Holland davis s (9 risultati)

Paperback. Condizione: Very Good+. First Thus. 1st printing, Oct. 2015. Trade-sized. Cover art by Donato Giancola. Includes "Introduction: It's about time"; "The Great Wizard, Cabbage" by David Drake; "Incubator" by Gene Wolfe; "A Flat Affect" by Eric Flint; "SUM" by Cecilia Holland; "David Drake" by Tom Doherty; "The Crate Warrior, the Doppelganger, and the Idea Woman" by Mur Lafferty; "Working with Dave, or, Inmates in Bellevue" by S. M. Stirling; "Hell Hounds" by Tony Daniel; "Technical Advantage" by John Lambshead; "Saracens" by T. C. McCarthy; "The One That Got Away" by Eric S. Brown; "Appreciating Dave" by Toni Weisskopf; "Swimming from Joe" by Barry N. Malzberg; "A Village of Yesteryear" by Sarah Van Name; "The Trouble with Telepaths" by Hank Davis; "A Cog in Time" by Sarah A. Hoyt; "All That's Left" by Mark L. Van Name; "The Loing Side" by Larry Correia; "Save What You Can" by David Drake. "On the occasion of David Drake being a special guest of the World fantasy Convention 2015. . ." Corner and edge wear; minor creasing; minor tear. Book. …

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condizione: New. Condizione sovraccoperta: New. First Printing of the First Edition. Jackson: University Press of Mississippi, 2003. BRAND NEW in a BRAND NEW dust jacket. Perfect condition. NO chips. NO tears. NO creases. NO rubbing. NO fading. Sharp corners. Bright, shiny, clean, square and tight. NO owner's name or bookplate. NOT a remainder. 2003. First Edition, First Printing with complete number row (4321) on the copyright page. With contributions by Angelica Fenner, Norman S. Holland, Mark Ingram, Adam Knee, Florence Martin, Allen Meek, Eva Rueschmann, Kenneth Womack, Barton Byg, David N. Coury, Todd F. Davis, Rodica Diaconescu-Blumenfeld, Carolyn Durham, Mine Eren, and Catherine Wynne. Photo illustrated. List of chapter notes. Bibliography. Index. Bound in the original gray cloth, stamped in black on the spine. From the dust jacket: "In recent decades the experiences and political struggles of immigrants, exiles, and sojourners have inspired some of the most provocative feature films and documentaries in world cinema. These have sparked theoretical debates about cultural identity, place, and representation in the media. The thirteen essays in this anthology contribute to a growing interest in the emerging international genre of exile and diaspora films, treating a variety of motion pictures from Europe and the United States in their national and transnational contexts. These essays examine how contemporary cinema -- both fiction feature film and documentary -- has imagined the experience of migration and displacement, the struggle for citizenship and cultural belonging, and the encounter and negotiation of different cultures and identities. The authors discuss the ways cinema explores the many contradictions of exile and diaspora -- the complicated meanings of home, the exile's nostalgia for origins, the hopes and tragedies of border crossings, the difficulties of belonging to a strange society and being a stranger, and the conundrums of gender for the migrant, especially women's conciliation of different social roles and cultural expectations. Included are discussions of such well known films as THE CRYING GAME, LAMERICA, JOURNEY OF HOPE, EXOTICA, CHOCOLAT, LONE STAR, and FLYING DOWN TO RIO, as well as smaller productions by diasporic or immigrant filmmakers who deserve critical attention, including Seyhan Derin's I'M MY MOTHER'S DAUGHTER, Mina Shum's DOUBLE HAPPINESS, and Yanina Benguigui's IMMIGRANT MEMORIES: MAGHREBI HERITAGE. Encompassing different models of intercultural theory, this collection draws on the fields of anthropology, political economy, production and reception studies, feminism, travel writing, and postcolonial criticism and captures the complex, diverse, and continually changing body of diaspora film and its intertextual connections. Eva Rueschmann is an assistant professor of cultural studies at Hampshire College, the author of SISTERS ON THE SCREEN: SIBLINGS IN CONTEMPORARY CINEMA, and a contributor to two anthologies, INTERNATIONAL WOMEN'S WRITING: NEW LANDSCAPES OF IDENTITIES and THE SIGNIFICANCE OF SIBLING RELATIONSHIPS IN LITERATURE.". First Printing of the First Edition. Hardcover. New/New. 8vo. xxx, 265pp. Great Packaging, Fast Shipping.…

Condizione: New. This book, now available for the first time in paperback, looks at modes of performance and forms of theatre in Nineteenth-century Britain and Ireland. On a variety of subjects, the authors redefine what theatre and performance in the Nineteenth century might be. Editor(s): Davis, Tracy C.; Holland, Peter. Series: Redefining British Theatre History. Num Pages: 285 pages, biography. BIC Classification: 1DBK; 2AB; 3JH; AN; DSBF; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 233 x 163 x 16. Weight in Grams: 442. . 2007. 2007th Edition. paperback. . . . . …

Condizione: New. This book looks at modes of performance and forms of theatre in Nineteenth-century Britain and Ireland. On subjects as varied as the vogue for fairy plays to the representation of economics to the work of a parliamentary committee in regulating theatres, the authors redefine what theatre and performance in the Nineteenth century might be. Editor(s): Davis, Tracy C.; Holland, Peter. Series: Redefining British Theatre History. Num Pages: 285 pages, biography. BIC Classification: AN; DSBF; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 20. Weight in Grams: 595. . 2007. 2007th Edition. hardcover. . . . .…

Condizione: New. This book, now available for the first time in paperback, looks at modes of performance and forms of theatre in Nineteenth-century Britain and Ireland. On a variety of subjects, the authors redefine what theatre and performance in the Nineteenth century might be. Editor(s): Davis, Tracy C.; Holland, Peter. Series: Redefining British Theatre History. Num Pages: 285 pages, biography. BIC Classification: 1DBK; 2AB; 3JH; AN; DSBF; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 233 x 163 x 16. Weight in Grams: 442. . 2007. 2007th Edition. paperback. . . . . Books ship from the US and Ireland. …

Condizione: New. This book looks at modes of performance and forms of theatre in Nineteenth-century Britain and Ireland. On subjects as varied as the vogue for fairy plays to the representation of economics to the work of a parliamentary committee in regulating theatres, the authors redefine what theatre and performance in the Nineteenth century might be. Editor(s): Davis, Tracy C.; Holland, Peter. Series: Redefining British Theatre History. Num Pages: 285 pages, biography. BIC Classification: AN; DSBF; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 20. Weight in Grams: 595. . 2007. 2007th Edition. hardcover. . . . . Books ship from the US and Ireland.…

Condizione: Very Good. Hardcover book in very nice condition, pages are clean and tight.

Condizione: gut. Was wäre gewesen, wenn.? In deutscher Sprache. pages.