hoeniger cathleen (37 risultati)

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Minor shelf wear. Else a bright, clean copy. This study focuses on several early Italian paintings of religious and civic importance that were physically transformed and reframed after their completion to accommodate cult practices and changes in taste. These images have traditionally been evaluated negatively because of their aesthetic impurity, an attitude that has encouraged the removal of later additions by restorers and conservators. By investigating the religious and social motivations underlying these renovations, Cathleen Hoeniger argues, the historical significance of such practices can be revealed. The compound images that have resulted from transformations can be viewed more positively as carriers of history. Hoeniger's study demonstrates how the methods of art history and conservation can be bridged to produce new and exciting conclusions about the form and meaning of art works.

hardcover. Condizione: Good. No dust jacket. Cover and edges may have some wear.

hardcover. Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. xiii, 432 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, kaum Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, few traces of use. K01675 9780521196949 Sprache: Englisch Gewicht in Gramm: 1150.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Brand New. 4160 pages. 11.00x8.75x1.25 inches. In Stock.

Hardcover. Condizione: new. Hardcover. In Italy, art historians can study wall-paintings, tombs, and stained-glass windows in the early churches for which they were created because they have been preserved in situ over the centuries. This book explores one fraught period of this critical preservation work, during the five years of World War II in Italy, when numerous artistic monuments of value were vulnerable to damage and destruction. Works of art from the late Middle Ages and Early Renaissance lie at the focus, among them, the Angevin tombs of Santa Chiara in Naples, the frescoes of Pisa's Camposanto, Piero della Francesca's wall-painting of Sigismondo in the Tempio Malatestiano in Rimini, and the Mazzatosta Chapel in Viterbo. Rooted in the archives, the narrative charts the formidable task of safeguarding stationary art in the midst of aerial and ground attacks. Taking centre stage are the struggles endured by heritage superintendents, the innovations tested under pressure by art restorers, and the desperate position of clerical custodians of churches. The Allied Monuments Officers, who arrived over halfway through the war, provided substantial assistance in the rescue of damaged art from ruined buildings. This study offers an original perspective by emphasizing the Italian protagonists, whose efforts played out against the political and economic landscape of fascism and the devastation wrought by the war on Italian soil. This book charts the plight of frescoes and other immovable art in Italy's early churches during World War Two, examining how the Italian heritage offices struggled to protect, rescue, and restore late medieval and early Renaissance works of art amidst a shifting political landscape of Fascism, German Occupation, and the arrival of t Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Condizione: New.

Condizione: New. In.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. This book reveals the five-hundred-year story of many of Raphael's most well-known paintings. Num Pages: 448 pages, 53 b/w illus. BIC Classification: ACND; AFC; AGB. Category: (G) General (US: Trade). Dimension: 256 x 186 x 25. Weight in Grams: 1314. . 2010. Illustrated. hardcover. . . . .

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2024. 1st Edition. hardcover. . . . . .

Condizione: New. This book reveals the five-hundred-year story of many of Raphael's most well-known paintings. Num Pages: 448 pages, 53 b/w illus. BIC Classification: ACND; AFC; AGB. Category: (G) General (US: Trade). Dimension: 256 x 186 x 25. Weight in Grams: 1314. . 2010. Illustrated. hardcover. . . . . Books ship from the US and Ireland.

Condizione: New. 2024. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Brand New. 1st edition. 456 pages. 10.00x7.10x1.20 inches. In Stock.

Hardcover. Condizione: new. Hardcover. In Italy, art historians can study wall-paintings, tombs, and stained-glass windows in the early churches for which they were created because they have been preserved in situ over the centuries. This book explores one fraught period of this critical preservation work, during the five years of World War II in Italy, when numerous artistic monuments of value were vulnerable to damage and destruction. Works of art from the late Middle Ages and Early Renaissance lie at the focus, among them, the Angevin tombs of Santa Chiara in Naples, the frescoes of Pisa's Camposanto, Piero della Francesca's wall-painting of Sigismondo in the Tempio Malatestiano in Rimini, and the Mazzatosta Chapel in Viterbo. Rooted in the archives, the narrative charts the formidable task of safeguarding stationary art in the midst of aerial and ground attacks. Taking centre stage are the struggles endured by heritage superintendents, the innovations tested under pressure by art restorers, and the desperate position of clerical custodians of churches. The Allied Monuments Officers, who arrived over halfway through the war, provided substantial assistance in the rescue of damaged art from ruined buildings. This study offers an original perspective by emphasizing the Italian protagonists, whose efforts played out against the political and economic landscape of fascism and the devastation wrought by the war on Italian soil. This book charts the plight of frescoes and other immovable art in Italy's early churches during World War Two, examining how the Italian heritage offices struggled to protect, rescue, and restore late medieval and early Renaissance works of art amidst a shifting political landscape of Fascism, German Occupation, and the arrival of t Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condizione: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Raphael is one of the rare artists who have never gone out of fashion. Acclaimed during his lifetime, he was imitated by contemporaries and served as a model for painters through the nineteenth century. His works have continuously been subject to care, conservation, and restoration, and here Hoeniger focuses on the legacy of Raphael's art: the historical trajectory - or 'afterlife' - of the paintings themselves. Appreciation of Raphael was expressed and the restoration of his works debated in contemporary treatises, providing a backdrop for probing the fortune of his paintings. What happened to his panel-paintings and frescoes in the centuries after his death in 1520 Some were lost altogether; others damaged in natural disasters; and many were affected by uncontrolled climatic conditions, by travel from one place to another, and by the not always careful hands of restorers. This book reveals the five-hundred-year story of many of Raphael's most well-known paintings.

