Howard deborah moretti laura (29 risultati)

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: New. pp. xvi + 346 Illus., Maps.

hardcover. Condizione: Very Good. Very Good, in Very Good DJ. Tight binding, clean pages. A couple small tears to the edges of the DJ, with otherwise mild edge wear and rub.

hardcover. Condizione: As New. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages.

Condizione: New. pp. xvi + 346, Maps.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 2012 OUP hardcover edition. Light reading wear else very good condition. Contents: Chapter 1: Seduction and Spirituality: The Ambiguous Roles of Music in Venetian Art, Chapter 2: When is a Room a Music Room? Sounds, Spaces, and Objects in Non-courtly Italian Interiors, Chapter 3: The Place of Music in the Artist's Home, Chapter 4: Music in the French Domestic Interior (1500-1600), Chapter 5: The Role of Music in the Venetian Home in the Cinquecento, Chapter 6: Women on the Edge: The 'Saletta delle Dame' of the Palazzo Salvadego in Brescia, Chapter 7: Balance on the Lute: The Role of the Strings, Chapter 8: The Lute: An Instrument for All Seasons, Chapter 9: Assessing the Acoustic Performance of Small Music Rooms: A Short Introduction, Chapter 10: 'With tempered notes, in the green hills and among rivers': Music, Learning, and the Symbolic Space of Recreation in the Manuscript Modena, Biblioteca Estense Universitaria, alpha.F.9.9, Chapter 11: Spaces for Music in Sixteenth-Century Paduan Courts, Chapter 12: Caccini's Stages: Identity and Performance Space in the Late Cinquecento Court, Chapter 13: Spaces for Musical Performance in the Este Court in Ferrara (c.1440-1540), Chapter 14: Music Rooms in the Ducal Palace in Mantua: From Andrea Mantegna to Giovan Battista Bertani, Chapter 15: Queen Christina of Sweden as a Patron of Music in Rome in the Mid-Seventeenth Century, Chapter 16: The Acoustic Analysis of Palladio's Teatro Olimpico, Vicenza, Chapter 17: Music at Home: Spaces for Music in French Seventeenth-Century Residential Architecture, Chapter 18: Spaces for Musical Performance in Seventeenth-Century Roman Residences.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Condizione: new.

Condizione: New. pp. xvi + 339 Illus.

Condizione: New.

Condizione: New. This interdisciplinary book investigates spaces for music-making in Early Modern France and Italy. Spaces specifically designed for music began to appear in private dwellings. While elite music-making became more specialised through the employment of paid musicians, music printing allowed new compositions to be diffused down the social scale. Editor(s): Howard, Deborah; Mauretti, Laura. Series: Proceedings of the British Academy. Num Pages: 300 pages, 78 half-tones and colour photos. BIC Classification: 1DDF; 1DST; ACQ; AV; HBTB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 243 x 167 x 24. Weight in Grams: 784. . 2012. Hardcover. . . . .…

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. This interdisciplinary book investigates the use of secular space for music making in Early Modern France and Italy. The fact that many artists of the time also had musical skills underlines the close relationship between music and the visual arts. This era is remarkable for the growing importance of music in domestic life, ranging from elaborate court festivities to family recreation. In parallel with the emergence of the theatre as a separate building type, music-making in elite circles became more specialised through the employment of paid musicians, as opposed to amateur participation by the inhabitants and their guests. Meanwhile, however, music printing and the mass-production of instruments, especially lutes, allowed music-making to diffuse down the social scale.We see how spaces specifically designed for music began to appear in private dwellings, while existing rooms became adapted for the purpose. At first, the number of rooms specifically identifiable as 'music rooms' was very small, but gradually over the following 150 years, specialised music rooms began to appear in larger residences in both France and Italy. A major theme is the relationship between the size and purpose of the room and the kinds of music performed - depending on the size, portability and loudness of different instruments; the types of music suited to spaces of different dimensions; the role of music in dancing and banqueting; and the positions of players and listeners. Musical instruments were often elaborately decorated to become works of art in their own right.…

Condizione: New. pp. xvi + 339.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. This interdisciplinary book investigates spaces for music-making in Early Modern France and Italy. Spaces specifically designed for music began to appear in private dwellings. While elite music-making became more specialised through the employment of paid musicians, music printing allowed new compositions to be diffused down the social scale. Editor(s): Howard, Deborah; Mauretti, Laura. Series: Proceedings of the British Academy. Num Pages: 300 pages, 78 half-tones and colour photos. BIC Classification: 1DDF; 1DST; ACQ; AV; HBTB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 243 x 167 x 24. Weight in Grams: 784. . 2012. Hardcover. . . . . Books ship from the US and Ireland.…

Condizione: New. This interdisciplinary book investigates spaces for music-making in Early Modern France and Italy. Spaces specifically designed for music began to appear in private dwellings. While elite music-making became more specialised through the employment of paid m.

