Howe stephanie (69 risultati)

Condizione: New.

Condizione: New. Howe, Samantha (illustratore).

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Howe, Samantha (illustratore).

Condizione: New. In English.

Soft cover. Condizione: Near Fine. 1st Edition. Trade paperback format. Lightly rubbed on the corners with a flat uncreased spine; no interior markings. Cover art by Stephen B. Goodwin. This anthology contains: Introduction by Ekaterina Sedia; The Thief of Precious Things by A. C. Wise; The Poison Eaters by Holly Black; Go Home Stranger by Justin Howe; The Heavy by Cherie Priest; Tusk and Skin by Marissa Lingen; A Song to the Moon by Richard Bowes; In the Seeonee Hills by Erica Hildebrand; The Sinews of His Heart by Melissa Yuan-Innes; (Nothing But) Flowers by Nick Mamatas; The Coldest Game by Maria V. Snyder; Red on Red by Jen White; Extra Credit by Seth Cadin; Thirst by Vandana Singh; Grotesque Angels by Gwendolyn Clare; Blue Joe by Stephanie Burgis; The Were-wizard of Oz by Lavie Tidhar; Seven Year Itch by Leah R. Cutter; An Unnatural History of Scarecrows by Mario Milosevic; The Gaze Dogs of Nine Waterfall by Kaaron Warren; Snow on Sugar Mountain by Elizabeth Hand; The Aphotic Ghost by Carlos Hernandez; The Fowler's Daughter by Michelle Muenzler; Moonlight and Bleach by Sandra McDonald; She Drives the Men to Crimes of Passion by Genevieve Valentine; Coyotaje by Marie Brenna; Swear Not by the Moon by Renee Carter Hall; Infested by Nadia Bulkin; And Neither Have I Wings to Fly by Carrie Laben; and Watchmen by Aaron Sterns. Size: 8vo. Stephen B. Goodwin; (illustratore). Book.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Howe, Samantha (illustratore).

PF. Condizione: New.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: New. In English. Howe, Samantha (illustratore).

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Howe, Samantha (illustratore).

Softcover. Condizione: Very good condition. 479 pp. Softcover. LCC: 2001035968.

Paperback. Condizione: Good.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

114 pp.; 27.8 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Second issue of Box Car: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include: Paul Vangelisti, Don Suggs, Judith E. Simonian, Charles Garabedian, Ed Moses, Robert Ackerman, Joel Bass, Ron Linden, Michael Davidson, Nathaniel Mackey, George Butterick, Edwin Denby, Robert Crosson, Julia Brown, Hiro Kaizan Kosaka, Jill Giegerich, Rick Stitch, Deirdre Bair, Betty Brown, Peter Liashkov, Alison Saar, Michael Dvortcsak, Jim Morphesis, Ellen Lampert, Ruth Weisburg, Rosmarie Waldrop, Bob Perelman, David Bromige, Norman Weinstein, Stephen Kessler, Zeke Berman, Barbara Drucker, Stephen Moore, Kim Baker, Don Boyd, Joyce Lightbody, Gerald Burns, John Taggart, John Clarke, Jed Rasula, Stephen s'Soreff, Flyghts of Fancie, Erika Suderberg, Mike Crane, Dennis Phillips, Anselm Parlatore, Norman Klein, Kei Takei, Bruce Edelstein, Lois Colette, Anni Jackson, Monique Safford, Fanny Howe, James Haining, Mary Haynes, Helen Adam, Charles Stein, Michael C. McMillen, Carl Cheng, James Doolin, Paul Dillon, Stephanie Jackson, Maxwell Hendler, and Margaret Nielsen. Cover design by Bruce Edelstein. Good. Significant rubbing of covers with edgewear and bumping of corners. Wear to verso including 6 mm. surface tear to bottom edge, 2.4 cm. crease to top left corner, and 1.5 cm. of black soiling to verso. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.…

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: New. Print on Demand pp. 64 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

PF. Condizione: New.

Condizione: New. Print on Demand pp. 64.

Condizione: New.

Paperback. Condizione: new. Paperback. The Oxford Handbook of Music and Disability Studies represents a comprehensive state of current research for the field of Disability Studies and Music. The forty-two chapters in the book span a wide chronological and geographical range, from the biblical, the medieval, and the Elizabethan, through the canonical classics of the eighteenth and nineteenth centuries, up to modernist styles and contemporary musical theater and popular genres, with stops alongthe way in post-Civil War America, Ghana and the South Pacific, and many other interesting times and places. Disability is a broad, heterogeneous, and porous identity, and that diversity is reflected in thevariety of bodily conditions under discussion here, including autism and intellectual disability, deafness, blindness, mobility impairment often coupled with bodily difference, and cognitive and intellectual impairments. Amid this diversity of time, place, style, medium, and topic, the chapters share two core commitments. First, they are united in their theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and culturalconstruction. Disability both shapes and is shaped by culture, including musical culture. Second, these essays individually and collectively make the case that disability is not something at the periphery ofculture and music, but something central to our art and to our humanity. Like race, gender, and sexuality, disability is a social and cultural construction. Music, musicians, and music-making simultaneously embody and shape representations and narratives of disability. Disability -- culturally stigmatized minds and bodies -- is one of the things that music in all times and places can be said to be about. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. In English.

Condizione: New. Like race, gender, and sexuality, disability is a social and cultural construction. Music, musicians, and music-making simultaneously embody and shape representations and narratives of disability. Disability - culturally stigmatized minds and bodies - is one of the things that music in all times and places can be said to be about. Editor(s): Howe, Blake; Jensen-Moulton, Stephanie; Lerner, Neil; Straus, Joseph. Series: Oxford Handbooks. Num Pages: 952 pages. BIC Classification: AVA; JFFG. Category: (G) General (US: Trade). Dimension: 242 x 173 x 48. Weight in Grams: 1516. . 2016. Reprint. Paperback. . . . .…

Condizione: New. PRINT ON DEMAND pp. 64.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. Like race, gender, and sexuality, disability is a social and cultural construction. Music, musicians, and music-making simultaneously embody and shape representations and narratives of disability. Disability - culturally stigmatized minds and bodies - is one of the things that music in all times and places can be said to be about. Editor(s): Howe, Blake; Jensen-Moulton, Stephanie; Lerner, Neil; Straus, Joseph. Series: Oxford Handbooks. Num Pages: 952 pages. BIC Classification: AVA; JFFG. Category: (G) General (US: Trade). Dimension: 242 x 173 x 48. Weight in Grams: 1516. . 2016. Reprint. Paperback. . . . . Books ship from the US and Ireland.…

Condizione: As New. Unread book in perfect condition.

Condizione: New. In English.

Paperback. Condizione: New. Reprint. The Oxford Handbook of Music and Disability Studies represents a comprehensive state of current research for the field of Disability Studies and Music. The forty-two chapters in the book span a wide chronological and geographical range, from the biblical, the medieval, and the Elizabethan, through the canonical classics of the eighteenth and nineteenth centuries, up to modernist styles and contemporary musical theater and popular genres, with stops along the way in post-Civil War America, Ghana and the South Pacific, and many other interesting times and places. Disability is a broad, heterogeneous, and porous identity, and that diversity is reflected in the variety of bodily conditions under discussion here, including autism and intellectual disability, deafness, blindness, mobility impairment often coupled with bodily difference, and cognitive and intellectual impairments. Amid this diversity of time, place, style, medium, and topic, the chapters share two core commitments. First, they are united in their theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability both shapes and is shaped by culture, including musical culture. Second, these essays individually and collectively make the case that disability is not something at the periphery of culture and music, but something central to our art and to our humanity.…