, is conveyed in this volume.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Volume, measuring approximately 6.5" x 9.5", is bound in black cloth, with stamped silver lettering to spine. Book and dust jacket are in fine condition. Jacket is preserved in mylar cover. xxiv/608 pages. "This definitive history of African-American theatre embraces companies from across the U.S., as well as the anglophone Caribbean and African-American companies touring Europe, Australia and Africa. Representing a catholicity of styles, from African ritual to European forms, amateur to professional, and political nationalism to integration, the volume covers all aspects of performance. It includes minstrel, vaudeville, and cabaret acts, as well as shows written by whites that used black casts.…

Paperback. Condizione: New.

Condizione: New.

Paperback. Condizione: new. New Copy. Customer Service Guaranteed.

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

Condizione: New. The first definitive account of African-American performance and theatre from slavery to the present. Series: Cambridge Studies in American Theatre and Drama. Num Pages: 634 pages, 43 b/w illus. BIC Classification: ASZC. Category: (P) Professional & Vocational. Dimension: 227 x 152 x 37. Weight in Grams: 998. . 2005. Paperback. . . . .…

Condizione: New. The first definitive account of African-American performance and theatre from slavery to the present. Series: Cambridge Studies in American Theatre and Drama. Num Pages: 634 pages, 43 b/w illus. BIC Classification: ASZC. Category: (P) Professional & Vocational. Dimension: 227 x 152 x 37. Weight in Grams: 998. . 2005. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Condizione: Brand New. 608 pages. 9.00x6.00x1.75 inches. In Stock.

Paperback. Condizione: New. This is the first definitive history of African-American theatre. The text embraces a wide geography investigating companies from coast to coast as well as the anglophone Caribbean and African-American companies touring Europe, Australia, and Africa. This history represents a catholicity of styles - from African ritual born out of slavery to European forms, from amateur to professional. It covers nearly two and a half centuries of black performance and production with issues of gender, class, and race ever in attendance. The volume encompasses aspects of performance such as minstrel, vaudeville, cabaret acts, musicals and opera. Shows by white playwrights that used black casts, particularly in music and dance, are included, as are productions of western classics and a host of Shakespeare plays. The breadth and vitality of black theatre history, from the individual performance to large-scale company productions, from political nationalism to integration, is conveyed in this volume.…

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This is the story of African-American performance and theatre from slavery to the present. Its breadth and vitality - from the individual performance to large-scale company productions, from political nationalism to integration - is conveyed in this volume. …