Hugunin james richard (9 risultati)

Condizione: Very good. - Small quarto [11 inches high by 3-3/8 inches wide], softcover bound in decorative black-and-white wraps. There is some light spotting to the front wrap & light soiling & 2 stains to the rear wrap. The wraps are slightly bumped. Unnumbered pages, including profuse conceptual art pieces in black & white. Very good.…

Condizione: Very good. - Small quarto [11 inches high by 8-1/4 inches wide], softcover bound in printed white wraps. The edges of the wraps are slightly darkened & there is some very light soiling to the rear wrap. [27] pages. Black-and-white illustrations. Very good.

Softcover staple bound artist book of photos, drawings, and text, 76 pages, good condition: cover has moderate shelf wear.

101 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; September/October 1980 issue of Journal. Edited by Bridget Johnson. Contents include: "Art at Large," by Peter Clothier; "At Large in Santa Barbara," by Richard Ross; "You Can't Tell a Book by Its Cover (But You Can Locate a Text by Its Spine)," by Robert C. Morgan; "The Poltergeist," by David Askevoid and Michael Kelley; "Los Angeles Painters of the 1940s," by Susan Ehrlich; "Some Notes around a Recent Film by David Lamelas," by Paul Arthur; "Sculpture in California 1975 - 1980," by Richard Armstrong and "Evidence," by James Hugunin. Cover by Doug Wheeler. Very Good. 6 mm. dog-ear / bumping to bottom right corner of recto. 2 cm. surface tear to spine edge with additional light edge wear. Contents clean and unmarked.…

Condizione: Very good. Published by the author, 1974., 1974. Very good. - Small quarto, 10-5/8 inches high by 8-3/8 inches wide. Softcover, bound in pictorial gray, black & white wraps. The covers are lightly bumped & soiled. 39 pages, illustrated in black & white by the author. Near fine.

55 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September - October 1981 issue of Journal Contemporary Art Magazine, edited by Bridget Johnson. Contents include: "David Salle Interview," by Peter Schjeldahl; "Knud Merrild: To Be Transformed in the Flux," by Susan Ehrlich; "Pastel, Juice and Gunpowder: The Pico Iconography of Ed Ruscha," by Robert C. Morgan; "Public Sculpture and the Urban Community: Recent Works by Lloyd Hamrol," by Merle Schipper; "Willoughby Sharp Interview," by Nikola Tesla; "A Choice of Extremes: Recent Work by Peter Campus," by Richard H. Ross; "Photography: A Bourgeois Success Story," by James Hugunin; "An Interview with Robert Heinecken," by Dinah Portner; "Colson's Corner," by unattributed artists and "The Stockman Letter (Rightwing R.R.R. Versus Leftwing R.R.R. and Vice Versa)," by Richard Ralph Roehl. Cover by David Salle. Very Good. 1 cm. surface tear to bottom edge of spine. Light edgewear including light bumping of corners. 2 mm. yellow spotting on text block edge. Contents clean and unmarked.…

72 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; September/October 1979 issue of Journal. Edited by Bridget Johnson and Debra Burchett. Contents include: "Thoughts on the Last Ten Light Years," by Deborah Irmus; "An Interview with Leland Rice," by Dinah Portner; "Judy Fiskin's Photographs," by Richard Armstrong; "Broken Mirrors and Dirty Windows," by James Hugunin; "Jo Ann Callis: Between Eroticism and Morbidity," David Fahey; "Some Thoughts About Women's Photographs," by Sandra Matthews; "Fables, Grids and Swimming Pools: Phototexts in Perspective," by Robert C. Morgan; "Two (Four) Views of Niagara," by Alan Sondheim; "The Photograph and the Photographed," by Frances Colpitt; "The Photograph as Nonsufficient Datum: A Conversation with Allan Kaprow," by Robert C. Morgan; "On Art Writing/Part II: A Conceptual Criticism," by Clair Wolfe; "Dennis Hopper's Lost Movie," by David James; "Despair, Sobriety, Sachlichkeit," by Sanda Agalidi; "A Cautionary Note," by Howard Singerman; "The Materialist Art Object," by Louise Lewis; "Maria Nordman," by Melinda Wortz; "Touch Don't Touch Don't Touch Now Don't," by Hunter Drohojowska and "Proposal for QUBE," by Peter D'Agostino. Cover by Leland Rice, featuring a photograph of work in Peter Lodato's Studio. Good / Very Good. Dust soiling and yellowing of covers with foxing along cover edges and light fingerprint soiling. Light handling wear and edge-wear. Contents clean and unmarked.…

64 pp.; 27.9 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; March / April 1979 issue of the periodical "Journal." Edited by Debra Burchett-Lere and Bridget Johnson. Contents include: "Spotlight;" "Making Music in the Name of Art," by Rhys Chatham; "Fluxus/Music: Two Views," Peter Frank and Al Hansen; "Performance Notes," by David Byrne; "Show Me a Boy Who Never Wanted to be a Rock Star and I'll Show You a Liar," by Savannah Roller; "Punk: Political Pop," by Dan Graham; "An Interview with Judy Nylon," by Margery Peters; "Interviewed: Iggy Pop," by Kristine McKenna; "Letterview, David Byrne of Talking Heads," by Debra Burchett-Lere; "Pythagorean Harmonics," by Drew Lesso; "Photography: Robert Cumming," by James Hugunin; "Performance: 'Laurie Anderson," by Richard Lorber, 'Michael Kelly," by Richard Armstrong, 'John White,' by Louise Lewis;" "Criticism," by Michael Kurcfeld, James Hayward; "Film," by David E. James; "Painting: Marjorie Nodelman," by Ruth Askey; "Video: Allan Kaprow," by Sanda Agalidi and "Sound/Sculpture," by Tom Marioni. Cover: Ron Nagle. Very Good. Rubbing, dust soiling, and light yellow soiling of covers wirh light handling and edge wear. Contents clean and unmarked.…

Vintage miniature binder, containing catalogs for five exhibitions held from September 1981 to February 1982 at Mount Saint Mary's College (today Mount Saint Mary's University) in Los Angeles. One of 500 unnumbered copies. Laid in the back pocket of the binder is a 5 x 2.5 inch errata card and a Mount Saint Mary's College Fine Arts Gallery "Friends of the Gallery" tri-fold brochure. The exhibitions include: Avery Coffey Danzinger "Photographs," Jim Morphesis "Cruciform Paintings," Richard Turner "Immolation Maze: An Installation" held September 28 to November 15, 1981, and [John] Harris/[Tim] Harris "Painting Assemblage," and Sue Dirksen "Yelapa Series" held January 11 to February 14, 1982. Each exhibition includes an introductory essay and Selected Works followed by a Selected Bibliography. 7.5 x 9.25 inch binder with 49 5.5 x 8.5 inch leaves, Near Fine.…