Hitzel frederic edited by (4 risultati)
- Brossura
Da: Smyrna Books, Kadikoy, KADIK, TurchiaSmyrna Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
EUR 45,02
EUR 14,50 spedizioneSpedito da Turchia a U.S.A.Quantità: 1 disponibili
Soft cover. Condizione: As New. Paperback pbo, in French and Turkish, b/w and color ills, 136 page, 29 x 25 cm.
- Brossura
Da: BOSPHORUS BOOKS, Istanbul, TurchiaBOSPHORUS BOOKS
Contatta il venditoreVenditore con 4 stelleCondizione: Nuovo
EUR 55,00
EUR 35,00 spedizioneSpedito da Turchia a U.S.A.Quantità: 1 disponibili
Soft cover. Condizione: New. HITZEL, FREDERIC (Edited by) Turkophilia revealed. Ottoman art in private collections = Turkophilia revelee. L'art Ottoman dans les collections privees. [Exhibition catalogue]. Paris: Sotheby's France, 2011. 4to., 100 p., color ills. In French and English. Paperback. New ISBN: 9782953661514 CATALOG:…Turkish & Islamic arts KEYWORDS: Ottoman art History of art Tile Ceramics Metalworking Textiles Silk Calligraphy Calligrapher Miniature Firman imperial Orientalism Painting Sothebys' Paris is to host "Turkophilia Revealed", a stunning exhibition of Ottoman Art from private collections. The exhibition will be held during the 14th International Congress on Turkish Art and will feature important examples of silverware, ceramics, textiles, calligraphy and Turqueries. À l'origine, les collections des arts de l'islam qui se sont formees en Europe dans la seconde moitie du XIXe siecle, ont ete constituees par des amateurs portes par l'ambition d'offrir aux regards un panorama historique coherent, couvrant toutes les techniques et toutes les periodes. Ces collections ont egalement un but pratique : elles doivent servir de source d'inspiration pour des theoriciens et des praticiens des arts appliques, que ce soit à Paris, à Londres ou dans d'autres pays europeens. Elles contribuent à donner ainsi une dignite et une vitalite au decor, quel qu'il soit. Dans ce contexte, les arts ottomans sont le reflet de cette fonction de modele conferee à des œuvres qui sont appelees à agir sur le present autant qu'à eclairer le passe. Les goûts de ces collectionneurs vont naturellement vers les tapis chatoyants, les ceramiques colorees, les tissus associant une polychromie eclatante. A contrario , la valeur documentaire des objets, temoins de cultures anciennes, complexes et heterogenes, n'est pas percue, et donc le plus souvent ignoree. Mais il n'est pas loin le moment où les historiens de l'art vont tenter d'introduire des classements, suivis de tentatives d'interpretation. La tache ne sera pas facile car les « arts orientaux » ne se laissent pas facilement apprehender, tant en ce qui concerne la datation, les lieux d'origine, qu'en raison des prejuges existants. En 1902, sous le titre Les arts et metiers en Turquie , paraissait à Istanbul la premiere histoire generale sur les arts turcs en francais. At the outset, collections of Islamic art formed in Europe in the second half of the nineteenth century were assembled by keen amateurs with the aim of presenting a coherent historical account covering all techniques and periods. At the same time, these collections served a practical purpose, that they should be a source of inspiration for both scholars and craftsmen working either in Paris, London or other European countries. In this way, the collections helped to confer a dignity and vitality to the decorative arts of Europe. In this context, Ottoman art acted in the present as a model for contemporary work of art as well as a means of shedding light upon the past. The taste of these collectors was naturally drawn towards shimmering carpets, colourful ceramics, and textiles woven in striking colours. In contrast, the historical value of these objects, witnesses to ancient cultures, complex and varied, was rarely sensed and when it was, it was more often ignored. And yet it was not long before art historians began to attempt to impose classifications on this art along tentatively drawn distinctions. The task would not be an easy one as 'Oriental Art' did not allow for simple apprehension, particularly in matters of date and determining origin, and in the face of existing prejudices.