Hardcover. Condizione: New.

Rilegato. Condizione: come nuovo. prima edizione.

Hardback, 416 pages, Size:216 x 280 mm, Illustrations:59 b/w, 42 col., 1 maps b/w, Language: English. ISBN 9782503609744. Summary In Italy, art historians can study wall-paintings, tombs, and stained-glass windows in the early churches for which they were created because they have been preserved in situ over the centuries. This book explores one fraught period of this critical preservation work, during the five years of World War II in Italy, when numerous artistic monuments of value were vulnerable to damage and destruction. Works of art from the late Middle Ages and Early Renaissance lie at the focus, among them, the Angevin tombs of Santa Chiara in Naples, the frescoes of Pisa's Camposanto, Piero della Francesca's wall-painting of Sigismondo in the Tempio Malatestiano in Rimini, and the Mazzatosta Chapel in Viterbo. Rooted in the archives, the narrative charts the formidable task of safeguarding stationary art in the midst of aerial and ground attacks. Taking centre stage are the struggles endured by heritage superintendents, the innovations tested under pressure by art restorers, and the desperate position of clerical custodians of churches. The Allied Monuments Officers, who arrived over halfway through the war, provided substantial assistance in the rescue of damaged art from ruined buildings. This study offers an original perspective by emphasizing the Italian protagonists, whose efforts played out against the political and economic landscape of fascism and the devastation wrought by the war on Italian soil. TABLE OF CONTENTS List of illustrations Acknowledgements List of abbreviations Chapter 1. Introduction Chapter 2. Historical Background: Italy's Experience of World War II Chapter 3. The Role Of The Italian Federal Government in the Protection of Stationary Monuments from War Damage Chapter 4. The Defence of Art in the Italian Provinces before and during World War II Chapter 5. The First Responses To The War Damage Of Early Italian Art, 1943-1945 Chapter 6. What Befell the Mazzatosta Chapel in Viterbo and the Wider Circumstances in Lazio Province during World War II Chapter 7. The Wall Paintings of Pisa's Camposanto Monumentale in the Context of World War II Chapter 8. Conclusion Bibliography Index 0 g.

Rilegato. Condizione: nuovo. Pages: 416 p. Illustrations:59 b/w, 42 col., 1 maps b/w. Language(s):English. Publication Year:2024. ISBN: 978-2-503-60974-4. Hardback --- Summary In Italy, art historians can study wall-paintings, tombs, and stained-glass windows in the early churches for which they were created because they have been preserved in situ over the centuries. This book explores one fraught period of this critical preservation work, during the five years of World War II in Italy, when numerous artistic monuments of value were vulnerable to damage and destruction. Works of art from the late Middle Ages and Early Renaissance lie at the focus, among them, the Angevin tombs of Santa Chiara in Naples, the frescoes of Pisa's Camposanto, Piero della Francesca's wall-painting of Sigismondo in the Tempio Malatestiano in Rimini, and the Mazzatosta Chapel in Viterbo. Rooted in the archives, the narrative charts the formidable task of safeguarding stationary art in the midst of aerial and ground attacks. Taking centre stage are the struggles endured by heritage superintendents, the innovations tested under pressure by art restorers, and the desperate position of clerical custodians of churches. The Allied Monuments Officers, who arrived over halfway through the war, provided substantial assistance in the rescue of damaged art from ruined buildings. This study offers an original perspective by emphasizing the Italian protagonists, whose efforts played out against the political and economic landscape of fascism and the devastation wrought by the war on Italian soil. TABLE OF CONTENTS List of illustrations Acknowledgements List of abbreviations Chapter 1. Introduction Chapter 2. Historical Background: Italy's Experience of World War II Chapter 3. The Role Of The Italian Federal Government in the Protection of Stationary Monuments from War Damage Chapter 4. The Defence of Art in the Italian Provinces before and during World War II Chapter 5. The First Responses To The War Damage Of Early Italian Art, 1943-1945 Chapter 6. What Befell the Mazzatosta Chapel in Viterbo and the Wider Circumstances in Lazio Province during World War II Chapter 7. The Wall Paintings of Pisa's Camposanto Monumentale in the Context of World War II Chapter 8. Conclusion Bibliography Index.

Hardcover. Condizione: new. Hardcover. Raphael is one of the rare artists who have never gone out of fashion. Acclaimed during his lifetime, he was imitated by contemporaries and served as a model for painters through the nineteenth century. His works have continuously been subject to care, conservation, and restoration, and here Hoeniger focuses on the legacy of Raphael's art: the historical trajectory - or 'afterlife' - of the paintings themselves. Appreciation of Raphael was expressed and the restoration of his works debated in contemporary treatises, providing a backdrop for probing the fortune of his paintings. What happened to his panel-paintings and frescoes in the centuries after his death in 1520? Some were lost altogether; others damaged in natural disasters; and many were affected by uncontrolled climatic conditions, by travel from one place to another, and by the not always careful hands of restorers. This book reveals the five-hundred-year story of many of Raphael's most well-known paintings. Acclaimed during his lifetime, Raphael was imitated by contemporaries and served as a model for painters through the nineteenth century. Hoeniger focuses on the five-hundred-year story of many of Raphael's most well-known paintings: some being lost altogether and others damaged, and reveals the historical trajectory - or 'afterlife' - of the paintings themselves. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. Print on Demand pp. xiii + 432 Illus.

Condizione: New. Print on Demand pp. xiii + 432.