Hardback. Condizione: New. This interdisciplinary book investigates the use of secular space for music making in Early Modern France and Italy. The fact that many artists of the time also had musical skills underlines the close relationship between music and the visual arts. This era is remarkable for the growing importance of music in domestic life, ranging from elaborate court festivities to family recreation. In parallel with the emergence of the theatre as a separate building type, music-making in elite circles became more specialised through the employment of paid musicians, as opposed to amateur participation by the inhabitants and their guests. Meanwhile, however, music printing and the mass-production of instruments, especially lutes, allowed music-making to diffuse down the social scale.We see how spaces specifically designed for music began to appear in private dwellings, while existing rooms became adapted for the purpose. At first, the number of rooms specifically identifiable as 'music rooms' was very small, but gradually over the following 150 years, specialised music rooms began to appear in larger residences in both France and Italy. A major theme is the relationship between the size and purpose of the room and the kinds of music performed - depending on the size, portability and loudness of different instruments; the types of music suited to spaces of different dimensions; the role of music in dancing and banqueting; and the positions of players and listeners. Musical instruments were often elaborately decorated to become works of art in their own right.…

Buch. Condizione: Neu. Neuware - This interdisciplinary book investigates spaces for music-making in Early Modern France and Italy. Spaces specifically designed for music began to appear in private dwellings. While elite music-making became more specialised through the employment of paid musicians, music printing allowed new compositions to be diffused down the social scale. …

Hardback. Deborah Howard And Laura Moretti, YALE UNIVERSITY PRESS. Author: Deborah Howard And Laura MorettiBinding: HardbackPublished: YALE UNIVERSITY PRESS, 2009Condition:Book: Very goodJacket: Worn/faded, no tearsPages: GoodMarkings: No markingsSound & Space In Renaissance Venice uncovers the intricate relationship between auditory experiences and architectural design within the vibrant cultural milieu of Renaissance Venice. This scholarly work illustrates how the city's unique urban and ecclesiastical spaces were meticulously conceived to shape and amplify sound, particularly during musical performances and religious ceremonies. The authors present a compelling argument for understanding Venetian architecture not merely visually, but also acoustically, revealing a sophisticated interplay between art, science, and sensory perception. This insightful volume details the historical context and technical innovations that defined the sonic landscape of one of Europe's most influential historical periods. Hardback.…

Hardcover. Condizione: Brand New. 1st edition. 300 pages. 9.50x6.50x1.00 inches. In Stock. This item is printed on demand.

Hardcover. Condizione: new. Hardcover. This interdisciplinary book investigates the use of secular space for music making in Early Modern France and Italy. The fact that many artists of the time also had musical skills underlines the close relationship between music and the visual arts. This era is remarkable for the growing importance of music in domestic life, ranging from elaborate court festivities to family recreation. In parallel with the emergence of the theatre as a separate building type,music-making in elite circles became more specialised through the employment of paid musicians, as opposed to amateur participation by the inhabitants and their guests. Meanwhile, however, music printingand the mass-production of instruments, especially lutes, allowed music-making to diffuse down the social scale. We see how spaces specifically designed for music began to appear in private dwellings, while existing rooms became adapted for the purpose. At first, the number of rooms specifically identifiable as 'music rooms' was very small, but gradually over the following 150 years, specialised music rooms began to appear in larger residences in both France and Italy.A major theme is the relationship between the size and purpose of the room and the kinds of music performed - depending on the size, portability and loudness of different instruments; the types ofmusic suited to spaces of different dimensions; the role of music in dancing and banqueting; and the positions of players and listeners. Musical instruments were often elaborately decorated to become works of art in their own right. This interdisciplinary book investigates spaces for music-making in Early Modern France and Italy. Spaces specifically designed for music began to appear in private dwellings. While elite music-making became more specialised through the employment of paid musicians, music printing allowed new compositions to be diffused down the social scale. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. This interdisciplinary book investigates the use of secular space for music making in Early Modern France and Italy. The fact that many artists of the time also had musical skills underlines the close relationship between music and the visual arts. This era is remarkable for the growing importance of music in domestic life, ranging from elaborate court festivities to family recreation. In parallel with the emergence of the theatre as a separate building type,music-making in elite circles became more specialised through the employment of paid musicians, as opposed to amateur participation by the inhabitants and their guests. Meanwhile, however, music printingand the mass-production of instruments, especially lutes, allowed music-making to diffuse down the social scale. We see how spaces specifically designed for music began to appear in private dwellings, while existing rooms became adapted for the purpose. At first, the number of rooms specifically identifiable as 'music rooms' was very small, but gradually over the following 150 years, specialised music rooms began to appear in larger residences in both France and Italy.A major theme is the relationship between the size and purpose of the room and the kinds of music performed - depending on the size, portability and loudness of different instruments; the types ofmusic suited to spaces of different dimensions; the role of music in dancing and banqueting; and the positions of players and listeners. Musical instruments were often elaborately decorated to become works of art in their own right. This interdisciplinary book investigates spaces for music-making in Early Modern France and Italy. Spaces specifically designed for music began to appear in private dwellings. While elite music-making became more specialised through the employment of paid musicians, music printing allowed new compositions to be diffused down the social scale. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…