- Brossura
Da: Khalkedon Rare Books ABA, ILAB, IOBA, ESA, Istanbul, TurchiaKhalkedon Rare Books ABA, ILAB, IOBA, ESA
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 49,52
EUR 18,00 spedizioneSpedito da Turchia a U.S.A.Quantità: 1 disponibili
Soft cover. Condizione: New. Paperback. 4to. (29 x 25 cm). In French and Turkish. 136 p., color and b/w ills. Enfants de langue et drogmans.= Dil oglanlari ve tercümanlar. "Ce catalogue a été réalisé . à l'occasion de l'exposition 'Enfants de langue et drogmans' organisée par le Ministère des Affaires étrangères de France, avec…le concours de l'Institut d'Études françaises d'Istanbul et l'Institut français d'études anatoliennes, dans le cadre du bicentenaire de la création de l'Ecole des langues orientales, . Palais de France, Istanbul, 25 mai-18 juin 1995".
- Rilegato
Da: Khalkedon Rare Books ABA, ILAB, IOBA, ESA, Istanbul, TurchiaKhalkedon Rare Books ABA, ILAB, IOBA, ESA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Ottimo
EUR 112,55
EUR 18,00 spedizioneSpedito da Turchia a U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: Fine. 2nd Edition. Original bdg. HC. 4to. (30 x 22 cm). Proceedings in English and Turkish. 920 p., color and b/w ills. 14th International Congress of Turkish Art. Proceedings. Paris, College de France. Edited by Frederic Hitzel. TABLE OF CONTENTS Foreword (Minister of Culture and Tourism, Republic of Turk…ey) Introduction (Prof. Dr. Fr. François Déroche) Foreword (Prof. Dr. Zeren Tanini) ICTA Committees YENİSEHİRLİOGLU Filiz (Ankara) A digital Database for Tiles at the Topkapi Palace Museum storage rooms. ADIGÜZEL, Hatice (Istanbul), A Local Interpretation of Westernization in Ottoman Architectural Ornamentation: Said Afandi Al-Quwatli House in Damascus . AGIR, Aygül (Istanbul), Osmanli Imparatorlugu ve Italyan Devletleri Arasinda Mimari Malzeme Degisimi (16. ve 17.Yüzyil) AKAR, Tuba (Mersin), Architecture in the Paintings of Turkish Bazaar Painters AKKAYA, Arzu (Istanbul), The Reflection of 19th and 20th Centuries Art Styles on Ottoman Art Journals ALPAGUT, Leyla (Gölköy/Bolu), History, Culture, Art and Architecture for Arif Hikmet Koyunoglu ALPASLAN ARÇA, Sibel (Istanbul), Ayasofya Müzesi, Sehzadeler Türbesi'nde Tespiti Yapilan Tekstil Buluntulari ÁLVAREZ DOPICO, Clara Ilham (Valencia), Les carreaux de céramique des ateliers tunisois: la formation d'un art turquisant en opposition aux influences européennes AOKI GIRARDELLI, Miyuki (Istanbul), Léon Parvillée's early years in Istanbul: Cezayirlioglu Mansion and the Church of Surp Krikor Lusavoriç in Kuzguncuk APOSTOLOU, Irini (Athens), La présence de l'Empire ottoman dans le fonds photographique de la Société de Géographie de Paris ARTAN,Tülay (Istanbul), Two Artists, One Vantage Point Pera/Istanbul in the 1740s. ATBAS, Zeynep (Istanbul), Osmanli Aydini Mehmed Emin Efendi ve Murakkalari. ATLIHAN, Serife (Istanbul), 19. Yüzyilda Megri (Fethiye) Halilarinda Bitkisel Motifler . BABAOGLU-BALKIS, Lale (Istanbul), Traugott Fuchs: A romantic in the Orient. Istanbul as portrayed through the eyes of a German émigré scholar. BATUR, Afife (Istanbul), A British architect in Istanbul: William J. Smith and the Taskislla Imperial Barracks of Mecidiye.
