hoberman ruth (22 risultati)

Hardcover. Condizione: Good. Condizione sovraccoperta: Very Good. First Edition. First edition/First printing. Usual library markings with the ffep removed. The jacket is protected in clear plastic.

Hardcover. Condizione: Very Good. Front of dust jacket has a faint moisture stain. Book itself is gently used with only minor wear. Tightly bound copy with clean interior having no markings, writing, underlining, or highlighting in margins or text block. Inv. # 11502.

Trade Paperback. Condizione: Fine. clean, unmarked copy.

Softcover. Condizione: Very Good. 8vo 8" - 9" tall.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition.

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Jacket has minor shelf wear, binding tight, pages clean and unmarked. " Museum Trouble is a highly original and substantial contribution to scholarship on turn-of-the-twentieth-century British literature, visual art, and culture. "?Ann Ardis, University of Delaware, author of Modernism and Cultural Conflict, 1880?1922.

Soft cover. Condizione: New. No Jacket.

Paperback.

Paperback. Condizione: Brand New. 199 pages. 9.25x6.25x0.50 inches. In Stock.

Hardcover. Condizione: new. Hardcover. By 1901, the public museum was firmly established as an important national institution in British life. Its very centrality led to its involvement in a wide range of debates about art, knowledge, national identity, and individual agency. Ruth Hoberman argues that these debates concerned writers as well. Museum Trouble focuses on fiction written between 1890 and 1914 and the ways in which it engaged the issues dramatized by and within the museum.Those issues were many. Art critics argued about what kind of art to buy on behalf of the nation, how to display it, and whether salaried professionals or aristocratic amateurs should be in charge. Museum administrators argued about the best way to exhibit scientific and cultural artifacts to educate the masses while serving the needs of researchers. And novelists had their own concerns about an increasingly commercialized literary marketplace, the nature of aesthetic response, the impact of evolution and scientific materialism, and the relation of the individual to Britain's national and imperial identity.In placing the many crucial museum scenes of Edwardian fiction in the context of late nineteenth-century and early twentieth-century cultural discourse, Museum Trouble shows how this turn-of-the-century literature anticipated many of the concerns of the modernist writers who followed. Focuses on fiction written between 1890 and 1914 and the ways in which it engaged the issues dramatised by and within the museum. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Condizione: New. Num Pages: 240 pages, Illustrations. BIC Classification: DSK. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 23. Weight in Grams: 487. . 2011. Hardcover. . . . .

Hardcover. Condizione: Brand New. 236 pages. 9.00x6.25x0.75 inches. In Stock.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Hardcover. Condizione: Brand New. 223 pages. 8.75x5.75x0.75 inches. In Stock.

Condizione: New. Num Pages: 240 pages, Illustrations. BIC Classification: DSK. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 23. Weight in Grams: 487. . 2011. Hardcover. . . . . Books ship from the US and Ireland.

Gebunden. Condizione: New. Focuses on fiction written between 1890 and 1914 and the ways in which it engaged the issues dramatised by and within the museum.

Condizione: As New. Unread book in perfect condition.

Buch. Condizione: Neu. Neuware - By 1901, the public museum was firmly established as an important national institution in British life. Its very centrality led to its involvement in a wide range of debates about art, knowledge, national identity, and individual agency. Ruth Hoberman argues that these debates concerned writers as well. 'Museum Trouble' focuses on fiction written between 1890 and 1914 and the ways in which it engaged the issues dramatized by and within the museum.Those issues were many. Art critics argued about what kind of art to buy on behalf of the nation, how to display it, and whether salaried professionals or aristocratic amateurs should be in charge. Museum administrators argued about the best way to exhibit scientific and cultural artifacts to educate the masses while serving the needs of researchers. And novelists had their own concerns about an increasingly commercialized literary marketplace, the nature of aesthetic response, the impact of evolution and scientific materialism, and the relation of the individual to Britain's national and imperial identity.In placing the many crucial museum scenes of Edwardian fiction in the context of late nineteenth-century and early twentieth-century cultural discourse, 'Museum Trouble' shows how this turn-of-the-century literature anticipated many of the concerns of the modernist writers who followed.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Issue edited by Ingrid Sischy. Essays "An Imprint Is Never Alone," by René Denizot; "Architecture and Limits: Introduction," by Bernard Tschumi, "The Writing of the Walls," a project by Anthony Vidler, and "Masque," a project by John Hejduk; "The 18th New York Film Festival," by J. Hoberman; "Gandhi in Choral Perspective," by Klaus Kertess; "The Horror of Bearing Arms: Kirchner's 'Self-Portrait as a Soldier,' the Military Mystique and the Crisis of World War I (with a Slip-of-the-Pen by Freud)," by Joseph Masheck; "The Anatomy of Discruption: European and American Painting 1800-1906," by Max Kozloff. Reviews by Carrie Rickey, Hal Foster, Ronny H. Cohen, Colin L. Westerbeck, Jr., Thomas Lawson, Jeanne Silverthorne, Shelley Rice, Joan Casademont, Ruth Rattner, Hal Fischer, Nancy Tousley, Germano Celant. Cover: From Act 1 Scene 2 of Satyagraha, an opera with music by Philip Glass.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. An Imprint Is Never Alone René Denizot ARCHITECTURE AND LIMITS Introduction Bernard Tschumi The Writing of the Walls Anthony Vidler Masque John Hejduk The 18th New York Film Festival J. Hoberman Gandhi in Choral Perspective Klaus Kertess The Horror of Bearing Arms: Kirchner s Self-Portrait as a Soldier, the Military Mystique and the Crisis of World War I (with a Slip-of-the-Pen by Freud) Joseph Masheck The Anatomy of Disruption: European and American Painting 1880-1906 Max Kozloff FEATURES REVIEWS NEW YORK Carrie Rickey on Mimmo Paladino Carrie Rickey on Sandro Chia, Enzo Cucchi, and Francesco Clemente Carrie Rickey on Lynda Benglis Carrie Rickey on Andy Warhol Hal Foster on Brice Marden Hal Foster on David Reed Hal Foster on Kathleen Seltzer Hal Foster on Sheila Metzner Ronny Cohen on Ed McGowin Ronny Cohen on Beverly Pepper Colin Westerbeck on Diane Arbus, Lou Lanzano Colin Westerbeck on Lucien Aigner, Dan Weiner Thomas Lawson on Imre Koscis and Joseph Erben Thomas Lawson on Mel Kendrick Jeanne Silverthorne on Pat Lasch Jeanne Silverthorne on George Segal Shelley Rice on Larry Clark Shelley Rice on Mary Beth Edelson Shelley Rice on Terry Berkowitz Joan Casademont on Ed Ruscha DETROIT Ruth Rattner on Kick Out the Jams SAN FRANCISCO Hal Fischer on Ellen Land-Weber Hal Fischer on Kenneth Shorr OTTAWA Nancy Tousley on Pluralities VENICE Germano Celant on Strada Novissima in The Presence of the Past.

Condizione: New. PRINT ON DEMAND pp. 256.